Ramblings of a Redhead Music Snob

Life & Music in New York, My City

(No) Passion w/Car Seat Headrest

Posted by xneverwherex on January 23, 2016

Car Seat Headrest
Silver Shadows
Independent
January 20, 2016

Not unlike another Virginian (Jack Tatum of Wild Nothing), Will Toledo has a similar story. Both seemed to start recording their albums very lo-fi in their bedrooms and then managed to get signed by labels and record albums and go on tour. It’s almost too familiar. Both artists are clearly masters of what they do and have incredible music. Will, playing under the moniker Car Seat Headrest, has moved onto wetter pastures aka Seattle. And then he got signed by Matador Records. The even crazier part of this – he already had some 11 albums released. Pretty f’ing impressive!

Car Seat Headrest

Car Seat Headrest

On album, some of their songs are fuzzy anthem sing-alongs and they’re fun to listen to, but it was a wonder of what it would be like live. I already had listened to Car Seat Headrest’s Matador debut, Teens of Style, more than enough times. I had come across them while asking friends which bands I needed to check out from CMJ (think SXSW – smaller and in NYC). And then next thing I know, a co-worker is sending me all these links of the band and how much press they are getting. Seriously, the prestigious New Yorker had written about them. And that’s when you know you’re going places.

To say that I was beyond pleasantly surprised about their show would be an understatement. I didn’t even realize they had that much music to perform and it seemed like the entire audience know their entire catalog and had seem them play countless times. The band started the set with “The Ending of Dramamine” which had to be the coolest song they had. The solid drum beats in the background with the minimal sound of the throbbing bass and then the guitars come in oh so slowly. At first a note here and there its slow and drawn out. I was so reminded me of Explosions in the Sky at this moment. As the 13 minute song continues it picks up. The guitars come in full force getting louder and louder and more aggressive. It comes to a full swell before backing down and then picking up. It was just beautiful and one hell of a song opener. And then once it seems like the song is over, 5 or so minutes in, Will comes in with his lyrics. It’s strangely beautiful – his vocals just emote. You can nearly feel the pain of the lyrics as he sings.

My only wish was that it continued just like that, but the songs change up and they’re not all that heavy. But regardless, the show was awesome. From the crowd chanting out songs and the drummer joking that it’s a school night and we should all be home sleeping. The band clearly was quite comfortable with the crowd. Will almost seems embarrassed from the way the audience loved him and it was somewhat cute. There were moments that I felt like I was watching an early Pavement show. Some old-school songs that clearly felt like they were from the 90’s independent scene. Then there were songs like “Bodies” which has a more electronic fuzzy pop sound and got the crowd dancing and jumping.

Im definitely a fan of their songs being played with more guitars. But even their pop songs that were more well known were awesome live. Everyone singing along they also managed to capture the 60’s neo-psychedelia sound. Its hard to place the band on where they should be filed under and who would like them, but it seems that they cross genres and have a pretty cool fan-base. Im totally into seeing them again whenever they come around. Plus – Will is multi-talented and watching him on drums was pretty sweet.

Besides, any band that can end with a really impressive “Psycho Killer” cover from The Talking Heads already upped brownie points. In a weird way, at that moment it felt like we were watching a young David Byrne. Quirky and slightly weird, Will is just quite awesome.

Silver Shadows

Silver Shadows

Local SF/Oakland band Silver Shadows started the set. The almost all-girl band (minus the drummer – Chase – who apparently is a cool dude that somehow everyone seems to know) were a really great start. Sounding like some of the 60’s girl bands they didn’t totally have a wall-of-sound going, but should have. If the guitars were just a bit louder it would have been that much more awesome. A co-worker said they could be the next Dum Dum Girls or Best Coast and I was reminded of a less 80’s version of The Pains of Being Pure at Heart. Regardless, all great bands to be compared to. The vocals from each of the women was pretty sweet – as their high voices pierced through the air against swirling guitars, drum beats that almost get lost in the background but you can just feel it and keyboards. The guys in front next to me (possibly friends of the drummer for all I know) were really into it and dancing and singing along.

I’ve listened to the EP more times than I could have imagined already and it makes for really great listening. A bit shoegazey at times into crescendoing guitars and they have this really awesomely beautiful sound. I really need to see them again.

So far – a pretty good start to 2016 with Tool being the first show (no words can describe a Tool show but f’ing amazing balls-to-the-walls awesomeness).

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2015 Ended and The Greatest Rock Band Played the Greatest Show…x3

Posted by xneverwherex on January 2, 2016

The Dandy Warhols
Joel Gion
Miranda Lee Richards
December 1 & 2, 2015

The greatest rock band played the greatest show… The End.

Sadly, time some times gets the best of us. And then the year ends, and you get to reflect on all the shows you saw and how the year ended. It was a crazy year – I saw Ride the day after the Paris attacks and I remember being unsure about going to a concert. And then I thought of how many awesome bands I had seen over time – and fuck it – ISIS, terrorists will never win.

Zia

Zia

As Zia ended the concert – she said it was one of the greatest rock concerts ever. Ive seen The Dandy Warhols so many times, that at times the shows start to blur. There was the string of the 3 hour long sets (some of the best I had ever seen), and then there was December 2. The energy in the club was amazing. The place felt alive and it had been a long time since I felt that feeling in a show (let alone in SF, ever!). And the energy in the club reflected with the band who was as tight as ever. It was like everything converged for that perfect storm.

A co-worker (who was at night 1) and I discussed the rules of music/bands and what happens when a band plays 2 nights. The obvious answer is … you go to both shows. The other answer is — when in doubt always go with night 2. There’s a lot of reasons night 2 always wins out – but to keep this succinct the rule of thumb is the band is all warmed up, they’ve been in town for a bit and everything is all worked out. This happened with The Mountain Goats (I didnt see show 1, but according to those who saw both – night 2 kicked ass) and I’ve seen it with other bands. (Testing this theory out on Sunday night with A Place to Bury Strangers – will report back). So while night 1 was pretty awesome, night 2 killed it.

The obvious – Zia no longer had a migraine and was in great shape. The band was tight and mostly the crowd was ridiculously awesome. Truthfully, with the frat bros pushing forward (and apologies now – never judge a book by its cover yadda yadda yadda) and needing to be front center and not shutting up I wasnt sure what would happen. Turns out – these guys were insane die hard fans.

Zia came out to a crowd that loves her – with everyone chanting her name. CTT likes to talk about how everyone loves Zia and she does a little dance. She looked super comfy in flowy pants and a black tank. CTT – who wasnt in a BJM shirt – was more chatty than usual. And Peter and Brent seemed like they were having an awesome time. I noticed Brent and Zia talking it up quite a bit with lots of smiles.

Dandy Warhols

Dandy Warhols

So what makes it a show that stands out from other shows:
* the crowd can make or break a show. Any crowd that upon request for a song to play actually has people yell out songs with explanations is pretty f’ing amazing. The guy next to me yelling out “Little Drummer Boy” with Zia stating maybe later – and the guy pleading ‘its December – its the right time to play it’ was quite convincing. Courtney ixnayed it and pretty much every song to state that he’d be sticking to the setlist.

* during the band’s “break”, CTT led the crowd in the loudest sing-along ever for “Everyday Should be A Holiday“. He mentioned that whenever this is played he alawys asks for a sing-along and its never really loud. So this time, when we weren’t loud enough, he asked for it even louder. The whole place must have been singing along. Perhaps one of the greatest moments ever.

* CTT sounding better than ever. ‘Chauncey P’ is a really great song live as well as ‘Some Things You Got To Get Over‘, two of the bands newest songs and so worth a listen.

* Zia dancing and playing the entire set and never stopping (minus the pee break). Plus her awesome dance moves as the crowd chanted her name. Migraines be gone!

* Zia stating it was one of the greatest rock n roll shows ever.

* Pete on guitars in the opening of PIA with some of the greatest guitar work ever – and then his windmill playing. Plus – the droning guitars that go on and on and straight into ‘Boys Better‘. How does life get better than that – and then you end the show!

—–

And while not to dismiss night 1 – that was awesome too and they were really good. Sure, Zia wasnt in the best of spirits but she looked to be having an awesome night. Plus – we got a Kristen Hersh (Throwing Muses) cover – “Your Ghost” – which was incredible. Also, CTT waxed poetic about SF and him loving the city. And also about how while SF was changing the TL would never change no matter how they try to clean it up.

I should also state that the openers – Joel Gion especially – put on a really great show. If you love psychedelic music – you have to see them. I got to talk to Christof after the show (guitarist in Joel’s band as well as Miranda Lee Richards) and besides being insanely talented he was charming. Him and a few of us were talking about both the nights shows and how he thought the 2nd night for his band was so much better (possibly more drugs?) but how as an audience it seemed the first night was much tighter. Perhaps because the band had so little space to perform, they seemed so connected. Either way – the band was awesome on both nights and Joel (of Brian Jonestown Massacre percussionist fame) has one hell of an awesome band. Definitely a band not to be missed.

Set List:
Mohammed
Crack Cocaine Rager
Get Off
Somethings You Got To Get Over
I Love You
The Last High
Everyone Is Totally Insane
Plan A
Down Like Disco
Good Morning
Shakin’
Every Day Should Be a Holiday – CTT Solo
Chauncey P vs All the Girls in London
We Used to Be Friends
The Legend of the Last of the Outlaw Truckers a.k.a. the Ballad of Sheriff Shorty
Bohemian Like You
Godless
Pete International Airport / Boys Better

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Its Beginning to Look A Lot Like Christmas w/Aimee Mann

Posted by xneverwherex on December 7, 2015

Aimee Mann & Ted Leo Holiday Show
w/Special Guests Liz Phair, Jonathan Coulton and John Roderick
Bimbo’s 365 Club
12/6/15

In a random twist of events, I ended up at Bimbo’s last night for the Aimee Mann, Ted Leo Holiday show. Let’s just say that there might be hope for Tinder, really. The guy was from Chicago, so obviously he’s already got cool points because thats where Liz Phair is from and well it’s Chicago, and he’s obviously got great taste in music. I had always wanted to go to this show, but just never bought tickets and it seems it usually sells out. All I know is that it’s fully worth the money and next year (assuming it’s happening again), I’m all over it.

I had seen Ted Leo quite a bit in NYC but not on a tour like this and I had missed The Both (his and Aimee Mann’s collaboration). It was a really great set consisting of some really bizarre Christmas tunes and just some great stories. Apparently Ted was running for office in the North Pole as FrosTED the snowman (costume too) (term limits came into effect), and as Aimee mentioned – another white guy running for office and he had a platform/campaign with an awesome poster. Him and Aimee have great chemistry on stage and just feed off of each other.

Holiday Show w/Aimee Mann, Ted Leo

Holiday Show w/Aimee Mann, Ted Leo

With so many great guests coming together (hello Liz Phair) it was an awesome experience. She came out early in the set to perform “Supernova” along with Aimee and Ted. It sounded as great as ever and maybe better with the addition of the two of them. I did really enjoy the holiday songs that Aimee and Ted performed with Aimee’s lovely voice on “Winter Wonderland” and “I’ll Be Home for Christmas“. Perhaps the best of the night was Jonathan Coulton‘s help on a new rendition of “Superstar” from Jesus Christ Superstar – with new lyrics “Jesus Claus” “Santa Christ” it was blasphemous and hilarious and so worth seeing.

I’m not sure the show got better than the moment that Aimee came out to sing “Save Me” which was haunting and beautiful as ever. So much pure, raw, emotion. Ted helped out with guitars and vocals and missed the 2nd half of the song as he got so enrapt with Aimee’s vocals and just listened in and forgot to sing. It was *that* special. Plus, she even did the “original” version of “Voices Carry” from Til Tuesday. Apparently, the original version is not what we ever heard on the radio which was about trying to get presents from her step-dad. But, apparently it didnt go well with radio peeps with lyrics like “Hush hush / He’s your dad now / This is Gary”. I think this song will be forever tainted in my head with these new lyrics.

Aimee and Ted clearly have a wicked sense of humour and really play off of each other well. And John Roderick – and a song about Atari 2600 called “2600” was pure awesome. Lots of talk about Atari vs ColecoVision and other ancient video games. It clearly wasn’t necessarily a show for the young hipster crowd, as even my date didn’t even recognize Til Tuesday. Also, there was a great rendition of “You’re A Mean One Mr Grinch” which really showcased Aimee’s beautiful vocals.

In their 2 hour set, it seemed so much happened and was learned. Aimee was once married to Santa Claus (he had no time for her), Ted Leo learned the elections were not happening, he also has a dad who cries mysteriously when some Christmas donkey song is played (report back NYC when he brings his dad on stage for this), Jonathan Coulton (who was initially dressed as Santa Claus) is really Jesus, and the lovely Liz Phair goes all out for decorating the tree so much that you can’t even find her family. What can be better than a night spent like that, hearing lovely stories and laughing a lot and bringing in the holiday spirit.

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Stereolad = !!!

Posted by xneverwherex on December 6, 2015

!!!
Stereolad
Slim’s
12/4/2015

It was one of those nights that was just bizarre. While waiting in front of the club, a woman comes up to me and asks me if I want dinner tickets to the show. I tell her that I already have tickets, and she says she has no one else to give them to. So now – Ive got 4 tickets. Because the show isn’t sold out, nor even close to it, and there arent people roaming around I talk to the bouncer/security guy and he is game to help me out. He agrees to text me if it does sell out so I can come back out and sell my tickets. I won’t even spill the guy’s name, because I am sure that this is not supposed to happen. Wouldnt matter anyway, as that did not happen.

But, I did get a free dinner out of it. So, I cant complain too much, especially because it meant I didn’t really have to hear the first band which I just wasn’t enjoying, nor really paid much attention to.

Stereolad

Stereolad

As excited as I was to see !!! again, I was even more excited when I realized/hoped that Stereolad was indeed a Stereolab cover band (with the members of !!!). Im not sure if it was a better thing that I had read up on this, or the surprise in person would have been better. Either way, it was simply brilliant and maybe even the highlight of the show. Oddly enough, Laetitia Sadier, lead singer of Stereolab, had just performed in concert a few months ago.

Its so worth checking this out, especially if you’re a fan of Stereolab. Stereolad does not disappoint in the slightest. Nic Offer (lead singer of !!!) comes out in an too short checkered dress with big flowers on the pockets and even puts on a great French accent. He nails it and gets the whole French attitude all so perfectly. With 2 other women singing, alongside him, it almost feels like a Stereolab concert. They have perfect harmonies and opening with ‘French Disko‘ is just about as perfect as it gets. With heavy keyboards, some great droning guitars and Offer singing back-up vocals in addition to him on guitar, their music sounds perfect. Its that perfect amount of indie-pop sung in French and English and has everyone dancing along. How can anyone not dance to ‘Jenny Ondioline‘. I couldn’t have been happier to hear “The Noise of Carpet” off Emperor Tomato Ketchup (which was one of my favorite albums of theirs), especially since the women really killed it on the vocals of that song. Perhaps the best moment is when Nic announces that soon !!! (or pronounced in a French accent – cheek cheek cheek) will be out soon. Never sounded better! The set was just perfect and if you can’t get Stereolab, you definitely can’t go wrong with Stereolad.

French Disko
Transona 5
Jenny Ondioline
Our Trinitone Blast
The Noise of Carpet
Lo Boob Oscillator

!!!

!!!

And soon enough Brooklyn via Sacramento band !!! (chk chk chk) would take to the stage. Nic opted out of his dress and came back with his short blue board shorts (TM). And the band was ready to go in a whole different direction from Stereolad.

The band is on tour for their new album As If. It didn’t take long for them to get the crowd dancing with hands in the air. Sure, maybe the music has changed over the years and has lost the dance-punk edge, but the 80’s dance music is hard to go wrong with. They opened with the ever catchy “Sick Ass Moon” off of their new album. It starts off slow but has a nice build to it and is a good way to begin the show which is obviously going to be a sweaty hot dance mess. “All U Writers” is by far a bit more catchy and it was good that they kept the songs going more upbeat and really working the crowd into a frenzy. The back-up vocals were pretty awesome, although I have no clue on the woman’s name who sang. All I can say is – first time in SF and she was having an awesome time – and killing it. I love that the band now has solid dance routines down for the band members. It’s just so much fun to watch.

Nic Offer !!!

Nic Offer !!!

And Nic’s moves are always sweet. He knows how to work a stage, hands and arms going back and forth, legs moving non-stop. While they may never change, it surely doesn’t matter. It works and everyone loves him for it. Nic clearly was having a good time and spent a good chunk of time in the dance pity on the floor. He worked the entire floor moving all through it really getting the crowd to dance. He was so engaging.

Bam City” was great to finally hear. It’s a total rock party song and everyone was singing along with it. And lots of keys and guitars are always refreshing to hear. It had been awhile since I had heard “Must Be The Moon” performed, so it was really awesome to finally hear it again. The crowd was going pretty crazy and everyone was jumping. Nic was leading the crowd in the pogo-ing and it worked. Plus the keyboardist was really into it. He had a lot more solo dance moves last night and was really into it.

Freedom! ’15” is a song perfect for now – political enough but with dance beats it always seems a bit more light-hearted. And then right into the even more fun “One Girl/One Boy” was perfect. Everyone singing along and dancing to it was just perfect. It’s beyond catchy and has lots of great guitar parts so Nic could catch a breather.

But the highlight by far had to be the encore, “i feel so free (citation needed)” – which more people seem to know it as ‘say it ain’t so’. It starts with just Nic singing and then as he song goes on he says ‘its too quiet without kickdrums’ and sure enough they come in – then the same for guitar. It just builds and builds and its just a huge dance party with the whole floor moving – arms flailing in the air, everyone having a great time together – and dancing all as one. As Nic would lean over the stage, people would rub his head – all sweaty big hair and curls. He would get really into it. And at one point, he messes up, and just starts laughing and laughing and cant stop – then says ‘well thats never happened before’. And that kind of sums up the show. It was just pure fun and to all the blogs/writers out there giving this album mediocre to bad reviews – if you cant get past that the band is all about making great dance music – and sure maybe the punk is gone – but who cares. They put on a show like no one else – and some days that’s all I want in my music.

Set List:
Sick Ass Moon
All U Writers
Except Death
Ooo
Fast One
Bam City
All the Way
Must Be the Moon
Freedom! ’15
One Girl/One Boy
Slyd

I Feel So Free (Citation Needed)

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Bring on Brooklyn: Battles + Buke & Gase

Posted by xneverwherex on October 17, 2015

Battles
Buke & Gase
The Fillmore
10/9/15

I had avoided Battles for awhile just because they seemed like another experimental/art-rock outfit from Brooklyn doing something really out-there; which is not to say that they aren’t any of the above. The band might possibly be more weird/avant-garde than I thought, but perhaps people change (or as I get older, maybe I’m willing to think/listen outside the box). Putting that all aside, seriously, what on earth was I missing.

Battles

Battles

The trio from Brooklyn did not disappoint. While waiting for the band to come out, it was impossible not to notice the insane drums front and center of the stage with a crash cymbal that was beyond high for the average person, yet somehow was perfect for John Stanier. And then to his right (in front of me) the dueling upside down keyboards of Ian Williams and of course the band wouldn’t be complete without Dave Konopka‘s guitars/pedals.

Battles started out with the ridiculous sick ‘Dot Com‘ off of their new album La Di Da Di . Dave starts it out with repetitive loops that seem to carry on and on as the song has a slow build of just him until finally the guitars come in then throw down some synth beats. By the time a good solid 5 minutes have gone by the drums finally come into play. Have no doubt about Stanier — the guy is ridiculous. The way he seamlessly hit the insanely high cymbal while sitting down making it look so easy. He is quite possibly the best drummer I might ever see. He puts drummers to shame the way he went took to the drums. By the time the first song ended, the guy was dripping in sweat.

And then if you really wanted to dance, Battles went straight into ‘Ice Cream‘. One of the few songs that isn’t entirely instrumental featuring Matias Aguayo’s vocals. Its catchy and dance-y even if its all loops and blips and just makes you want to move. Guitars, synths, instruments all sounding like other instruments its one of the most brilliant songs.

Battles is like an aural symphony. The different, unique sounds and the way it comes together seems so organic like its happening fresh before your eyes. Even if they’ve done the same setlist night after night – it never felt old. There was so much sweat flying everywhere you could tell the band played their heart out. Even after they talked about San Francisco (“their favorite city to play in”), even as Dave kindly admitted they said the same thing the night prior in Portland – it was clear that they were having an awesome time. They even joked about how many cliche things they could say about San Fran, Cisco – and even asked what they should call it. But it was clear – they were at The Fillmore – and super excited to be playing there.

FF Bada‘ was beyond catchy and really showed how well the band played off of each other. Different time signatures and music all over the place – it somehow comes together and fits perfectly. The band was focusing mostly on their new album but did play ‘Atlas‘ which was definitely a crowd favorite. While not a lot of songs were played, the songs that were played seemed to go on forever and blended together like a beautiful symphony of sound. What more could one want.

Buke & Gase

Buke & Gase

Buke & Gase also of Brooklyn opened the set. If Battles was pretty out there, Buke & Gase held their own with also being pretty bizarre. I had seen them before in New York opening for The National and also with Ra Ra Riot and remember liking them but this time may have been more memorable. The duo Arone and Aron play hand-made instruments that are beyond creative. Arone plays the ‘toe-bourine’ which is exactly as it sounds (tambourines played as she click clacks across the stage) as well as the “buke” (six-string baritone ukulele) while Aron plays the “gase” (a guitar-bass hybrid).

Their music is definitely interesting and started off on the slow side until it really started to hit a stride. Arone has beautiful vocals that are strong and just flow with the sounds. Lots of solid repetitive beats and just a really unique experimental sound. Its pretty amazing that with just 2 people there are so many instruments that are heard. The band is beyond creative and definitely has their own style. If you’re into avant-garde/experimental music – these bands are both worth checking out!

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Savages

Posted by xneverwherex on September 18, 2015

Savages
DJ Johnny Hostile
Great American Music Hall
August 25, 2015

One of the first times I heard a really great story about Savages happened to come from one of the VP’s at my company. I was listening to the band and he came over to talk to me about them. He was impressed that a) I knew them and b) I was going to see them. And then he waxed poetic about how awesome they were and how he had now seen them twice and it was impressive. Why not a third time, I will never know. By then, I started hearing from countless other people how impressive they were – and usually at that point I begin to worry. Its hard to live up to the hype.

Savages

Savages

London-based Savages didn’t just live up to the hype, they by far surpassed it. And it will easily go down as one of the best live shows of 2015. The band, all dressed in black, fittingly opened up with “I Am Here” and the Siouxsie-esque vocals pierced through the crowd. No doubt, that lead singer Jehnny Beth was here with pure, raw, angst – a force to be reckoned with. The way she moves, commands attention and works the stage is nothing but impressive. An explosive ball of energy. While the band is often called the female Joy Division, they are much more than that. They are definitely taking the post-punk sound and throwing in some dark-wave and Siouxsie and Joy Division and the newer British bands for their own sound. And they do it better than anyone else.

In the beginning, Jehnny Beth danced and worked the stage with her stylish animal print heels on and is nothing but pure emotion. You can feel her energy on all the songs. It just pours through her. The band rocks out and everyone of them is just so into the music. The drummer going crazy on the drums – drumming her heart out. While the band seems to not be the center of attention, they are every bit essential and Jehnny Beth feeds off their energy, rocking out with them. As she gets into “City’s Full“, she’s dancing all across the stage, working it like no tomorrow.

Jehnny Beth

Jehnny Beth

By the time she has kicked off her heels, she has turned the crowd into a frenzy and is creating a scene and encouraging the mosh pits. She wants people moving and dancing and enjoying themselves and San Francisco did NOT disappoint. The crowd was non-stop dancing, moving, jumping, crowds surging forward – and Jehnny Beth stood at the edge of the stage – grabbing friends’ hands for support – and singing into the crowd. She walked across the crowd with everyone helping her stand above and sang from atop the crowd during “Hit Me” which was pretty impressive. It was just craziness that kept on going.

It was great to see the band loving it as much as the crowd. Jehnny Beth was all smiles and talked about how this was one of the best shows she had ever played. And she was having so much fun she couldn’t wait to come back here and do it again. She mentioned her prior shows (The Independent) and said how much better this was with a crowd so pumped and so into it. Whats not to love when the band and fans are all enjoying it. This just does not happen enough.

And the best part might have been towards the end of the set, she looks up to the people sitting above and starts talking to a guy near the top left corner who is leaning over and filming the entire set. She asks if he’s enjoying himself watching it from there, then tells him that he had better post the f’ing video on youtube — touch it up and zoom in and out! It couldn’t have ended on a better note especially as the next song was “Fuckers“. “Don’t let the fuckers get you down”. And that sums up the entire night. Pure brilliance.

Bonus – I sold my ticket to a guy who really wanted to see the band after someone else had promised they’d buy the ticket off of me. And he really loved the show. Winning all around!

Set List:
I Am Here
City’s Full
Shut Up
The Answer
Sad Person
Slowing
Adore
I Need Something New
Evil
No Face
Husbands
Hit Me
She Will
Fuckers

Savages

Savages

Jehnny Beth - Savages

Jehnny Beth

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F**K Yeah Fest (FYFFest) Festival 2015 – Day 2

Posted by xneverwherex on September 15, 2015

FYF Fest
August 22-23
The LA Sports Arena & Exposition Park

While Day 1 was pretty incredible … it was really all about Day 2 – Saturday. And it was really all about just 3 bands. We showed up late into the day and strolled into the park right as Spiritualized was taking the stage in the Arena. The Arena couldn’t have been a more perfect place for the band to perform.

The show was pretty sparse which was a bit of a surprise with a near empty floor. We opted for the seats up above and werent too far away with amazing views. The band was swathed in lights and it made for one of the best light shows of the festival. “Lord Let It Rain On Me” sounded just beautiful – with loud, fuzzy guitars and the women vocalists in the backdrop. Jason Pierce’s vocals were just beautiful as they echoed through the arena and filled the room. And then it just melted into “Electricity“. Its hard to have even imagined a more perfect set than what the band gave to us.

Spiritualized

Spiritualized

Throw in some heavy, droning guitars and turn it up and one hell of a laser light show and its pure electricity. Jason’s vocals were haunting through the loud guitars and filled the air. The crowd below swayed with a few people jumping around. It was just an electric, raw feeling that I knew I wouldn’t get from any other band. And soon after, the very space-y jam “Electric Mainline” that you can just close your eyes and feel like youre in the music – it just takes you away as the guitars drone on and on and your body just moves with it. Such a beautiful feeling. And naturally, as this song came on the joints started getting passed back and forth behind me and the arena started looking like it was one big cloud of smoke.

The show just got better and better with “She Kissed Me (It Felt Like A Hit)“, “Oh Baby” (which really emphasized the background singers – who of course sounded amazing!) and eventually coming to the end with the Spacemen 3 cover “Walkin’ With Jesus” which always makes me feel like I’m in a church with such powerful lyrics. Spiritualized ended the set with “Come Together” which couldn’t have been a more perfect ending to the set. That song just takes you away — your body moves to the music – heads swaying/bobbing back and forth — and then the loud guitars come in and BAM! It’s pure heaven! And they were just awesome!

And then came a bit of a wait – as I checked out some bands. Battles sounded awesome and are so worth seeing again. The 3-some from NYC and their experimental art-electronic rock sound were a really great time. “FF Bada” is pure catchiness, if not a totally out there song but it had the crowd moving and snapping along. And then of course, there’s “Ice Cream” which is so hard to go wrong with. Its pure catchy, love, hip shaking, infinite loops that are always changing and dance around fun! What’s not to love about this band!

Following Battles, was LA’s Health. The loud, VERY loud rock/experimental band, could be heard from nearly everywhere. I had seen them before and just loved them, but this time just couldn’t get into them. It just seemed like screamo rock without much else, but perhaps it’s just their new album or just not a great set up. Either way, sadly, I didn’t stay to hear much of them. Did attempt to see Solange as I had heard great things about her, but after not starting within 15 minutes of her start time, I ended up taking off. Not sure what time she eventually came on. But I had places to be … as in needed to get past the famed 1984 Olympic site with the lovely olympic rings to see hear some ‘Stars of Track and Field’ aka Belle & Sebastian.

And finally, we were getting to the best of the best. Scottish band Belle & Sebastian were clearly up for a good time. They had recruited members of the audience to be part of the show and they just danced on the sidelines for the most part; although one girl, who apparently thought she was the show, seemed to end up in Stuart’s lap quite a bit. While it was a bit distracting, it really didn’t seem to matter all that much.

Belle & Sebastian

Belle & Sebastian

Belle & Sebastian opened with “Nobody’s Empire” off their newest album Girls in Peacetime Want to Dance. Its fun and catchy and a great way to start the set. Singer Stuart Murdoch seemed in great spirits and just wanting to have fun. It was awesome that there were so many people on stage as well as so many instruments. And if you wanted to dance, the set could’t have been more perfect. They jumped right into “Im A Cuckoo” and everyone was dancing and bouncing around. Pure blissful fun indie-pop. It could only get better.

Stuart asked the Angelenos (pronounced in a way only a Scotsmen could say) if we wanted to party on this Sunday night before going right into “The Party Line“. And just like that Stuart was dancing and on the screens there were people dancing with their great little dance moves. If that couldn’t get a crowd dancing than nothing would.

Stuart was beyond chatty – talking between songs and adding a lot of banter. But of course the real highlight (even if all too predictable) was “The Stars of Track and Field“. He joked about how most of us weren’t alive during the olympics but he remembered watching it in 1984. And of course, with the olympic stadium behind us — it was hard to not be touched. Jokes about the jetpack man (where is he now?) and of course Carl Lewis on the big screen as the band played on. It was just too awesome and how often (if ever) can you say you saw a band play the most perfect song at the most perfect place. Even if it ended here, I’d have been beyond happy.

The band played just an awesome set. Couldn’t have been happier to hear “The Boy With The Arab Strap” as Stuart jumped over to the keys and sounded just perfect. They recruited a trumpet player from the area and it worked out quite well. He was awesome. The band ended the set with “Judy and The Dream of Horses” and sounded awesome — clarinet players, FTW! It was just a great set… so the only real question in my mind was — Will Morrissey be even better? :)

And clearly, the best had yet to come. The crowd surged forward and everyone needed to get as close to Moz as humanly possible. At this point – I went to the side as I was not about to get crushed. Sadly, I had missed Moz in July in San Jose, so it was a long time coming (he manages to cancel all of his SF shows, so thankfully I saw him plenty in NYC)… And Morrissey did NOT disappoint. Coming out in jeans and a bright blue long sleeved shirt and the band sporting Crapitol Records, he was at his finest. He had the best images on the large screen behind him and with the Queen Mum flipping us off, Morrissey started the show with “The Queen is Dead“. He sounded as great as ever and starting with a Smiths song!!! I didn’t really care what happened after this, as at this moment it was pure happiness.

The crowd went crazy as the next song was “Suedehead“. Seriously, how could it not be more perfect. Everyone started singing along and it was louder than Morrissey himself. I swear, if I hadn’t seen him before, I would have been crying with all the emotion I felt at this moment. I felt like I was back in highschool and seeing him all over again for the first time. He still works the stage better than any other performer I’ve seen. He plays to his fans and LA fans are serious about Morrissey. They love him like no other. (Next LA show, I am flying down). There was so much security protecting Moz, no one could really climb on stage so naturally Moz had to chastise them saying there were too many of them! Its a sick love/hate relationship with Moz and his security.

Morrissey

Morrissey

Of course, it wouldn’t be a Morrissey show if he didn’t express his views and show it in the hard-cold reality. He had choice words about our police and all of the police brutality. With images on the screen of black men getting beaten up by police, its hard to be surprised by what he shows. He had choice words about Obama, American politics, British Royalty and of course, meat. He has probably become more in your face over the years, but its hard to not love him. He doesn’t hide from his views and is always confrontational. Good thing him and Kanye weren’t playing the same night.

World Peace is None of Your Business” sounded just great and it was also awesome to hear that he now sings a bit in Spanish and has clearly learned quite a bit of Spanish thanks to all of his time in LA. And then soon after even more Smiths. As soon as he started with the opener of “Stop Me If You Think You’ve Heard This One Before“, the crowd went crazy and everyone was singing and dancing along. It just got better and better. I can’t even begin to fathom how it was so perfect. “First of The Gang To Die” which is a perfect song to be playing in South Central. “Meat Is Murder” was just awesome to hear and its hard to imagine dancing along as he performed it with all the images of animals being slaughtered. It was so Morrissey and it was hard to not feel nauseous watching it all. Some guys around me joked about now getting a burger, but I just felt ill. Nothing like literally shoving this down our throats.

Morrissey is one of the best crooners still performing and he knows what to play for his crowds. So, of course he played “Everyday is Like Sunday” and all I could hear was everyone singing around me … and of course, now there’s some Spanish thrown in and its fitting and was perfect. And this might have been the perfect song to end with. A perfect Sunday would come to an end, but this memory will live on forever.

“And if you happen to have a God, may he or she bless you”. – Morrissey

Set List:
The Queen Is Dead (The Smiths song)
Suedehead
Alma Matters
Kiss Me a Lot
Ganglord
Speedway
Staircase at the University
World Peace Is None of Your Business
I’m Throwing My Arms Around Paris
Stop Me If You Think You’ve Heard This One Before (The Smiths song)
First of the Gang to Die
Istanbul
Everyday Is Like Sunday
The Bullfighter Dies
Meat Is Murder (The Smiths song)
Now My Heart Is Full
I Will See You in Far-Off Places
What She Said (The Smiths song)

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F**K Yeah Fest (FYFFest) Festival 2015

Posted by xneverwherex on September 4, 2015

FYF Fest
August 22-23
The LA Sports Arena & Exposition Park

A friend and I love to joke about the name of the festival as the letters already stand for F*** Yeah Fest – so why they also added another fest is beyond me. Kinda like Courtney Taylor-Taylor – because one is never good enough.

A long, hot drive down the I-5 was just the beginning of the fun. Apocalyptic reservoirs that clearly were not winning in this drought war to gorgeous sprawling mountains that were no longer any shade of a recognizable green. Eventually, I’d pull into the traffic known as LA which somehow wasn’t bad at all. (A rare feat in itself).

And then it was off to the oh-so-trendy Echo Park with Ben and friends. Sadly, I still don’t get how that neighborhood is all that popular. Aside from the major strip that The Echo is on and a few hipster bars it was pretty dead on this Friday night. So here I am trying to beg my way into Baltimore’s Lower Dens show as Jana Hunter passes by more than a few times. Temptation set in quickly to ask her for a ticket, but I just couldn’t bring myself to do it. Instead its off to a bar and Lower Dens will have to wait.

Saturday:
FYF is nothing like what I expected. Its beyond organized and it’s a breeze to get into. Sadly, I somehow missed half of Broncho‘s set, whom I was really looking forward to seeing. But, of what I did hear I loved. They were upbeat, rocking out on the stage and their music was infectious. They ended their set with their ever catchy single “Class Historian” and everyone was bouncing and singing along. Great way to start the day.

I end up hanging around on the trees stage as its shady and a chill stage. The cool thing about this festival is the stages are spread out far enough that there’s no bleed-through but also easy enough to get from stage to stage. Expo Park is awesome with the coliseum in the middle sporting the 1984 olympic athlete sculptures cue “stars of track and field”.

La Femme

La Femme

The real reason for hanging out at the stage is Paris’ La Femme. Easily one of my most recent favorite albums, the French do NOT disappoint. The band comes out covered head-to-toe in robes and head coverings (Arab-chic) looking like they should be playing in the Sahara and they are ready for fun as well as a dance party.

With their opening notes of “Its Time To Wake Up”, the band got the crowd moving. It was a kick-ass set and the crowd was dancing up a storm and singing along to their music. It was pure fun as they went through a good chunk of their album Psycho Tropical Berlin. As they finished out the set with the catchy “Sur La Planche“, the crowd was a dance party with everyone moving together and singing along. A pretty awesome first couple of bands.

After much needed shade and beer (they somehow go hand in hand) it was off to enjoy Dinosaur Jr. in the beer tent. The band is celebrating 30 years and with all the original members they’re awesome to see. As soon as the chords of “Feel The Pain” started it was off to the front of the stage to get the real feel of J. Mascis. Man.. he does not disappoint. With his grey locks flowing, he rocked out and really got the crowd into the music. Plus, their cover of The Cure’s “Just Like Heaven” is insane and possibly better than the original, harder and heavier and so rocking. Just brilliant!

Then I had to give NYC’s The Drums another chance. I figured at a festival they would be better than the countless other times I’ve seen them in a club. And their light show was pretty incredible, but I still have yet to figure out the hype and they were still as boring as ever. Musically, they sound pretty good, but live — leaves a lot to be wanted.

!!!

!!!

But then right after was the dance party I had really been waiting for — !!! (chk chk chk). And this is a band that never disappoints. Surprisingly, their stage is pretty empty which means even more room to work it out and dance dance dance.

As Nic Offer came onto the stage, the band wasted no time getting into their electro-dance-punk beats and the band members all started dancing on stage with instruments. By the time lead singer Nic started to sing, he was already working the crowd with his awesome/funky dance moves and his short shorts (a staple!). Not much had changed since I had last seen them and it was refreshing! As a frontman, he is always entertaining and its always a good time.

Thankfully, as I hadnt really been following them, they were playing mostly newer material and have a new album coming out. Plus, they have a show scheduled in SF at Slims in December … so the dance party will continue.

And then it was the newly put together Bloc Party. So long Matt Tong… and welcome to female drummer Louise Bartle, who totally kicked ass. The band had played their first show with the new band members, which also includes the new bassist Justin Harris, just 2 nights prior. And thankfully the band still has their same energy.

Bloc Party

Bloc Party

Kele Okereke sounded as great as great as always hitting his high notes. He was talkative with the crowd and seemed happy to be performing again. And with the opening bass lines of “Hunting for Witches“, the crowd went crazy as everyone started singing and jumping. And then if it couldn’t get any better is the scratchy opening notes and catchy drum beats of “Positive Tension“. By then everyone was singing and dancing along if they weren’t already. Their post-punk sound filled the air and it was a great way to nearly be ending out the night.

So many awesome songs were played and it felt like a ‘best-of’ set which was perfect for this fest and perfect for the fans. I somehow ended up mostly in the beer tent area and a bunch of us went crazy as “Banquet” started to play. Singing in unison and all with the same ridiculous dance moves of jumping in circles as Kele sang “turning away from the light… turning into myself”. In some ways it felt like one of the first times I had seen them. The same excitement had returned which I hadn’t felt in forever.

After that I would try and see Cold Cave — just don’t get the love for that band — and I kinda felt bad as it was one of the most empty stages. But, anyone going up against Yeezus, Kanye was seriously in trouble.

Trying to get to the main stage for Kanye was truly insane. Everyone at the festival was trying to get there and it was just beyond packed. While the screens helped some, it was near impossible to see anything. As people eventually cleared out, it got easier to see.

Kanye is truly something else. His rapping over Daft Punk’s “Stronger” is pretty brilliant. It’s catchy, original and he is pretty amazing. And then it was straight into the single “Power” which sounded even better live. I’m not sure who was performing the female vocals but it was pretty amazing. The guy was just delivering and I finally understood the obsession with Kanye and people needing to see him. (He was a replacement for Frank Turner – and people were paying top dollar to get in just to see him). Its hard to deny how talented he is and someone so worth seeing.

Jesus & Mary Chain

Jesus & Mary Chain

Trying to leave the festival would be insane so left Kanye a bit early (missed Rihanna towards the end of his set) to see the Jesus and Mary Chain. The band was playing the album Psychocandy in its entirety and had never sounded better. Their loud, dark, moody sound filled the nighttime air. The sounds of guitars just seemed to go on forever; plus they had a pretty impressive light show.

I hadn’t heard this album in forever. The even louder, more rocking “The Living End” had never sounded better. Staring at their shoes for the most part, there was hardly any crowd interaction. But it’s one of those bands where none of this matters. The music speaks for itself.

It was one hell of a first day and the next day was even better.

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Expecting You – A Night of The Great Lake Swimmers

Posted by xneverwherex on June 14, 2015

Great Lake Swimmers
The Weather Station
The Chapel
6/10/15

Toronto’s Great Lake Swimmers were in town for their sixth studio album A Forest Of Arms. The band’s melancholic folk sound was perfect for The Chapel. The 5-piece band sounded as tight as ever and it was a perfect venue for the band. The acoustics were made for bands like them with their variety of instruments and just filled up the venue.

The band started their set with their first song off the new album “Something Like A Storm” which is just beautiful. Its a perfect way to start the set out as its so catchy and you find yourself stomping your foot in time with the music. The set comprised a good chunk off their new album, which is quite the listen. I cannot get enough of it so hearing it live made it even more awesome. As with prior albums/songs – they all have these beautiful song titles and its so fitting of their style.

It was also interesting to hear that the band now has an electronic sound. You could easily hear it but it was hard to know where it was coming from. And while my friend was convinced there couldnt be any electronics, the sound doesn’t lie. The drummer, Joshua van Tassel, was adding the electronics which were perfect. Of course, the stand outs were hearing Miranda Mulholland on violin especially on songs like “One More Charge at the Red Cape” along with the upright bass of Bret Higgins. She really tore it up on stage and rocked out on the violin which one doesn’t see all too often. Most the cheering came for Erik Arnesen on the banjo and electric guitar who was just brilliant.

But, the real stand out is Tony Dekker, lead singer and acoustic guitar. His voice is just so pure and heart-felt. The harmonies between him and Miranda are just beautiful. You can just feel the ache of their songs. It was also great to hear “Talking In Your Sleep” performed as a band off of Tony’s solo album.

Of course, it was great to hear their earlier popular song “Your Rocky Spine“. It has to be one of the most gorgeous folk songs ever written and just evokes so much feeling. And my favorite song off their new album “Expecting You” which is even more beautiful live. Its nearly heartbreaking. It also happens to sound even more beautiful with all their instruments coming together — the violin strings just sound too perfect.

The only real complaint of the show had nothing to do with the band, but with the crowd. For a band that is not that ‘noisy’, the crowd sure could have learned how to shut up. It never ceases to amaze me how many people go to songs, (especially folkier bands), and have the audacity to talk through the whole show almost as loud as the band. Regardless, the show was still awesome.

The band ended their show with an encore performed in the center of the audience to an acoustic version of “Still“. With no mics and just the crowd to add vocals it was pretty special as it became one big sing-along. And it couldnt have been a more fitting way to end the show.

Plus, just found out the band is playing on my birthday in NYC at the Bowery Ballroom. NYC crowds can be interesting, but I have to say this is beyond tempting.

The Weather Station opened the set. Apparently the band was all in Toronto, so it was just the singer of the band Tamara Lindeman. She had a Joni Mitchell-esque style to her sound and as a singer-songwriter was really great. She has amazing vocals and has these really beautiful emotional songs. Her songs have a sadness to them and were so melancholy. She was a fitting opener for GLS. And to make it all the more impressive she was playing on a jazz guitar.

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Panic Is Perfect – Live 105 BFD

Posted by xneverwherex on June 9, 2015

Live 105 BFD Festival
Shoreline Amphitheater
June 6, 2015

It was a hot hot sunny day in Mountain View over at the Shoreline. Somehow we got there early enough that the lines werent too painful, yet still managed to take forever to get inside. Ive yet to figure out their security system (its insane!) and how possibly taking every single thing out of a woman’s purse is at all productive. Oh, its a pen, let me look at it. Oh here’s your unopened water bottle, so let me open it for you and throw away the cap. Ive heard of ridiculous things, but seriously, this was the worst.

Actually, that was not the worst. Whoever thought of this venue and setup needs to seriously re-think their day job. Having the dance tent on top of the other stages and all the music going on at the same time was awful. The bleed through was non-stop and between songs you could just hear the thumping of the dance tent. Some performers were getting upset about it (not much you can do), but it just was bad. Its also bad that the two “smaller” stages are next to each other – and while theyre not having performances at the same time (thankfully it alternates), it just means the crowd is insane in one small blocked off area and going in and out, let alone to the ‘other’ stage soon became a clusterphuck of magnificent proportions.

With that being said – lets go on. This was all about the music. Instead of discussing bands in order, I will start with my favorite shows. Of course, theres always panic at shows of not seeing who you want and at a certain point, I just gave up and didnt even care. But the hands down best set of the night belongs to a band that I don’t particularly like (nor hate) but by far they know how to put on a show. Panic! At The Disco killed it! The band by far was one of the biggest surprises of the night. Now I knew their show would probably be big and insane, but I really was not expecting their energy and the excitement for the band. It was hard to not be jumping around. Lead singer, Brendon Urie, is really charismatic and him and the band were jumping around the entire stage and it was contagious. Their light show added to the overall dance-y rock feeling. And to make it all the better, I think by far this was the band that most people were there to see. And everyone around me was out of their seats and singing and jumping along. Some kids were way serious about it too and insisted on taking video of the entire show and not even enjoying it.

Probably the most impressive part of their set was Queen’s ‘Bohemian Rhapsody‘. Its hard for most people even to be able to pull off some of those high notes, but Brendon has incredible vocal range and got it just perfect. The band also decided to give a 30-second clip of a hardcore metal show and really went off for a good 30 seconds with loud screeching guitars and headbanging music. After that, they closed it out with their single ‘I Write Sins Not Tragedies‘ and to say I barely recognized that would be an understatement. But it was impressive and the backflip in the middle of the song by Brendon was f’ing brilliant. The band was just insanely impressive and one very worth seeing again.

Of course, closers Modest Mouse put on one hell of a show. The band sounded so incredibly tight and have superior musicians. Isaac Brock, frontman and multi-talented instrumentalist, was in top form and sounded better than ever. Their song intros were quite long but when they would finally get into their song the pay-off was so worth it. It was pretty much a singles list from the band, but I couldnt have asked for a better set. They gave the crowd just what they wanted and even after performing single ‘Float On‘ and people expecting it as the last song, the band still continued on. And the song never sounded better, just filling the venue with everyone up and dancing.

And with all the many instruments, the band always manages to sound so tight. I love the varied instruments from trumpets to fiddles, banjos and the other instruments that appear. I just love the song ‘Ocean Breathes Salty‘ and on a nice cool night outside, it was almost perfect hearing it. The band were as awesome as always and I wouldnt have expected anything less.

One of my favorite bands played earlier on in the day – The Kooks. And man how I missed them. Sadly, the crowd mostly talked through their set and it was way too short but Ive always loved them and their energy. Luke Pritchard was as engaging as ever and tried to get the crowd going with sing alongs, but it didnt always work. He mentioned that he’d play an older song and it was quite sad how no one seemed to recognize “She Moves In Her Own Way“. I was just glad to hear earlier songs like ‘Ooh La’ and set-ender ‘Naive‘. While the band may not have sounded the best, they are always ones to watch for me. I never get tired of their music and its always a good time.

I was finally lucky enough to see Iceland’s Of Monsters and Men. The band who seems to play here all the time, sounded was great as I had expected them. Their set which seemed all dark and hazy due to their darkened lights totally fit the mood of the band. I didn’t realize how many band members were in the band and how many instruments were used. It seemed like a bunch of people on different drum sets, lots of different back-up vocalists and a range of brass instruments. In actuality, its probably just 7 of them, but their sound just filled the nighttime air and it was pretty beautiful. Somewhat moody and atmospheric they were quite the band. While I will always think theyre a somewhat lesser version of Stars, it still made for an engaging set. The harmonies are just beautiful and the back and forth interplay between the male and female always is just beautiful. Definitely a band I will need to see in a club at some point.

Atlas Genius sounded incredible and put on a really fun set. Sure, their music is all over the place and some of the songs got annoying, but on stage they were tight. Its a pity that their super dance-y guitar rock didn’t translate with the crowd (who were perhaps recouping from the major rays), because in any other place everyone would have been dancing. Their songs are all so very catchy and dance-y with lots of great catchy hooks and great harmonies. Songs like ‘If So‘ had people singing along and of course their first single ‘Trojans‘ had even more people singing along. This is one band who is made to play in clubs and I really need to catch them in that sort of environment.

Other bands included: WATERS – the very catchy indie-pop band from SF. I was standing with the guitarist and drummer (Marc Campbell and Etienne Bowler) of Misterwives during their set and he was super into it. Their show was just awesome fun (turns out theyre touring with Misterwives). Their songs were just pure catchy fun filled with catchy choruses. There was lots of crowd participation with sing-alongs and clapping along.

New York City’s Misterwives definitely did not let down. Im just so bummed that their next show here has been sold-out forever. They had one of the most awesome live performances of the day. The band was infectious fun with lots of solid dance performances happening on the stage as all the band members had their shots at showing off their dance moves. Their bassist just killed it and had all the moves. Lead singer, Mandy Lee, clearly took some cues from Gwen Stefani and was rocking the short shorts and half tops and really working the crowd. She had a moment too that was all about female-empowerment which was pretty awesome and rarely seen.

Their band has a definite No Doubt vibe with lots of ska infused songs complete with a brass section to really make the ska beats happening (think early No Doubt – not whats going on now). Their sax player was just genius and him and the trumpet player really add to the bands sound. It really made for a great set in which they had the crowd dancing to their very dance-y songs. It was just pure energy and it was great that the band and the crowd all could feel the same energy. Its a band that needs to be see again and will probably become huge at the rate theyre going.

Of course, Im a sucker for violinists – and Alan of Curious Quail killed it. Man could he rock out on the violin which was truly awesome. The band is from San Jose and is thankfully playing a small mini-tour on the west coast that should be awesome. Had a really great indie-rock/pop sound and had a really tight set with songs that were easy to get into and had you tapping along in no time. There were some great harmonies between the woman on bass and the lead singer. The singer had a really strong powerful voice. Was one of the best bands I saw on the local stage.

Andrew St. James was a pleasant surprise. I had crossed him off the list after not really getting into what I had heard, so it was just a fluke that I was exhausted and was looking for some grass and shade. He had with him a stand-up drummer and another guy. It was a pretty alt-folk act and he has a very Dylan-esque sound. He had such a great voice and it also helped that he was amusing as he yelled at the crowd for not applauding him on stage (bold move). He then commanded attention that was very well deserved.

K.Flay was someone that I just happened to catch in the dance tent. She is quite the talented rapper and has one hell of an awesome drummer. And with speaking of drummers – the drummer of 21 Pilots worked it and was insane. Along with a hanging mic the duo put on one hell of a set that was super high energy.

The Family Crest, another SF band, put on a really awesome set. They have so many different instruments including violin, cello, flute and piano. They were super tight with some great harmonies. A band very well worth seeing again!

Cold War Kids who I just want to like definitely put on a solid rock performance. But like always, I just find the band so boring and leave me wanting for more. Perhaps seeing them at a festival doesnt do them any justice, but its just one band that I could definitely be fine without seeing again.

Dangermaker from SF was one of the loudest bands I saw with heavy loud guitars and keys for good measure. The band just rocked out and had nice layers of guitars. And that lead singer could sure hit his high notes.

Posted in Adventures in the Big City, Live Music, Random Ramblings, San Francisco | Tagged: , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a Comment »

 
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