Ramblings of a Redhead Music Snob

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Archive for May, 2017

Sondre Lerche Brings Pleasure to the Independent

Posted by xneverwherex on May 21, 2017

Sondre Lerche
Dedekind Cut
Independent
May 2, 2017

Sondre Lerche brought a dance party, as well as his charm, to the Independent on Tuesday. The Norwegian-born, Brooklyn-based singer-songwriter is currently out on tour for Pleasure, a companion piece to 2014’s Please. He emphasized the pleasure, ready for a dance party and to let loose.

Lerche entered the stage dancing to an ’80s synth intro and kicked right into the dance-heavy

Sondre Lerche

Sondre Lerche

Soft Feelings,” the first song off his new album. He stayed in constant motion from that point on. Pure indie dance pop track “Bad Law” had Lerche dancing up a storm along with the audience. Later on, Lerche performed “I’m Always Watching You” solo, with only his guitar as accompaniment. He didn’t even sing into his microphone, creating one of the most intimately touching moments of the show. It was so quiet during the song that every note rang out emphatically. Lerche’s soft vocal delivery was beautiful.

As a songwriter, Lerche has a knack for love as well heartbreak. As he sang “Legends,” his heartbreak was palpable: “Please disregard/ My endless hope/ It just paved the way/ For the end of our rope.” Without missing a beat, Lerche’s band—drummer David Heilman, bassist Jordan Brooks and keyboardist Alan James Markley followed up the lonely number with guitar-driven, crowd-pleaser “Phantom Punch.”

“Let’s revisit sins from the past,” Sondre said, introducing earlier material. He performed “No One’s Gonna Come” from his debut, Faces Down. With its jazzy guitars, the song had Lerche crooning like Burt Bacharach. The song continued to build, eventually incorporating a gaggle of thrashing guitars and an emotional punch. Like no other, Lerche segued into a slow jam. Talking about the weather, he threatened to take off his shirt, which had both men and women erupting in joy, (and later followed through). He then bent down and serenaded women at the front of the stage during “Minor Detail.” To say that it didn’t make my day would have been an understatement. It felt like it was just for me at that moment.

Sondre Lerche

Sondre Lerche

The beautiful soaring harmonies of Markley, Heilman and Lerche on “Two Way Monologue” made it seem like the three had been performing for years. In truth, this tour almost didn’t happen after two of his original bandmates were denied entry into the country (thanks Trump, really) and Brooks and Markley were last-minute replacements.

The band concluded the concert with a 15-minute rave/dance party. As the drums kicked in, and a techno beat kicked in, Lerche hopped onto the floor and formed a dance pit with concertgoers. His arms in the air and sweat dripping down, he implored everyone to let loose with reckless abandon.

New York experimental artist Fred Welton Warmsley, performing as Dedekind Cut, opened up the concert and took early arrivers down a rabbit hole into sonic exploration. Without notice, he would shift from thumping bass filled with feedback and reverb to a dark and moody mix. There was no time to acclimate with styles. As soon as it felt like there was a recognizable dance rhythm, it would morph into another genre with overlaid heavy tribal percussion. The way he played with samples and used sound to create unique mixes was amazing.

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The xx Became A Loud Place @ Bill Graham Civic

Posted by xneverwherex on May 21, 2017

the xx
Sampha
Bill Graham Civic Auditorium
April 15, 2017

London trio The xx had a 3 night residency at Bill Graham Civic Auditorium in one of the most beautifully lit shows with amazing use of mirrors to capture feelings. The band also had to get some SF activities in, including a stop to see the Giants.

the xx

the xx

The xx came out and immediately started playing “Say Something Loving” off of their new album I See You. As their lush guitars filled up the entirety of the room, it just embraced you. It was so dreamy as Romy Madley Croft‘s vocals came into the song over the guitars. The band played most of their songs from their first album as well as this album.

The band then immediately went into “Crystalised” off their debut The xx. The song had a dark feel and felt like a song that Interpol would have played. It also featured the bass lines of Oliver Sim. As the voices of Romy and Oliver came together, they created melodies that were just beautiful. It was like they were made for each other. “I Dare You” proved that they wrote the perfect pop song. As Romy and Oliver faced each other playing guitars and mirrors turned inwards, it gave the song an intimate feel.

Lips” showed off Jamie Smith’s, better known as Jamie XX, fantastic skills behind the controllers creating impressive beats. He has added in some tropical rhythms giving the song a breezy feeling. Also, The xx covered Jamie XX’s “Loud Places” which transformed the auditorium into a club with everyone dancing as Jamie commanded the room. As the mirrors turned in all directions with the ceiling mirror coming down it felt like the venue just opened up. And for a moment it felt like it wasn’t even a performance.

From seeing them in 2009 opening for bands to headlining 3 nights really showed how much the band had grown. They have turned their introverted minimalist sound outward and their use of mirrors was able to convey that feeling, how it could change the reflections of the lights and really open up the stage or keep it nestled, tight and dark. Their songs have become bigger and Romy’s vocals now soar on their songs.

Highlights of the show included: the great guitar riffs on “Sunset” as well as their dueling vocals before they came into the most gut-wrenching harmonies; the raw performance from Romy as she played “Performance” on her own; “VCR” which gave me chills and reminded me of Bowie as it sounds like an updated version of “Heroes“. Additionally, Oliver dedicated the ever catchy groovy soulful “Dangerous” to all the single people in the crowd who rarely get mentioned.

the xx

the xx

As the band said at the end, “we see each and every one of you. We want you to know that we see you and we love you.” And as the fans left the building, it truly felt like they had touched all of us in their own way.

Label-mate and fellow Londoner Sampha opened up the set supporting newly released album Process. He was backed by 3 additional people: a drummer, a keyboardist and someone on synth pads. The songs varied and ranged from sultry electronic music with deep bass to other songs that had a lot of drums layered into his music. Sampha also used Caribbean island sounds that made his music feel alive.

Sampha preformed the gorgeous song “Too Much” on his own. It was just him on piano and his haunting vocals. The song already received a bit of attention as Drake sampled it. Sampha’s music is destined for a film score in the way that his simple piano pieces conveyed so much emotion. He is definitely not to be missed.

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