Ramblings of a Redhead Music Snob

Life & Music in New York, My City

Posts Tagged ‘concert’

Dandy Warhols – 13.13.13. (13 Tales)

Posted by xneverwherex on June 18, 2013

The Dandy Warhols
The Shivas
The Fillmore
June 15, 2013

Saturday was a complete day of all things Dandy Warhols. It started out on a gorgeous Saturday afternoon at Amoeba Records in the Haight. I had planned an earlier arrival, but it worked out just perfectly regardless. About 30 mins prior to showtime, the place was still fairly empty. The band still hadnt arrived and some random store employees were testing out equipment. Finally, Zia was there – her hair all done up in braids and started talking to friends and getting things ready. Then, unbeknownst to me, Pete was right in front of me looking very scruffy.

Dandy Warhols @ Amoeba

It was soon announced that Courtney was MIA – hadnt yet arrived and was still hung over from the prior night of partying in LA. Good times! About 20 mins later – theyre good to go (or as good as things will be). They do a short set with songs from 13 Tales. I remember ‘Horse Pills’ and ‘Shaking‘ but Im also quite sure ‘Godless‘ and/or ‘Mohammed‘ was also in there. And they ended the set with ‘Big Indian’. Hard to complain for a free show that was right before their show that night.

The plus in Courtney’s lateness — Zia, Pete and Brent — all were happy to sign whatever people had. Brent kindly told me ‘I took that pic on the cover. Its Pete’s shirt’.

Saturday night was a very different scene. Much more professional, the band was all there on time. They played 13 Tales from Urban Bohemia in its entirety. Im pretty biased as its my favorite album ever. So seeing it played from start to end was pretty awesome for me. From the first guitar notes of ‘Godless’ it sucks you in. The first 3 songs were just designed to play together. ‘Godless’, ‘Mohammed’ and ‘Nietzsche’ sound excellent when played back to back. They just blend together perfectly. And then it really starts going and picking up speed. ‘Country Leaver’ and ‘Solid’ are sounding as excellent as ever. People are singing along, dancing and everyone is having a good time.

I have to say I am mystified about the crowd. A lot of kids are there and they only want to hear ‘We Used to Be Friends’. Its annoying. Plus they want to mosh. Really – some of these songs are just not made for moshpits. Fights were breaking out – people were incredibly rude and honestly – I wished everyone had smoked a lot and chilled out. This was not the right crowd that one normally gets. Zia had to yell down to tell a girl to shut up who wouldnt stop screaming (she was punched in the breast). I guess if I were her, that guy wouldnt have been walking straight. The guy (at maybe 16/17?)’s argument ‘we’re at a rock concert’. Ive heard a lot of things – but there are things as personal space and groping people anywhere will likely get you arrested (esp if thats your lovely argument).

Other than that, Zia is as charming as ever. She was pretty polite even with people yelling her name every 5 seconds. Rocking out in her Guns n Roses shirt, she was having a great time dancing a bunch, playing guitar and tambourine. The band was in great spirits and after the initial 13 Tales set came back for a pretty awesome set of a few songs off DROK. Of course, now between sets we’re treated to the acoustic version of ‘Every Day Should Be A Holiday’ with just Courtney and a guitar and an excited crowd singing along. Some of the others included ‘Lou Weed’ and ‘Ride’. We also got to hear ‘Good Morning’, ‘Theyre Gone’ (off the last album), ‘Last High’ and a really great revved up version of ‘Boys Better’. Now that was just awesome. I cant remember if ‘Be-In’ actually was played, but theres a good chance that it was.

Courtney, Fathead and Pete @ The Fillmore

Of course, a Dandys set in SF is never complete until Zia sings a song on her own. I usually get to hear her ‘Daisy’ song, but this time it was even better. She wanted to give tribute to one Janis Joplin and how fitting it was that she ended the set with ‘Mercedes Benz’. A lot of people joined in and Zia looked super excited that the crowd was so into it.

Overall, the show was pretty awesome. It was great to finally hear my favorite album in its entirety. Over the time (97 was my first show of theirs), Ive seen some incredible shows (their 3 hour sets were insane), and some that werent so great. This was definitely one that prob won’t ever be repeated and for that reason alone it was pretty special.

The Shivas opened the set. I guess I had higher expectations. Not sure if I understood the need for 2 drummers (the female was insanely awesome). Some of their garage rock songs were pretty awesome and Ill prob try and check them out again sometime. They didnt say much but seemed excited to be on the set.

Set List:
13 Tales from Urban Bohemia
Godless
Mohammed
Nietzsche
Country Leaver
Solid
Horse Pills
Get Off
Sleep
Cool Scene
Bohemian Like You
Shakin
big Indian
The Gospel

Every Day Should be A Holiday (Acoustic/Courtney solo)
Good Morning
Theyre Gone
Holding Me Up
Last High
Ride
Boys Better
Lou Weed (somewhere in the set)

Mercedes Benz (Janis Joplin cover) (Zia solo/acoustic)

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Shout Out Louds – We’re All Happy

Posted by xneverwherex on May 24, 2013

Shout Out Louds
Haerts
Great American Music Hall
May 22, 2013

One word can easily describe the set last night. Awesome! Or maybe its happy! Its been about 3 years since the Shout Out Louds were last on tour. Its true that Adam (lead singer) was here last year with his side project – We Are Serenades – but really, its not the same.

The band, hailing from Sweden, were here for their new album Optica. I spoke with the lead singer’s brother, Robin, for a bit and I made him do the honors of picking out which cd I should get from them. I know I never had bought Work, and I couldnt remember if I actually owned Our Ill Wills. He convinced me that the new album is brilliant and prob his favorite album of theirs (as he said completely biased). We then got to discuss The Serenades and of course their excellent Christopher Cross cover and who even knows who he is anymore. We both laughed as people around us looked on with a ‘who?’ look across their face.

As always, The Shout Out Louds put on a really great set. Its hard to not leave feeling completely happy. I had only heard a few songs off their new album before the show but was pleasantly surprised with how well they fit in with their earlier songs. The band wasted no time with going to earlier songs and started their 3rd song with the ever recognizable intro to ‘The Comeback‘. The crowd went nuts as people started jumping up and down, dancing and really getting into it. Everyone was so excited and Adam seemed to be having a lot of fun on stage. Bebban, who rarely seems to acknowledge the audience, took a few moments to wave to people and seemed pretty into it. Its hard to know with her, as she always is looking either down or at other band members.

The band worked out a pretty amazing setlist and made sure to hit upon songs from all of their albums. I was still glad that there was plenty off of Howl Howl Gaff Gaff as its always been a go-to album for something shiny, fun and upbeat. So it was awesome when they played “Please Please Please“, my favorite song of theirs.

Must point out that the crowd was quite nice and friendly. I met some really awesome people and had fun dancing and talking with others. The band was in top form and Adam did a little walk through the middle of the venue dancing and taking photos as he went on. They ended the show with the hugely catchy song ‘Tonight I Have to Leave It’ and its fun and a great sing-along. And who doesn’t love a lot of cowbells. Everyone on stage was dancing and moving and really into it.

The opener Haerts, living in NYC but from England, Germany, wherever else were just brilliant. The band could not have picked a better opener. Indie dream pop, catchy songs and very dance-y reminding me a bit of the movie Drive. If you havent seen it, it could be them doing the music. Their music was meant to be on an 80s soundtrack and the lead singer — she has amazing vocals and a powerful voice. She transports you and you feel like a teenager again dancing alone in your room. It was their first show in SF and I really hope they come back. How I forgot to buy their cd for just $5 is what the real travesty is. I cannot say enough good things about this band, except to check them out. Just lose yourself for a bit, dance a lot, and forget it all.

Its hard to go wrong with 2 amazing bands. If you havent yet seen either, do yourself a favor and make sure you do, soon! In the meantime, check out Haerts and pretend youre just a kid dancing in your room with the music up loud.

Set List:
Sugar
Walking in Your Footsteps
The Comeback
Impossible
Candle Scurrned Out
Chasing the Sinking Sun
Fall Hard
Illusions
Blue Ice/Where You Come In.
Hard Rain
Please Please Please
14th July
Very Loud

Destroy
Walls
Tonight I Have to Leave It

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Jesus for the Jugular – The Veils

Posted by xneverwherex on May 2, 2013

The Veils
The Sporting Life
Independent
April 24, 2013

The Veils always put on a great show. I had seen them in NYC a few times and they never disappoint. So, of course I was excited to see how it would be on the other coast. I spoke with their merch girl (from New Zealand, naturally) who I had actually met before. We talked about prior shows, their love of Prince (who was also playing that night) and how another friend of mine from New Zealand had to see them in NYC.

It was starting out a great night. I was surprised to see that when the opener came on – The Sporting Life – there was only me and one other girl in the area standing and giving support. While I know people were not there for them, it never ceases to amaze me how people act oblivious and not at all interested. At least by the time the Veils showed up on stage, the crowd had come forward a bit and the venue filled up.

The band, originally hailing from New Zealand and now based out of the UK, seems to be ever changing in their line up. Last time they had a wonderful female drummer from Germany (if I recall correctly) and now they have added a brass section (Americans), and a new drummer (possibly from Germany, maybe from the UK?) and a few other guys to round out their sound (also from European countries). This addition is great and the brass really adds to their songs.

Finn Andrews, lead singer, has such an impressive voice. You can feel the raw emotion as he sings and his face is entirely expressive – the look of a tortured soul/artist. Everything is shown on his face and its hauntingly beautiful. This is just one of the many thigns I like about him/the band. He didn’t have much to say, but a few thanks for the liking of his hat and he seemed cheery enough to be in SF. Sophia, bassist, always comes across as shy and more often than not, plays with her back to the audience. When a woman commented on her awesome boots, she got super excited and more talkative. As always, she sounded awesome on bass.

The band played quite a bit of new songs off their album ‘Time Stays We Go’. After hearing it online a bit, I was impressed with the songs live. They sounded amazing. It was great to hear ‘Calliope’ which always sounds amazing. And their final song of the night ‘Jesus For the Jugular’ sounded as great as ever. It was gut wrenching with one hell of a guitar solo that probably normally ends with a guitar on the ground (at least in the past it has). It was so intense and it was one hell of a way to end the show. It left you wanting more but completely happy with what you got.

If you havent yet seen them (theyre headed to NYC any day now), you really should. The band never disappoints and with this new album sounding incredible and with rave reviews, this might just push them over the edge into major star quality. Not that Finn doesnt already have that quality!

Oh and as far as the merch – Finn designed the shirts. So its worth it to get one (or two).

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Michael Been of The Call is Celebrated

Posted by xneverwherex on April 22, 2013

The Call (featuring Robert Levon Been of Black Rebel Motorcycle Club)
Jeffertitti’s Nile
DJ Dan Mancini
Slims
April 11, 2013

Its not often that a show touches your heart and is so endearing. But this show was just that. It took a year and a half for the show to be put together. It appeared that The Call’s music was not the easiest to learn, but Robert did one hell of a job to follow in his father’s foot steps.

Robert Been, bassist and singer of Black Rebel Motorcycle Club, came together with his father’s band The Call to perform their music. It was one of two shows that the band will be playing. His father, Michael Been, died a few years back on tour with his son’s band. It was sudden and way too soon. So this was a perfect tribute to his father, bassist and singer, of The Call.

The Call

The band seemed very excited to be playing. Their music still sounded incredible and they definitely still knew how to rock. Their 80s alternative U2-esque sound was amazing as they opened up the set with ‘Everywhere I Go’. The crowd was enthusiastic with lots of cheers. Tom (Dickie), the guitarist, was right in front of me clad in a BRMC shirt. It was fitting and he was full of smiles. He smiled at me a few times, easily one of the younger people in the audience. The guys next to me were pumped up as they yelled out songs and talked about their first time seeing the band. Scott, the drummer, was on top of it, pushing the band through the music. Jim was great on keyboards, having a really fun time.

The band seemed to be racing through songs and they all sounded incredible. While I only recognized a handful of songs, it was easy for me to want to be there to support this special night. Their songs are easy to get into and their music still has a current sound to it. The gents next to me gave Robert a hard time about messing up a few of the songs. Robert was cute and nervous and some of the songs were clearly more difficult than others.

One of my favorite bits of the night was the crowd heckling him for not quite getting the songs right. He commented on how hard they were to learn and why it took so long for them to have this night. He told a heart warming story about his dad’s bass being stolen. Then one day he gets a call from a pawnshop in Santa Cruz with the owner being a huge fan of the Call and realizing that it was Michael’s bass. It landed back in Robert’s hand and he’s been playing it. He comments about it being very hard to stay tuned, but that it was special.

I was beyond excited to hear ‘Let The Day Begin’. I had recently heard it when BRMC had played it, but it was just incredible to hear the band play it. The crowd sang along and clearly was having a great time. The lyrics still seem so relevant. The set ended with ‘Walls Came Down’ and it sounded even better live. With everything that had been going on, the song just seemed so fitting. They ended the set with Uncovered which was just Robert singing and it was just hauntingly beautiful. It was great that they kept playing and didnt leave the stage right at 11. They pushed on and said to hell with last calls/closing times. Its a joke anyway – I sure dont remember this when I last lived here. (Apparently its a new thing – with some place moving in and wanting to change it up – thank you gentrification).

Jeffertitti’s Nile

Robert definitely tried his hardest and wanted to please the band and his fans. A guy commented next to me, ‘well he’s definitely not his father, but he’s holding his own’. Robert sounded great and albeit a bit nervous, he was clearly having fun. The guys were all good natured and poking fun at him. His father definitely had to be smiling down at him. The band clearly missed Michael but this was the best tribute anyone could have asked for. It was just heartwarming and endearing and Im glad that I got to be there to be a part of it.

Jeffertitti’s Nile, the opener, is a 4 piece band from LA and a friend of Roberts. The lead singer came out clad in skin tight jeans, that looked like they were painted onto him. He had a mop of blonde hair hanging in his face reminding me of a surfer. But a surfer band they were not. The other guys came out in long shirt/dresses and pants and longish hair stepping out of the 60s. It was fitting that they played psychedelic-garage-bluesy-glam rock. They kind of flowed all over the stage. The real awesomeness was the drummer and his hair which exceeded Brent (fathead of The Dandy Warhols). This guy had the most awesome head of hair, only sadded by the fact that the drums hid it. People seemed to really enjoy them. They were pretty quiet with not much to say, and when they did say something it was all distorted through the mics. This is one band that I cannot wait to see again.

Setlist (from LA – and prob the same in SF)
Everywhere I go
I Still believe
I dont wanna
Floating Back
Into the woods
Turn a blind eye
oklahoma
you were there
tore the old place down
red moon
swim in the ocean
let the day begin
reconciled
modern romans
whats happened to you
…same old story
you run (acoustic)
walls came down
uncovered

I feel alone lyrics

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The Airborne Toxic Event Rocks The Warfield

Posted by xneverwherex on April 18, 2013

The Airborne Toxic Event
Nightmare Air
The Warfield
April 11, 2013

I hadnt seen the Airborne Toxic Event in quite a few years and hadnt remembered their prior sets quite so lively. The band did not disappoint. They put on a really great rock show. Mikel Jollett, lead singer, wasted no time at all before climbing on the stacks on the far left side and singing to the audience all over there. He really worked the stage using every bit of it – making rounds to each side.

Airborne Toxic Event – Mikel

By the 2nd or 3rd song, he jumped into the audience and started playing from the crowd. The crowd was really into it and were singing along and dancing. There was so much energy from the entire band. The guys moved from different instruments throughout the set which was pretty cool. Mikel was often times on top of the drum kit and playing from there. The other band members each had their turn up there. There were some pretty incredible guitar solos as well as bass solos. Mikel gave each member a shout out and plenty of time to show off how talented they were.

The set just flew and before I knew it, they were onto the encore. Some of the highlights during the set were ‘Numb’, which it didn’t seem a lot of people knew or were into. Their cover of the Magnetic Fields ‘Book of Love’, was just beautiful and sounded really incredible and fresh. They ended the night with a raucous encore of a medley of songs that had the crowd going nuts and singing along. It started out with their own song “Missy” which then became Johnny Cash’s ‘Ring of Fire’ and then turned into Tom Petty’s ‘American Girl’ and then they did a quick pause. Mikel talked about the next song being a huge protest song and how most people in this country have no idea what the song is about. Of course, it was Bruce Springstreen’s ‘Born in the USA’. By the time it was done, they had taken it back to ‘Missy’. It was a real incredible way to end a really amazing set.

ATE

I definitely had missed seeing a balls-out rock show that just rocked! By the end of the night, everyone was a sweaty mess from dancing and singing. It was great fun and a band I will definitely be seeing again.

The opener Midnight Air, also from LA, were a harder edged rock band. While they were good, I wasnt blown away by them. One of the band members was in Film School which I had really liked but this was definitely not the same band. The band clearly had a great time and were excited to be playing in SF for the first time. They were talkative and friendly and fun! The band was also excited to be playing their last show with ATE and clearly had a great time on tour with them. Im guessing theyre playing Coachella about now.

If youre on the fence about seeing the ATE, and theyre heading East – Id definitely say not to miss them. You definitely will have a great time!

Set List:
Gasoline
Happiness is Overrated
Does This Mean Youre Moving On?
True Love
Changing
Something New
Half of Something Else
Numb
Safe
Wishing Well
Timeless
Sometime Around Midnight
All I Ever Wanted
All at Once

The Book of Love (Magnetic Fields cover)
The Graveyard Near the House
Missy/Ring of Fire/American Girl/Born in the USA/Missy

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Johnny F’ing Marr & the Bad Ass Band

Posted by xneverwherex on April 14, 2013

Johnny Marr & The Healers
Alamar
The Fillmore
April 13, 2013

Johnny F**kin Marr, as his tshirt states, is a force to be reckoned with. An already great show went over the greatness by the time the encore hit. So I’ll just start there as its too impossible to still not be reliving. Johnny starts telling a story of growing up in Manchester and at age 13 meeting some really amazing kids. And one kid, in particular, is in a band and had made it. The others, yeah not so much. This kid turned out to be Billy Duffy, guitarist of the Cult. These long-time friends had never played a stage together before tonight. And, honestly, they need to do it more often as this was melt your face off unf’ingbelievable.

The two of them (both guitar gods as far as Im concerned) performed one hell of a version of the Clash’s ‘I Fought the Law’. It was powerful and full of raw energy. Johnny let Billy take the spotlight and on his white guitar he tore it up. The two of them continued into a really rocked out version of ‘How Soon is Now’. The song has never sounded so amplified with so many guitars filling up the room. It was awesome and one hell of a way to close out the set.

And for those interested in their friendship – and random factoids – there is a great interview here.

Prior to that insane encore, the set itself was beyond great. Johnny Marr & The Healers are a great band. While its clear that this is Johnny’s band, he seems to really like working with his band. The guys looked quite young but all seemed to be having a great time. It would be hard not to. Johnny Marr is charismatic and charming. He thanked SF quite a bit, and spoke of the acupuncture he had done. He had lots of chi in him and apparently it really helped on his guitar solos.

The songs off his solo album sounded really great and fresh. And had a very current sound. They use a lot of guitars, but it never sounds too heavy. The Smiths songs received huge applause and everyone sang along. ‘Big Mouth Strikes Again’ sounded every bit as great as The Smiths. While at first it was a bit odd to hear Johnny sing these songs, (he doesnt have Morrissey’s moodiness nor vocals), he did sound quite great overall.

Johnny Marr is an unbelievably talented guy. He still has the boyish good looks so reminiscent of English bands. Its pretty amazing to watch him and remember how many bands he’s been in and how talented he truly is. I was fortunate to having seen him play with Modest Mouse. Its easy to forget that he was also in Electronic and The The and even toured with the Cribs. It makes sense then that NME gave him the godlike genius award.

One hell of an amazing show. Yeah, that sums it up!

Theres not many guitar gods out there anymore so if you can still see him, you owe it to yourself to not miss this show.

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Wash The Sins – Esben & The Witch

Posted by xneverwherex on April 10, 2013

Esben and The Witch
Heliotropes
Brick & Mortar Music Hall
April 4, 2013

The Brick & Mortar Music Hall is one of those venues that is barely noticeable. I had walked and driven by it too many times and didn’t even know it existed. Right down the street from a gas station, it just blends into the block. With that being said, the venue is quite cool. Its a pretty small spot with a bar directly in front of you as you walk in and a stage off to the left. Lots of seating available and a very low-key crowd.

Esben & The Witch

Hailing from Brighton (UK), Esben and the Witch are a 3 piece band that puts on a great subdued show. I had seen them open up for Foals and was curious about their show on its own. The band hardly spoke to the audience but did have a few ‘thank yous’ after the songs. They introduced themselves oh so quietly and then just tore into their set. Rachel Davies, who has a striking resemblance to Keira Knightley, has an amazing voice. Her vocals are reminiscent of Lisa Gerrard (Dead Can Dance) or even Elizabeth Fraser (Cocteau Twins). While their sound can be described as gothic, the band definitely has some of the shoegaze influence.

During much of the show, it felt like you were transported to somewhere else. Stuck in a movie that just keeps on going, youre swept away. The music is hauntingly beautiful with guitars that soar. The band had hardly any interaction with each other and played the 45 minute set with hardly any breaks between songs. The band was on tour in support of their awesomely named album, ‘Wash The Sins Not Only The Face’.

Simply put – the show was wonderful.

The semi-local, but mostly Brooklyn, Heliotropes opened up the show. It was their San Francisco debut. At least one of the girls was from Foster City and possibly others. The lead singer seemed excited to be performing for the first time for her mom and sister and friends. The band was very excitable and were having a really great time.

Heliotropes

In contrast to the headliners, this girl band was the exact opposite. They were very talkative about their songs, their new album (coming out in June) and just how excited they were to be on tour. Their short set was fast and punchy and balls out rocking. While I wasnt totally into them, it was easy to become swept up in their excitement.

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BRMC Spread the Love

Posted by xneverwherex on December 26, 2012

Black Rebel Motorcycle Club
Cellar Doors
Slims
December 19, 2012

The Bay Area is lucky to call BRMC their own. The band announced a few West Coast shows to prepare for their upcoming tour in support of their new album. San Francisco was the first of these one-off shows and what an awesome night it turned out to be.

The band started the show out with Santa Cruz’s The Call’s ‘Let the Day Begin’. Robert sang that song and what an awesome way to start out the show as Robert’s father was the singer. Apparently Santa Cruz was treated to the song with a former band member. The band continued on into a new song ‘Funny Games’ and then the crowd pleasing dirty gritty jangly ‘Beat the Devil’s Tattoo’. It sounded great and the crowd was energized and singing along.

Black Rebel Motorcycle Club

Black Rebel Motorcycle Club

Some of the other stand-outs were the guitar-heavy and oh so catchy ‘Berlin’ which had everyone singing along to the chorus. ‘Aint No Easy Way’ off of Howl stood out with the awesome harmonica sounds of Peter. The alt-folk jangly pop song is always a toe-tapper.

The songs off their new album had the bluesy/garage neo-psychedelia rock sound of their last album. The songs sounded tight with lots of great guitar work from Robert (who was in front of me). It was always a delight to see Peter whip out his harmonica and start tapping his feet and playing along in some of the more folkier sounding songs. It was harder to see Peter but he always sounds great and his guitar work always sounds impressive. The addition of Leah, drummer of The Raveonettes, is a great add-on. She fits right in with the guys and always seemed to be having a really great time. Her drumming is top-notch.

Their show was a good 90 minute set if not longer. The setlist contained everything that one might expect/want to hear. The band seemed very excited to be playing Slims and such a small club as they tend to play bigger venues these days. They wasted no time with getting through their music and didn’t even bother with an encore just playing all the way right through it.

The set ended with ‘Lose Yourself’ and everyone seemed to be dancing to it, with heads bobbing, moving back and forth and singing along. The crowd was really into it and the band couldn’t have ended on a higher note.

Cellar Doors

Cellar Doors

The opener Cellar Doors from San Francisco was discovered on their last tour when BRMC needed an opener. They had only played one show (maybe?) and were asked to join them. The band quickly learned all their songs for the tour and joined them in San Diego. Its great to see that the band is still around and sounding strong.

The band has a similar sound to BRMC with their heavy garage rock sound mixed with a bluesy influence. Their songs were infectious and I found myself easily getting into their music. The lyrics were catchy and they had some great hooks. The 3 piece pulled out an awesome 45 minute set that you just didn’t want to end.

I’ll definitely be checking them out at their show at Bottom of the Hill next month and so should you! If you missed BRMC and love their sound, for now this is the best thing to get your fix!

Set List:
Let The Day Begin
Funny Games (new)
Beat the Devil’s Tattoo
Berlin
Conscience Killer
Rifles
Love Burns
Screaming Gun
Lullaby (new)
Aint No Easy Way
Rival (new)
Stop
US Government
Awake
Red Eyes and Tears
Six Barrel Shotgun
Spread Your Love
Lose Yourself

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Take A Summer Holiday w/Wild Nothing

Posted by xneverwherex on September 7, 2012

Wild Nothing
DIIV
Holy Shit

Great American Music Hall
9/5/12

I guess the summer holiday is officially coming to an end, so it seemed fitting that it ended with Wild Nothing. Wild Nothing had finally made it back to the West Coast according to Jack. It sounded like it had been quite awhile and the way Jack told how San Francisco was his favorite city, reminded me of the way I had felt about NYC.

The band, by way of NYC (Brooklyn for Jack — and Athens for a few others — as well as one guy still in VA?), are on tour for their second album, Nocturne. I wasnt sure how the album would hold up compared to Gemini (one of my fav albums quite possibly ever), and it does. And quite nicely. Maybe with a few more spins it’ll end up in that same category.

From what I had learned from their new lighting guy – the band is kind of all over the place when it comes to where they live. Im not sure how it works as it seems that Jack isn’t fully in control over every part of the music, but it does work. And dare I add, quite well.

Wild Nothing

Their music just takes you away to a dreamy far away land with swirling guitars, lush vocals and darkened lights that just add to the visual. For an hour or so, it feels like youre off in your own land dancing to infectious indie pop hooks. It still has the hint of shoegaze but its like the Cocteau Twins of the 80s and the pop sounds of The Sundays.

The guys all moved around aimlessly with the bassist jumping up and down for a lot of the songs and the guitarist moving back and forth in his own world. Jack, who doesnt say much, had some interactions with the guys but mostly he just played his heart out. He was definitely excited to be there and you could feel the energy from the crowd. As the first guitar chords begin on ‘Chinatown’ an excitement builds in the crowd. ‘Live In Dreams’, which has always been a favorite, has never sounded better. Everyone sang and danced and moved in a hazy dreamlike nature.

In contrast to the Pains show, this was a different experience where people were there just wanting to hear the music. The only real complaint was the sound itself. At times the guitars were just too loud and muddy and took away from the vocals, but for the most part it worked itself out.

And just because Im selfish – how about bringing back one of the best Kate Bush covers ever. Cloudbusting is such an amazing song; its rare that a band can do her music justice. But its one of the best covers Ive ever heard. And this coming from a music snob 🙂

DIIV (pronounced Dive and formerly known as Dive), another band from NYC, were one of 2 openers. The guys looked impossibly young and it was hard to believe they were even 16. The crowd were so into them and that was quite awesome. Some of their music reminded me of Explosions in the Sky but not as big as a sound. Lots of heavy guitars and a few songs with minimal vocals.

I remember liking Holy Shit and at the same time thinking what a horrible band name or thinking when is Holy Shit Fuck going to be a band. The band, which used to have Ariel Pink in it on the first album, is now a few guys from San Francisco. They play lo-fi experimental-ish jams and put on a great, really tight set. It was over so quickly that by the time you were into it, that was it.

Overall — one hell of a night with 3 great bands!

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The Pains Play Popscene

Posted by xneverwherex on September 6, 2012

The Pains of Being Pure at Heart
A B & the Sea
Rickshaw Stop
8/30/12

Perhaps age and more than likely perhaps living in NYC has made me somewhat jaded about shows. Or perhaps I have been spoiled with seeing many of these bands earlier in their career that sometimes it just doesnt pay to see a show.

A B & The Sea

Arrived at Popscene, (which is not the popscene I had remembered from the 90s — oh the people and times have changed) long gone from the very cool warehouse like 330 Ritch and now over at Rickshaw Stop – a smallish tightly packed club, to a long long long line. It was a bit confusing at first as no one seemed to know where to go. Then of more things crazy – they let the ticket buyers (not holders) into the show first. So we had to wait an additional 30 mins or so just to move an inch. Of course, Popscene is now filled with a very young high school crowd who were more excited about seeing each other late at night and high fiving each other for being in the very front. The whole thing just was weird. Id like to take this moment to say I really hope I was not that obnoxious in high school at shows (then again everywhere was 21+), so it was usually The Warfield and Shoreline.

The club was pretty packed by the time friends and I arrived. The Popscene DJs were spinning the same stuff youd hear on Live 105. No one danced and it was just a tad sad. As we had waited outside so long, at least it wasnt too long a wait for A B & the Sea to come on. Plus, random videos on the screens made it go by a bit quicker.

San Francisco’s A B & the Sea put on a pretty awesome performance. Some of the songs were beyond catchy and had a sunny California pop sound. It just made you want to dance and sing along. Songs like ‘California Feeling’ are guaranteed to be a pop hit. Its fun and light. ‘Constant Vacation’ is another very catchy dance-y song. They make you feel like summer is in the air and its going to be a great night. The only problem with their music is that they are all over the place. There are the total pop songs that are light and fun and then a lot of their music is in a totally different direction. It was like the band wasnt sure which way to go. A pity. The crowd was really into their lighter feeling songs.

Either way – Id see them again if theyre playing in SF.

Pains of Being Pure at Heart

Brooklyn’s Pains of Being Pure at Heart had finally come back to SF after about 5 years. The crowd was beyond tightly packed inside and even at the beginning everyone was pushing against each other. Their fun dream pop sound that I had come to love from their first self-titled album was somewhat gone. With another guitarist added to their stage performance, it became a lot more loud and a lot more guitar driven. I somehow missed hearing their earlier stuff and the dream pop sound that had made them popular. And mostly I missed more of Peggy singing. Perhaps she was just overshadowed by the loud guitars?

Their new album ‘Belong’ has some great numbers and it was great to hear it live. The band was excited to be there. It seemed that Weekend (the band) was around and that the 2 bands had decided to switch coasts. Well actually, only Weekend is moving to NY. As the band mostly played tracks off their new album, the crowd got more insane. First the moshing began with people getting shoved to the ground, guys grabbing girls and just pushing them into the pit, and then the crowd surfing. Ive certainly been to plenty of shows with all that, but its rare for a guy to repeatedly try and grab me and push me into a pit.

Overall, it was a bit of a disappointment — but at least the opener gave me something to look forward to. And the cheap ticket… oh yeah that made it all the better.

So the question is, would I see the Pains again? Im not sure if it was the crowd, the music, their new direction. But, at this point, Im not sure I feel a real need to. I loved the first album when it came out and couldnt get enough of it. Ive listened to Belong a number of times, and it lacks something for me. Everything I loved seemed to be gone.

Thankfully I had Wild Nothing to look forward to.

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