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Rhythm Is A Dancer – Bastille

Posted by xneverwherex on September 21, 2013

Bastille
Little Daylight
Nightmare & The Cat
Great American Music Hall
9/19/2013

Dan Smith, lead singer of Bastille, might not be the greatest dancer (as he said so himself), but does he know how to get a crowd moving and dancing and jumping. Their cover of Snap!’s ‘Rhythm is a Dancer’ and Corona’s ‘Rhythm of the Night’ was pretty impressive and definitely changed it up just a bit. But it was fun and the crowd loved it.

The band, hailing from London, was excited to be back in San Francisco yet again. They made their first US appearance over the sumer at Rickshaw Stop (Popscene); sold out instantaneously. Their music has some fun catchy pop tunes, but also a number of songs which is mostly Dan on the keyboards singing alone. He has a powerful voice and exudes emotion. The band (or at least Dan) is also a huge film lover. With the song title ‘Laura Palmer’ – he definitely likes David Lynch. And their music sounds like it could be in one of his movies.

One thing is for sure – Dan’s energy is infectious. He jumps around all over the stage and makes use of every space. He climbed everywhere he could and did a walk through the crowd. The ever catchy and oh so popular ‘Pompeii’ ended the set and the chanting was just as powerful live. The entire band seems to have a lot of fun and everyone is quite versatile with the instruments.

Definitely a band not to miss – theyre pretty much sold out everywhere on their tour, but if you can snag a ticket its worth it.

Now — not to make the other bands seem inconsequential — but they are also SO worth seeing. I was told that I needed to check out Little Daylight, from Brooklyn, as my friend Jordan’s wife Nikki is in the band. I had her prior band Xylos and thought they were quite good, but never had a chance to see them. The only real complaint is their set was impossibly short at maybe 20 minutes long. She told me later they only had 5 songs. They must be the most catchy fun songs ever. In a way their music reminded me of The Go-Go’s (and Im a huge fan!) but really I think it was Nikki’s voice that reminded me of Belinda Carlisle. She has strong vocals amidst the keyboard playing that are definitely reminiscent of the 80s. They were lots of fun and she has energy. Lots of dancing on the stage and lots of songs with hand claps and of course a catchy sing-songy chorus. If John Hughes were still alive, their music would definitely appear in one of his movies. I have to say — I had more fun during their set than Bastille. It was just so my type of music – that I cant wait for more.

LA–based Nightmare & The Cat, consisting of 2 British ex-pat brothers, must be one of the most stylish bands. Django, the lead singer, is captivating and just draws you in. The way he moves his hands and expressions reminds me of Tom Smith (from the Editors). The music has a soulful sound with a hint of a folkiness to it. They have some beautiful harmonies, and I constantly felt like I was drawn into the art world – part of a gorgeous painting that is just expanding with lush sounds (as if that makes any sense).

Definitely dont miss any of these bands if youre going to be seeing them. Its an awesome lineup.

Bastille Set List:
Bad Blood
Things We Lost In The Fire
Overjoyed
The Silence
What Would You Do
Oblivion
Weight of the Living Pt II
These Streets
Laura Palmer
Haunt
Icarus
Flaws

Get Home
Rhythm is a Dancer/Rhythm of the Night (cover)
Pompeii

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Smallpools Will Make Your Summer Better

Posted by xneverwherex on July 12, 2013

Im sure by this time everyone has already heard LA-based Smallpools single ‘Dreaming’. Its catchy, dance-y, fun and perfect music for a warm summer day. And while that song is really great – you should really check out ‘Mason Jar’. It might be even more catchy than their single. It reminds me of Local Natives crossed with pop-punk Thermals kind of sound. Its fun and it will make you definitely not want to be at work.

Theyre on tour currentlyand are opening for San Cisco at Slims in early August. Plus I recall their own date at Rickshaw Stop (Popscene). Personally, Id rather go to Slims – so guess it means another trip to the box office. Plus you can also find them at the Bowery Ballroom.

This is great music for your weekend! So enjoy!

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Michael Been of The Call is Celebrated

Posted by xneverwherex on April 22, 2013

The Call (featuring Robert Levon Been of Black Rebel Motorcycle Club)
Jeffertitti’s Nile
DJ Dan Mancini
Slims
April 11, 2013

Its not often that a show touches your heart and is so endearing. But this show was just that. It took a year and a half for the show to be put together. It appeared that The Call’s music was not the easiest to learn, but Robert did one hell of a job to follow in his father’s foot steps.

Robert Been, bassist and singer of Black Rebel Motorcycle Club, came together with his father’s band The Call to perform their music. It was one of two shows that the band will be playing. His father, Michael Been, died a few years back on tour with his son’s band. It was sudden and way too soon. So this was a perfect tribute to his father, bassist and singer, of The Call.

The Call

The band seemed very excited to be playing. Their music still sounded incredible and they definitely still knew how to rock. Their 80s alternative U2-esque sound was amazing as they opened up the set with ‘Everywhere I Go’. The crowd was enthusiastic with lots of cheers. Tom (Dickie), the guitarist, was right in front of me clad in a BRMC shirt. It was fitting and he was full of smiles. He smiled at me a few times, easily one of the younger people in the audience. The guys next to me were pumped up as they yelled out songs and talked about their first time seeing the band. Scott, the drummer, was on top of it, pushing the band through the music. Jim was great on keyboards, having a really fun time.

The band seemed to be racing through songs and they all sounded incredible. While I only recognized a handful of songs, it was easy for me to want to be there to support this special night. Their songs are easy to get into and their music still has a current sound to it. The gents next to me gave Robert a hard time about messing up a few of the songs. Robert was cute and nervous and some of the songs were clearly more difficult than others.

One of my favorite bits of the night was the crowd heckling him for not quite getting the songs right. He commented on how hard they were to learn and why it took so long for them to have this night. He told a heart warming story about his dad’s bass being stolen. Then one day he gets a call from a pawnshop in Santa Cruz with the owner being a huge fan of the Call and realizing that it was Michael’s bass. It landed back in Robert’s hand and he’s been playing it. He comments about it being very hard to stay tuned, but that it was special.

I was beyond excited to hear ‘Let The Day Begin’. I had recently heard it when BRMC had played it, but it was just incredible to hear the band play it. The crowd sang along and clearly was having a great time. The lyrics still seem so relevant. The set ended with ‘Walls Came Down’ and it sounded even better live. With everything that had been going on, the song just seemed so fitting. They ended the set with Uncovered which was just Robert singing and it was just hauntingly beautiful. It was great that they kept playing and didnt leave the stage right at 11. They pushed on and said to hell with last calls/closing times. Its a joke anyway – I sure dont remember this when I last lived here. (Apparently its a new thing – with some place moving in and wanting to change it up – thank you gentrification).

Jeffertitti’s Nile

Robert definitely tried his hardest and wanted to please the band and his fans. A guy commented next to me, ‘well he’s definitely not his father, but he’s holding his own’. Robert sounded great and albeit a bit nervous, he was clearly having fun. The guys were all good natured and poking fun at him. His father definitely had to be smiling down at him. The band clearly missed Michael but this was the best tribute anyone could have asked for. It was just heartwarming and endearing and Im glad that I got to be there to be a part of it.

Jeffertitti’s Nile, the opener, is a 4 piece band from LA and a friend of Roberts. The lead singer came out clad in skin tight jeans, that looked like they were painted onto him. He had a mop of blonde hair hanging in his face reminding me of a surfer. But a surfer band they were not. The other guys came out in long shirt/dresses and pants and longish hair stepping out of the 60s. It was fitting that they played psychedelic-garage-bluesy-glam rock. They kind of flowed all over the stage. The real awesomeness was the drummer and his hair which exceeded Brent (fathead of The Dandy Warhols). This guy had the most awesome head of hair, only sadded by the fact that the drums hid it. People seemed to really enjoy them. They were pretty quiet with not much to say, and when they did say something it was all distorted through the mics. This is one band that I cannot wait to see again.

Setlist (from LA – and prob the same in SF)
Everywhere I go
I Still believe
I dont wanna
Floating Back
Into the woods
Turn a blind eye
oklahoma
you were there
tore the old place down
red moon
swim in the ocean
let the day begin
reconciled
modern romans
whats happened to you
…same old story
you run (acoustic)
walls came down
uncovered

I feel alone lyrics

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The Airborne Toxic Event Rocks The Warfield

Posted by xneverwherex on April 18, 2013

The Airborne Toxic Event
Nightmare Air
The Warfield
April 11, 2013

I hadnt seen the Airborne Toxic Event in quite a few years and hadnt remembered their prior sets quite so lively. The band did not disappoint. They put on a really great rock show. Mikel Jollett, lead singer, wasted no time at all before climbing on the stacks on the far left side and singing to the audience all over there. He really worked the stage using every bit of it – making rounds to each side.

Airborne Toxic Event – Mikel

By the 2nd or 3rd song, he jumped into the audience and started playing from the crowd. The crowd was really into it and were singing along and dancing. There was so much energy from the entire band. The guys moved from different instruments throughout the set which was pretty cool. Mikel was often times on top of the drum kit and playing from there. The other band members each had their turn up there. There were some pretty incredible guitar solos as well as bass solos. Mikel gave each member a shout out and plenty of time to show off how talented they were.

The set just flew and before I knew it, they were onto the encore. Some of the highlights during the set were ‘Numb’, which it didn’t seem a lot of people knew or were into. Their cover of the Magnetic Fields ‘Book of Love’, was just beautiful and sounded really incredible and fresh. They ended the night with a raucous encore of a medley of songs that had the crowd going nuts and singing along. It started out with their own song “Missy” which then became Johnny Cash’s ‘Ring of Fire’ and then turned into Tom Petty’s ‘American Girl’ and then they did a quick pause. Mikel talked about the next song being a huge protest song and how most people in this country have no idea what the song is about. Of course, it was Bruce Springstreen’s ‘Born in the USA’. By the time it was done, they had taken it back to ‘Missy’. It was a real incredible way to end a really amazing set.

ATE

I definitely had missed seeing a balls-out rock show that just rocked! By the end of the night, everyone was a sweaty mess from dancing and singing. It was great fun and a band I will definitely be seeing again.

The opener Midnight Air, also from LA, were a harder edged rock band. While they were good, I wasnt blown away by them. One of the band members was in Film School which I had really liked but this was definitely not the same band. The band clearly had a great time and were excited to be playing in SF for the first time. They were talkative and friendly and fun! The band was also excited to be playing their last show with ATE and clearly had a great time on tour with them. Im guessing theyre playing Coachella about now.

If youre on the fence about seeing the ATE, and theyre heading East – Id definitely say not to miss them. You definitely will have a great time!

Set List:
Gasoline
Happiness is Overrated
Does This Mean Youre Moving On?
True Love
Changing
Something New
Half of Something Else
Numb
Safe
Wishing Well
Timeless
Sometime Around Midnight
All I Ever Wanted
All at Once

The Book of Love (Magnetic Fields cover)
The Graveyard Near the House
Missy/Ring of Fire/American Girl/Born in the USA/Missy

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Take Me Home, Maximo Park

Posted by xneverwherex on September 28, 2012

Maximo Park
The Neighbourhood
Zambri
9/20/12
Slims

It seemed forever that I had last seen Maximo Park. Their last tour somehow didnt end up coming to NYC, so it was about time they finally came back. And the band seemed to really enjoy being in San Francisco and playing Slims. Paul had so much energy that you could feel it bouncing off the walls. He posed lots and had lots of great movements and his dancing has definitely improved and increased. I definitely miss the scissor kicks, but theres still lots of jumping. Lukas is still as insane as ever on the keyboards. He kept pulling them towards him as he’d jump around and even jump on them. Very awesome.

Paul

The songs off their new album, ‘The National Health’ are quite catchy. ‘Take Me Home’ should be a total hit. They started their show off with the always fun and energetic ‘Graffiti’ and then jumped into the title track which was also really catchy. But it was really their older songs that got the crowd super excited and jumping and singing along. While their other albums have been quite good, nothing has compared to ‘A Certain Trigger’. Although, the guitar riff from ‘Girls who Play Guitars’ has never sounded better.

It was awesome when Paul said he had a song to sing about where we were. People screamed out songs, but I knew it had to be ‘The Coast is Always Changing’. What an awesome song and what a perfect San Francisco song. ‘Graffiti’, ‘Limassol’ and ‘Kiss You Better’ still sound amazing live. It was great to hear Paul sing part of ‘The Acrobat’ which he had to stop singing due to the lack of anyone remembering it 🙂

Paul & The Park

The band played nonstop for about 90 minutes before announcing it was down to their last songs. He mentioned how Americans love encores (really?), but that on this tour there wouldnt be any. They put their heart into the set and left it all on the floor. Naturally, some people (who I guess didnt believe the band), yelled for an encore. A 20 song set was hard to be disappointed with and for the most part they played nearly everything I would have wanted to hear.

Paul talked about how he had a few days off from the tour and how they went to Coit Tower and visited other sites. Paul was pretty talkative and wanted to tell stories, but for some reason many people in the audience just yelled out songs and wanted them to play. A pity as he’s a great storyteller.

The Neighbourhood

LA’s The Neighbourhood were surprisingly quite awesome. The guys looked quite young and were very excitable. There are definitely some hardcore influences along with hip hop. Its a great combo and makes for a great show. The lead singer, who is covered with tattoos, is hard to take your eyes from. Even if the music is not your scene, just stare at his arms/neck for awhile and youll be entranced.

NYC’s Zambri played a quite short set. They tried to do something unique with a lot of microphones that didn’t quite work. It definitely had an electronic feel and reminds me of School of Seven Bells. I still find them a bit forgettable but they’re fine to watch. Im not quite sure how they ended on this lineup but it made for a quirky interesting night.

Set List:
Graffiti
The National Health
Girls Who Play Guitars
Hips and Lips
Questing, Not Coasting
The Coast Is Always Changing
Write This Down
Going Missing
Reluctant Love
Books From Boxes
The Undercurrents
Limassol
The Kids Are Sick Again
Take Me Home
Now I’m All Over the Shop
This Is What Becomes of the Broken Hearted
Parisian Skies
I Want You to Stay
Our Velocity
By the Monument
Waves of Fear
Apply Some Pressure

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CMJ Begins…The Good And Not So Good…

Posted by xneverwherex on October 19, 2011

CMJ – 10/18/11

So many bands, so little time! It seems its the same thing year after year with CMJ. Ive got a complete schedule that ends up useless in the first 5 minutes. Bands either fail to deliver or theyre so great – I end up seeing other bands on the showcase I might have passed up. Unfortunately, there are also times when you’d rather just shoot yourself and call it a night when disappointments continue.

The Good:

The Duke Spirit

The Duke Spirit – technically, they shouldnt even be included in this. Theyre established and damn good! Of course, they were the highlight of the night – and I fear if I continue to see them not much else will compare. Liela looking smokin’ hot as usual is always great fun to watch. She has so much energy when she performs and she commands the stage. Its hard to take your eyes off of her when she moves as she glances around the room. Her voice is perfection as she growls through the songs.

Surprisingly, they played their older songs instead of playing newer songs. Perhaps it was due to a really tight schedule in which they were needing to be in Brooklyn. They played a way too short set of about 8 songs but it couldnt have sounded better. The dirty, muddy sounding guitars were a great complement to Liela’s voice. The garage rock psychedelic sounded great in the posh Bowery Hotel. It couldnt have been a greater set.

Hands, from LA, took the stage prior to The Duke Spirit. They had a pretty big turn out with what seemed to be lots of friends (or maybe girlfriends) from Cali.

Hands

They sounded incredible and much better than I could have expected. The backing of the psychedlic, lush sounding keyboards and guitars filled the air, with a similar sound to Sun Airway. The vocals are strong and it seemed like if Division Day (another LA band) had continued and made their songs a bit more dancey this is what youd get.

The drummer, playing barefoot naturally, keeps the beats going. The keyboards nearly swallowing the lead singers voice on some songs works out beautifully. The music, the vocals and the guitars all blend so perfectly well together it gives such a complete sound.  If youre not sure of who to see during CMJ, this band is definitely not to be missed. They have a show on Thurs afternoon at Pianos which should be great.

Alamo Race Track – who I actually saw on Monday (pre-CMJ) are also a band that you dont want to miss. Hailing from The Netherlands, it seemed the Dutch contingency came out in full support for them. I had never seen so many insanely tall people in my life. The band started off a bit shaky, and its hard to say whether or not it was the band

Alamo Race Track

or the actual songs they chose, but as their set continued the music definitely got better. They have some great melodies and their voices play off each other’s quite well.

“The Northern Territory” which they ended with was easily one of their best songs and definitely more popular. A lot of people were singing along and its catchy and fun. It sounds so much better live, that its worth seeing them just to hear that song. Its a punchy, fun toe-tapping awesome song. “Black Cat John Brown” was also another highlight. The other band members broke out with other instruments during the song. It seems they’re all quite talented players going back and forth on instruments.

They’ve got a free showcase on Thurs over at The Delancey with some other Dutch bands. If youre not doing much – its worth checking out.

And the well — not so good and you might walk out on bands.

Marcellus Hall – now if youre quite into country music, youd probably find the band quite good. They had a good sound and the lead singer was pretty amusing – so this alone made it better. As Im not a fan of country music – this was pretty painful and it seemed each song kept getting longer. Thankfully when soon there were only 3 songs, it became 2. And naturally, they’re all about love and relationships. The woman on violin did sound pretty awesome and it was her birthday – so cheers to that!

The Silent Comedy – which has such an awesome band name – so disappointed. I couldnt wait to get out of the show and it couldnt happen fast enough. Sounded like some sorta folky-bluegrass jangly type thing with banjos and all. Maybe they should have played after Marcellus Hall insteaad of spacing it out so oddly. Perhaps that was the original set- but with The Duke Spirit having to be in Brooklyn lots of things were changed. Either way – meant an early night.

And oh New Zealand – I had such high hopes for you. Andrew Keoghan, who was oh so nice to look at, was a little underwhelming. The guitar and drum thing had so much potential, but it was more of just a singer-songwriter act. Not bad sounding all, just a bit boring.

Princess Chelsea was interesting. The women had good voices and the way the band mixed it up on instruments was pretty cool. Their first song, which I knew from online, was very catchy, but then it just sounded like more of the same. It really seemed like 2 girls on their computers, mixing it up with sounds and beats and 2 guitars who added a bit more, with a drummer occasionally filling it in. Not a bad thing, just a bit slow and was near sleep inducing. Prob a great band to end a night with.

Heres to Day/Night 2. Hoping for some great things!

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Wild Nothing Takes Fan Down

Posted by xneverwherex on February 14, 2011

2/13/11
Wild Nothing
Abe Vigoda
Minks
Bowery Ballroom

Bowery Ballroom was a crowded hot mess last night. Once Abe Vigoda finished (how did people decide not to check them out?), a huge crowd of model-types storm the front of the stage. They push and shove like they’ve been there all night, angling to get to the front middle of the stage. Its rough and the room gets hot instantaneously. About this time, I decide I have to get some water so I dont pass out. Being short in a room full of tall people, as they suck the air out is a nightmare.

As I angle my way back to my spot in the front, I get people yelling at me about its not fair that Im there. Yes, they just showed up and would have known I had been there for every band that night. But I digress, lets talk about Wild Nothing.

For one thing, I try and never miss Wild Nothing when they play. Its always a great time for shoe-gazey dance pop. Jack Tatum doesn’t have much to say but does comment on the crowd being so silent that its creepy for him. He works through his songs with his hazy vocals on most songs with the beautiful guitars accompanying him. The crowd seems to love the music and everyone dances along in unison. Favorites like “Chinatown” and “Live in Dreams” gets lots of cheers. The crowd truly adores them. The show is all going smoothly until the guy next to me starts to rock back and forth with his eyes closed. Two seconds later and he’s fallen backwards and is passed out. A huge crowd forms, security is nowhere to be found and the band is shocked. No one quite knows what to do – Jack tenatively continues the song only to comment after he finishes ‘I hope he’s ok’ and then adds a quip of how he hopes his music didnt make him pass out.

It was a great set. Their Primal Scream cover was pretty awesome even thought it was one of the shortest songs of the night. Its a shame Cloudbusting hasnt made an appearance in quite some time. Kate Bush would be proud. Then again, so would Primal Scream.

Abe Vigoda (not to be confused with the actor) played a great set before them. Hailing from LA, these boys have surfer/skater hair cuts and sound like California guys. “You people are soooooo nice”. They were humbled and geniunely happy to be playing with Wild Nothing. They mentioned it was one of their favorite bands and it was great to see bands who genuinely liked each other.

Abe Vigoda from what I learned totally changed their sound from their first album to the second. This show was focused on mostly songs from their new album Crush. With some synth beats and influences from the gothic/cold post-punk rock leanings of Joy Division, they make it work. Some songs are quite catchy and more dance-y but most are guitar heavy with some beats thrown in. It works and is really likeable and grows on you quickly. The guys seem to be so happy and friendly and enjoying themselves so much, its hard not to like them.

Brooklyn’s Minks started out the night. Unfortunately for the band, the 2 female members have no stage presence. One girl didnt look up once from her keyboards the whole set while the other seemed to not even realize there was a crowd in front of her. Thankfully for the band, they had added a guitarist and bassist who at least seemed to want to be there. With an 80’s sound, not far behind Wild Nothing and the Pains of Being Pure at Heart, they could be a really awesome shoegaze band. And I did find when I was staring at my shoes, dancing along, not paying attention to the fact there was a live band, their music surprisingly worked.

All in all – 3 great bands that came together very well. It was a great fit musically with everyone complementing each other.

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