Ramblings of a Redhead Music Snob

Life & Music in New York, My City

Posts Tagged ‘Brooklyn’

Take A Summer Holiday w/Wild Nothing

Posted by xneverwherex on September 7, 2012

Wild Nothing
DIIV
Holy Shit

Great American Music Hall
9/5/12

I guess the summer holiday is officially coming to an end, so it seemed fitting that it ended with Wild Nothing. Wild Nothing had finally made it back to the West Coast according to Jack. It sounded like it had been quite awhile and the way Jack told how San Francisco was his favorite city, reminded me of the way I had felt about NYC.

The band, by way of NYC (Brooklyn for Jack — and Athens for a few others — as well as one guy still in VA?), are on tour for their second album, Nocturne. I wasnt sure how the album would hold up compared to Gemini (one of my fav albums quite possibly ever), and it does. And quite nicely. Maybe with a few more spins it’ll end up in that same category.

From what I had learned from their new lighting guy – the band is kind of all over the place when it comes to where they live. Im not sure how it works as it seems that Jack isn’t fully in control over every part of the music, but it does work. And dare I add, quite well.

Wild Nothing

Their music just takes you away to a dreamy far away land with swirling guitars, lush vocals and darkened lights that just add to the visual. For an hour or so, it feels like youre off in your own land dancing to infectious indie pop hooks. It still has the hint of shoegaze but its like the Cocteau Twins of the 80s and the pop sounds of The Sundays.

The guys all moved around aimlessly with the bassist jumping up and down for a lot of the songs and the guitarist moving back and forth in his own world. Jack, who doesnt say much, had some interactions with the guys but mostly he just played his heart out. He was definitely excited to be there and you could feel the energy from the crowd. As the first guitar chords begin on ‘Chinatown’ an excitement builds in the crowd. ‘Live In Dreams’, which has always been a favorite, has never sounded better. Everyone sang and danced and moved in a hazy dreamlike nature.

In contrast to the Pains show, this was a different experience where people were there just wanting to hear the music. The only real complaint was the sound itself. At times the guitars were just too loud and muddy and took away from the vocals, but for the most part it worked itself out.

And just because Im selfish – how about bringing back one of the best Kate Bush covers ever. Cloudbusting is such an amazing song; its rare that a band can do her music justice. But its one of the best covers Ive ever heard. And this coming from a music snob 🙂

DIIV (pronounced Dive and formerly known as Dive), another band from NYC, were one of 2 openers. The guys looked impossibly young and it was hard to believe they were even 16. The crowd were so into them and that was quite awesome. Some of their music reminded me of Explosions in the Sky but not as big as a sound. Lots of heavy guitars and a few songs with minimal vocals.

I remember liking Holy Shit and at the same time thinking what a horrible band name or thinking when is Holy Shit Fuck going to be a band. The band, which used to have Ariel Pink in it on the first album, is now a few guys from San Francisco. They play lo-fi experimental-ish jams and put on a great, really tight set. It was over so quickly that by the time you were into it, that was it.

Overall — one hell of a night with 3 great bands!

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The Pains Play Popscene

Posted by xneverwherex on September 6, 2012

The Pains of Being Pure at Heart
A B & the Sea
Rickshaw Stop
8/30/12

Perhaps age and more than likely perhaps living in NYC has made me somewhat jaded about shows. Or perhaps I have been spoiled with seeing many of these bands earlier in their career that sometimes it just doesnt pay to see a show.

A B & The Sea

Arrived at Popscene, (which is not the popscene I had remembered from the 90s — oh the people and times have changed) long gone from the very cool warehouse like 330 Ritch and now over at Rickshaw Stop – a smallish tightly packed club, to a long long long line. It was a bit confusing at first as no one seemed to know where to go. Then of more things crazy – they let the ticket buyers (not holders) into the show first. So we had to wait an additional 30 mins or so just to move an inch. Of course, Popscene is now filled with a very young high school crowd who were more excited about seeing each other late at night and high fiving each other for being in the very front. The whole thing just was weird. Id like to take this moment to say I really hope I was not that obnoxious in high school at shows (then again everywhere was 21+), so it was usually The Warfield and Shoreline.

The club was pretty packed by the time friends and I arrived. The Popscene DJs were spinning the same stuff youd hear on Live 105. No one danced and it was just a tad sad. As we had waited outside so long, at least it wasnt too long a wait for A B & the Sea to come on. Plus, random videos on the screens made it go by a bit quicker.

San Francisco’s A B & the Sea put on a pretty awesome performance. Some of the songs were beyond catchy and had a sunny California pop sound. It just made you want to dance and sing along. Songs like ‘California Feeling’ are guaranteed to be a pop hit. Its fun and light. ‘Constant Vacation’ is another very catchy dance-y song. They make you feel like summer is in the air and its going to be a great night. The only problem with their music is that they are all over the place. There are the total pop songs that are light and fun and then a lot of their music is in a totally different direction. It was like the band wasnt sure which way to go. A pity. The crowd was really into their lighter feeling songs.

Either way – Id see them again if theyre playing in SF.

Pains of Being Pure at Heart

Brooklyn’s Pains of Being Pure at Heart had finally come back to SF after about 5 years. The crowd was beyond tightly packed inside and even at the beginning everyone was pushing against each other. Their fun dream pop sound that I had come to love from their first self-titled album was somewhat gone. With another guitarist added to their stage performance, it became a lot more loud and a lot more guitar driven. I somehow missed hearing their earlier stuff and the dream pop sound that had made them popular. And mostly I missed more of Peggy singing. Perhaps she was just overshadowed by the loud guitars?

Their new album ‘Belong’ has some great numbers and it was great to hear it live. The band was excited to be there. It seemed that Weekend (the band) was around and that the 2 bands had decided to switch coasts. Well actually, only Weekend is moving to NY. As the band mostly played tracks off their new album, the crowd got more insane. First the moshing began with people getting shoved to the ground, guys grabbing girls and just pushing them into the pit, and then the crowd surfing. Ive certainly been to plenty of shows with all that, but its rare for a guy to repeatedly try and grab me and push me into a pit.

Overall, it was a bit of a disappointment — but at least the opener gave me something to look forward to. And the cheap ticket… oh yeah that made it all the better.

So the question is, would I see the Pains again? Im not sure if it was the crowd, the music, their new direction. But, at this point, Im not sure I feel a real need to. I loved the first album when it came out and couldnt get enough of it. Ive listened to Belong a number of times, and it lacks something for me. Everything I loved seemed to be gone.

Thankfully I had Wild Nothing to look forward to.

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Im The Great White Hope

Posted by xneverwherex on December 15, 2011

The National
Sharon Van Etten
Beacon Theatre
12/13/11

The National have returned home (well across the river anyway) to finish up the year with 6 nights at the Beacon Theatre. These are the final shows for the latest album, High Violet. It seems like they have been out supporting this album now forever. But the time has come, and this is it.

The National came out to what felt like the longest version of Duran Duran’s ‘Wild Boys’. Finally, after the entire song had played the guys came out to a fairly sedated theatre. They opened the set with ‘Start A War’ which is a pretty slow song and not a bad way to start the set. Continuing with the Boxer album, they went right into ‘Brainy’ which was beginning to get the crowd excited. Slowly, people started getting on their feet.

The National

Matt joked about the prior night with some people standing, some sitting, random parts of the theater doing their own thing. And encouraged us to do what we wanted. At this point everyone was standing in the orchestra. Sadly, it was not the case for the upper levels. The sound was just beautiful in the Beacon. It filled the entire room with Matt’s soaring vocals. The Dessner brothers sounded really great on guitars and keyboards.

As with most of their shows, there were a few special guests. Conrad from Takka Takka was an additional drummer who played the entire set. At one point it sounded like they were introducing an ‘Andy’ Clark, but nope it was actually Annie Clark of St. Vincent. While she isn’t Sharon Van Etten (who is, really?), she did add some nice harmonies. She performed with them on ‘Im Afraid of Everyone’ and ‘Sorrow’. I wasnt sure those songs needed her (well esp I’m Afraid of Everyone), but it was great to see her accompany them.

As always Matt made a few appearances in the crowd. He did come over to the section that I was at and was hanging on the stairs but no one even seemed to pay him any mind. It was sad and beautiful all at once and then he was back in the front singing in another corner. It always has a nice feel to it, even if its become part of the stage show.

The visuals and lighting worked out quite great. Unfortunately for Sharon Van Etten, there was a heavy spot light on her, that had you seeing dots in your eyes after about 5 seconds. But that was gone, thankfully! With the backdrop screen of images of the band members and the crowd, you were always able to see the entire band and the guests.

It was great to hear them introduce Sharon Van Etten who came out for a proper encore with them on ‘Think You Can Wait’. And from that they went straight into ‘Fake Empire’ which always sounds amazing live. Other highlights included ‘Abel’, but really to the girls behind me, how do you talk through that whole song. The crowd was revved up and peoples hands in the air and singing along. It is one of my favorite songs performed live along with ‘Mr. November’. Sure, theres songs I didnt get to hear ‘Mistaken for Strangers’, but with all the times Ive seen them, I seriously cant complain.

Easily the very last song was the crowning moment. The band had left the stage only to come back center stage with Annie Clark, Sharon Van Etten, and of course, Wye Oak. I wasnt entirely sure it was them but it sure was! ‘Vanderlyle Crybaby Geeks’ was just beautiful. Sans microphones and the entire band huddled together was a pretty awesome way to end the night.

And while Ive mentioned her a few times, I can say that Sharon Van Etten always sounds amazing! She has some of the strongest vocals. Her songs are great and kick-ass and her new guitar, oh yeah, looking pretty sweet. And of course, it meant we were treated for a song or two with Aaron Dessner. The pair of them make beautiful music together.

For those hoping for one last time, (for now), its highly recommended. The shows arent sold out and theres an abundance of tickets around. Not that Im one to actually promote using stubhub or the like, but since theres so many shows now, it seems you can get same day tix for $17. Either way, if you havent yet seen them, there still is time.

Setlist:
Start a War
Brainy
Bloodbuzz Ohio
Squalor Victoria
Afraid of Everyone
Conversation 16
Rylan
Abel
Lit Up
Wasp Nest
Sorrow
Anyone’s Ghost
I Need My Girl
England
Mr. November

Think You Can Wait
Fake Empire
Terrible Love
Vanderlyle Crybaby Geeks

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Best of the Rest @ CMJ

Posted by xneverwherex on October 25, 2011

10/21/11 & 10/22/11

Friday and Saturday moved so quickly and so late that I barely had a chance to recover. Even tho the nights werent insanely late, the subways always made it that much more fun.

The best set of the festival – hands down – nothing came even remotely close – was Casiokidsfrom Norway (I actually thought Swedes, but alas theyre Norwegian). Casiokids were fun and creative and did I say fun. Their synth-pop/electronic sound was fresh sounding and it always felt like they were creating music on the fly.

Casiokids

Who knows if they were – but it all seemed so original. I loved the fluidity of the band members as they all rotated on instruments from guitars to keyboards to drums. Well the drummer was usually one guy, but lots of percussion was always added – often times in the way of fruits. Shaking pineapples and red peppers. I think there was a cucumber too. The band had everyone clapping and dancing and just having a great time. It was a pity the set had to end as it should have gone on for at least another hour.

Thanks to Spike Hill for having one of the best showcases and free too! Its hard to go wrong with that. The UK had some great bands around too. Its pretty hard to go wrong with bands from across the pond (as a generalization – not a rule). Jonquil, from the hometown of Radiohead, err Oxford, were a catchy 4 piece. They have a great indie pop sound with infectious hooks and catchy melodies. Their music has a sound that is quite reminiscent of Vampire Weekend. For great britpop, this band is definitely the way to go. The guys were cute and talkative and I could see them getting quite big.

Jonquil

The BMI/MCT showcase over at Bowery Electric also had some great bands. The day started off early with Tall Shipsfrom Brighton. These 3 guys certainly can make a lot of sound. Comprising of heavy guitars and drums with minimal

Tall Ships

vocals they were a surprise that I couldnt get enough of. I really liked the set with the drummer grabbing part of the drum set and sitting in the middle of the floor. He was then joined by the bassist who went towards the back and the singer who joined in. It was so impromptu and spur of the moment. They all then had one hell of a session with drums culminating in a spastic fun set.

And with all things UK – it would be hard to omit the lovely boredish lads of Viva Brother. They ended up being a surprise guest and they never seem to disappont live. Their music is energetic and has the feel of the 90s britpop bands. Unfortunately, the band just didnt seem as into it. The drummer seemed pissed, the guitars were somehow not on the stage but in the front of the stage in the audience. Their poor tech had to go back and forth giving people instruments. Im not sure if their set didnt play out as well due to a lack of sound checks. Their music is still damn great tho, so no matter how they looked on stage it was hard not to enjoy it. A bit sad that it was so short, but hell it was free and one awesome surprise.

Washington (state) had a great band in Beat Connection. Continuing in a similar sound to Best Coast the band comes off as tropical and fun. With never ending sound problems plaguing their set, they laughed about it and continued as best as they could. Their music is catchy and has a lo-fi electronic sound to it. I loved the use of their colored neon lights surrounding the keyboards that would alternate in colors. Most of their songs were sampled with lots of keyboards and drums but the vocals that were used (Id imagine their own) sound really great. ‘In The Water’ makes you feel like youre

Beat Connection

sitting out on a beach and just in your own place grooving out. Its gotta be the catchiest song out there right now. I could listen to them over and over.

Billy McCarthy has since moved on from Pela (very sad!) to form We Are Augustines. I had wondered why this band kept emailing me new things, but that explained it all. I really didnt pay that much attention and had liked their stuff but seeing them live solidified it all. Rock music at its finest and a band that loves to play for fans. What more could anyone want. When told they had one last song, Billy went with a 10 minute jam that was purely awesome. Lots of guitars and rocking out they were easily a favorite of the night.

Bands that left a lot to be desired: Fallulah from Denmark. Im not sure which was worse the Yeah Yeah Yeahs cover in which she stated they were her favorite band. Or the fact that maybe she wanted to be Karen O. Im not entirely sure, but I found them pretty unbearable. The band itself was interesting but her as a front woman made me cringe. Chrome Sparks, from Michigan and California, just seemed a bit young and odd. Their music sounded ok, but the woman singing just seemed bored and not really into the show. And their music was a tad bit boring. Enough to stand around for 20 minutes, but thankfully it wasnt longer than that. Ambassadors, who I appreciated a bit more knowing their keyboard player was blind, had some great songs. Overall, I find their music hit and miss. Some stuff is incredibly catchy while others just dont seem to go with the sound.

Savoir Adore is already a pretty big name here and they never disappoint. One of the last bands of the day they were a fun set with catchy songs and toe tapping and just leave you feeling in great spirits. Its hard to ever go wrong with them. The guy/girl vocals always work so well and a few mess-ups and laughter ensued.

All in all, maybe Im getting more selective with what I go see, but for the most part there were some great bands that really stood out. CMJ was yet another success!

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CMJ Day 2

Posted by xneverwherex on October 20, 2011

CMJ Day 2
10/19/11

Day 2 of CMJ was a bit of a slow-down. I totally missed out on the Duke Spirit (thanks work!), but I did get to head down to yet another lovely, swanky hotel. I ended up spending the later afternoon over at Thompson LES Hotel which is a really great hotel thats nearly hidden. The elevators play old movies and the roofdeck bar is quite nice with views of the LES. Its enclosed and is a great place to hang out.

The music was even better up there. The two bands I saw had a similar electronic sound. Little Red from Melbourne, Australia

were really great live. They have very catchy vocals and strong harmonies. A synth-pop guitar driven pop sound. The bass lines on “Rock It” are catchy and toe-tapping – the whole song makes you want to get up and dance. You can almost picture line-dancing to it – until the keyboards and electro beats kick in. A fun live band.

Little Red

Small Black

Small Black, from Brooklyn, had a similar sound. While still dancey, they definitely have a more lo-fi electronica feel. With 2 keyboards, the band is very much embracing the 80s sound. The band looks to be quite young, but clearly have fun once they hit the stage. Lots of dancing and getting into the show. Definitely worth seeing – and since theyre from Brooklyn – no rush to see them at CMJ.

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They All Want To Love The Cause

Posted by xneverwherex on September 12, 2011

Broken Social Scene
9/8/11
Williamsburg Waterfront

The Waterfront turned out to be a hot, humid night for us. While the view is nothing short of spectactular, the air quality not so much. Besides, a young kid fainted not just once, but twice during the early part of the BSS set. Thats how you know youll be in for a great night.

BSS came out to a smaller crowd, but a group of fans that just loved them. They opened the set with Cause = Time and what a way to start. The crowd was pretty into them and even the fans who were there for TV on the Radio seemed to get into it. People were bopping their heads and singing their songs.

It was a bit sad when a song or two later Kevin Drew said how much he had loved playing for the past 10 years, and 5 shows in NYC in the past year was even more than his hometown. Needless to say, it was kind of obvious that they were ready for a bit of a break. At this point it sounds like an indefinite hiatus with the words ‘Dont Forget Us.’ So that was a bit sad. I cant really imagine someone filling that void or anyone ever being quite like them.

They did play close to an hour set which was decent, but obviously people wanted more. It was great to have some brass on quite a few songs and the band members dancing around and having a great time. The sax section was amazing.

They included a cover from Modest Mouse which was quite good. Lisa Lobsinger still sounded great, but its hard to not miss the likes of Emily Haines or Amy Millan on ‘7/4 (Shoreline)’. They also included a song that Andrew Whiteman had written the prior day called ‘Fire Eye’d Boy’ which of course was a crowd pleaser. Too bad it really wasnt a song that had just been written in the spur of the moment.

In typical fashion, Kevin didnt quite know how to end things. Some fans were calling out songs (which I couldnt hear what they were saying), but he chided them with it being the obvious ending song. While at one point he thought he had finished the set, he was told they would have time for one ‘final’ song. They finally closed out the night with ‘Ibi Dreams Of Pavement (A Better Day)’. It was a song they hadnt played in awhile and still sounded as great as ever.

While the performance as a whole was far from the greatest and the band might not have seemed super into it, it was still a great show. I would hate to think that BSS might not come back here and it was their final show ever in NYC, but if it was all I can say is thanks for all the great times. There were so many good shows  great shows that I got to see with them and they will surely be missed.

Setlist:

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Superchunk Plays Misfits/Black Flag Songs

Posted by xneverwherex on July 18, 2011

Superchunk
Off!
House of Vans (Brooklyn)
July 14, 2011

Well it was nice to be seeing tweets not too long before Superchunk came on to let people know space was still available and to come on down. I showed up pretty late to the warehouse now known as House of Vans. They have a taco truck out back along with free beer and free water. And of course, music, all for free! Its a win/win any way you look at it.

I came in and caught the last few songs of Off! I had no clue who they were aside for the fact that it was _very_ loud and pretty crazy. Later did I come to learn theyre some hardcore punk bank with the former singer of The Circle Jerks/Black Flag (Keith Morris).

Thankfully not long after Superchunk would be hitting the stage. As always it was an awesome show. Bring back the 90s with lots of pogo-ing, hands in the air, some pushing/shoving and an all around great time. It was great to see a good mix of people from the older(ish) fans to the much younger fans with everyone singing along to “My Gap Feels Weird”.

There were some annoying kids (who clearly dont go to concerts) that continued to scream out the same song every 5 seconds and after every song. Some girl finally turned around to tell them to ‘shut up’ and the song they were yelling was on the setlist. That was great for all of 5 seconds till they decided to yell at another song.

It was a really great mix of songs and it seems they were trying to play some songs off of every album. They noted that a fan complained about them not playing songs off their 2nd album, so of course they included it this time. As always, their music is super catchy. Lots of people singing along. The bands always seems to be having a great time, bouncing around on the stage, interacting with each other and the crowd. And it was rather funny to see Jack putting a band-aid on Macs forehead at the beginning of the show! Those pesky cuts from guitars or some such thing. And Laura is as awesome as ever jumping around and singing and having a great time.

The encore was really great with the aforementioned Keith Morris joining Superchunk and playing a Misfits and Black Flag song. The warehouse turned into complete chaos at that moment and Im glad I was far enough off to the side.

Setlist:
Slack Motherfucker
Digging for Something
My Gap Feels Weird
Animated Airplanes Over Germany
Skip Steps 1 & 3
Sunshine State
Rosemarie
New Low
Sick to Move
Crossed Wires
Martinis on the Roof
Driveway to Driveway
Detroit Has a Skyline
Throwing Things

Encore:
Cursed Mirror
Learned to Surf
Gimmie Gimmie Gimmie (Black Flag cover with Keith Morris)
Where Eagles Dare (Misfits cover with Keith Morris)
Hyper Enough

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Double Rainbows and Beirut Oh My!

Posted by xneverwherex on June 21, 2011

Beirut
Sharon Van Etten
Yellow Ostrich
McCarren Park
6/17/11

What could have turned into a miserable evening, with a huge rainstorm that dampened us all, turned out to be one of the most lovely evenings in Brooklyn. To get it out of the way – yes there was a double rainbow. My friends had been looking for rainbows after the storm had passed and soon enough theyre screaming ‘OH MY GOD. Its.A.Double.Rainbow. Film.It!’ No, there was no way in hell we were recreating that video. But, yes, there was indeed a double rainbow and lots of rain!

Beirut (Zach Condon and Co.) played an amazing set. Not playing with a full orchestra (oh how I miss your church shows), he did have 4-5 other guys playing with him doing double duty on the instruments. Playing in the outside, facing the Empire State Building and the Chrysler Building, their sounds filled the nighttime air. People living nearby came out to listen to the show from their roofdecks. Their new songs sound so beautiful, that I had forgotten how much I had loved their music.

People were in good spirits, but I was surprised that more people werent dancing at all. A lot of people just stood with their arms crossed looking bored out of their minds. The setlist contained many of their staples with “Postcards From Italy,” “Sunday Smile”, “Elephant Gun,” “Nantes,” “Scenic World,” and “Mount Wroclai”. Their indie/gypsy/balkan/romanian sound makes for a good change from the many same-sounding bands in Brooklyn. The horns are always such a great addition for most bands. They played for about an hour and 15 minutes and had an encore with just Zach Condon playing “The Escape” which he noted he hadnt played in a very long time. It was a beautiful way to end the night.

Sharon Van Etten was an incredible opener. I had only known her by name, but a friend had told me her voice is amazing. That cant even possibly describe her strong vocal performance. She hurried her way through a set which seemed like it was over way too soon. She thanked her Dad (it was Fathers Day that Sunday) for coming all the way out from New Jersey. And along the way thanked her other family members for coming out to support her. Towards the end of her set she brought out Ben Lanz and Aaron Dessner of The National. He is producing her latest album and he added some guitar to her songs.

Yellow Ostrich started out the show and I must have had them confused with another similar sounding band name. I was pretty sure it was just one person, but turns out it was a full band. They were really good and had some really catchy songs. They seemed excited to be playing towards a bigger audience.

It was a great combination of bands. All of them were really good and it was definitely a show where you would not want to have missed any of them. I will definitely be checking out Sharon Van Etten again soon. Ive seen her name all over the place, but after hearing that, she is fully worthy of the hype.

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The Writings on the Wall – Plan B

Posted by xneverwherex on May 6, 2011

Plan B
Faith SFX (beatboxer)
DJs
@ Music Hall of Williamsburg
5/5/11

I went into this show knowing two things – a) Plan B is/was a rapper and b) end credits (w/Chase & Status). So I wasn’t sure much about his new concept album – The Defamation of Strickland Banks. I knew it was a departure from the rap side of things but didnt realize it was a whole story on some artist getting thrown into jail for a rape he didnt commit. The story is insane and as he gets thrown into jail and writes about hell and whats going on- the music really stands out.

The evening began with bass pouring out of the doors and it turns out a DJ was spinning to an empty crowd. Finally a crowd exists but 90 minutes later no one cared. We were all ready for the evening to _really_ begin. First came the beatboxer who was sick! Based on videos Id take a guess that it was Faith SFX who can pretty much imitate any sound and was great at getting the crowd revved up.

Finally Ben Drew (Plan B) comes out with a 7 piece band backing him. Everyone looks incredibly stylish with the men in 3 piece suits and shiny shoes. Women in all black standing on the side giving the music a gospel feel. The band is excited. Its one of their few solo shows, as theyre currently on tour opening for Adele. Plan B jumps right in with the album. They open up with ‘The Writings on the Wall’ and the crowd starts dancing. A couple behind me starts doing their own dance to the music. Plan B’s soulful voice takes you away as he sounds as great as any other 70s soul artist.

The band gets really into the music. A guitarist on stage right comes to the edge of the stage and is dancing as hes playing. The other guitarist on the other side of Plan B – with dark shades – starts dancing as much and they both bring out the great rhythms in the songs. ‘Welcome 2 Hell’ and ‘The Recluse’ are much more energetic and people all around are singing along to all the songs. He breaks out into raps during the songs and it works seamlessly.

About an hour later theyre saying how its the end of the show. Its hard to believe they flew through just one album. They come back out for an encore that is pure medleys. Full of dubstep beats and mixing up a bunch of oldies. The arrangements are awesome and theyve turned ‘My Girl’ into a brand new song. How ‘A Kiss From a Rose’ ever ended up that popular always boggles my mind. But that was another remix complete with a crowd sing-along. As Faith SFX comes back out to infuse beatbox into the songs it gets rowdy on stage. Somehow it turns into punk on stage and the band is creating their own circle pushing into each other which of course leads the crowd to follow suit. By the end of the show – the band is on the floor of the stage, instruments thrown everywhere and people on top of each other.

If youre seeing Adele – you owe it to yourself to check out Plan B. Im not sure any other artist could blend the rap into soul songs that seamlessly. The band is awesome and is thoroughly having a great time. Hopefully theyll be back here sometime soon as Ill definitely be seeing them again.

Setlist:
Writings on the Wall
Free
Welcome 2 Hell
The Recluse
Love Goes Down
Coming Up Easy
Hard Times/Runaway
Praying
What You Gonna Do
She Said

Encore:
Who’s Loving You. Tracks of My Tears/Lean on Me/ My Girl/Stand By Me (an awesome video from another show)
Dubstep Medly: Kiss From a Rose/Forgot about Dre (B)
Pieces
Stay Too Long

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LCD Did Not Lose Their Edge

Posted by xneverwherex on April 4, 2011

LCD Soundsystem
Liquid Liquid
Madison Square Garden
4/2/11

The night had finally arrived and it was finally time to say goodbye to LCD Soundsystem. It was a bittersweet farewell and the band couldnt have gone out any better.

With hopes of Daft Punk coming out, we would be surprised with another band. LCD greeted us with some other Northerners instead for “North American Scum”. How fitting that it was The Arcade Fire. Win, Will, Regine and Jeremy came out and helped LCD sing the song. It was truely awesome watching the band excitedly sing along and jump with enthusiasm.

The band treated us to a 3.5 hour set that was reminiscent of the shows at Terminal 5. It was broken out into 3 sets with the first and second set being almost identical to the others. It was great to begin the show with ‘Dance Yrself Clean’ which brought the floor to a frenzy. Watching from above, as the first note came on the crowd went into overdrive. Everyone was there to have a great time and presumably dance themselves clean.

James is an awesome frontman and took the crowd through an awesome first set. There wasnt much banter as he went from ‘Dance Yrself Clean’ right into ‘Drunk Girls’. The set continued at a frenzied pace and included ‘Daft Punk Is Playing At My House’, ‘Time To Get Away’, ‘Too Much Love’ and of course, the natural show closer (which it is not) ‘All my Friends’. What was more surprising is that ‘All My Friends’ wasnt even the last song of the first set. It makes for a beautiful closing song.

All of a sudden an hour was gone, and it was that much closer to the end. 45:33 brought out Reggie Watts and a great brass section that sounded amazing. ‘Freak Out/Starry Eyes’ sounded really great and everyone was dancing up a storm during that song. It seemed that for parts of the other it was a little more subdued, but it was definitely needed before the third part came in.

The set would soon be closing – but LCD packed in as much as they could. They played one song (I believe it was Bye Bye Bayou) for the first time. My friend was beyond excited, but I could have sworn he said it was something else. Arcade Fire (as previously mentioned) showed up on ‘North American Scum’ and we got a very loud ‘Us vs Them’. Crowd favorite ‘Yeah’ had everyone singing and dancing.

It was great to see LCD bring out their first guitarist who played on a few a songs. The drummer looked oh so comfortable in his shorts and considering how hot and sweaty it was, he was very prepared. James Murphy started a countdown of the last few songs. Much like New Years Eve, it was never meant to be sad, it was just meant to be a huge dance party. And soon it was only fitting that they would play ‘New York, I Love You But Youre Bringing Me Down’ for one last time.

Who knows if we’ll get a reunion in 3-4 years, but this couldnt have ended better. My only gripe was the ticket fiasco – it was great people got tix at the door for face and on the floor. For those of us who managed to get any early, the angles were quite bad and it was hard to see at points with the rig for the lights. It seemed we were barely acknowledged till the end. Regardless, I had one hell of a time. It was great to see that most the crowd abided with James’ request for the black/white dress code. Boo to those of you in the front floor with a RED shirt on. It just screamed for attention.

SETLIST

Set 1:
“Dance Yrself Clean”
“Drunk Girls”
“I Can Change
“Time to Get Away”
“Get Innocuous!”
“Daft Punk Is Playing At My House”
“Too Much Love”
“All My Friends”
“Tired”

Set 2:
45:33 Part One
45:33 Part Two (ft. Reggie Watts)
“Sound of Silver”
45:33 Part Four
45:33 Part Five (ft. Shit Robot)
45:33 Part Six
“Freak Out/Starry Eyes”

Set 3:
“Us V. Them”
“North American Scum” (w/ Régine Chassagne, Win Butler, Will Butler & Jeremy Gara of Arcade Fire)
“Bye Bye Bayou” (Alan Vega cover)
“You Wanted A Hit”
“Tribulations”
“Movement”
“Yeah”

Encore 1:
“Someone Great”
“Losing My Edge”
“Home”

Encore 2:
“All I Want”
“Jump Into The Fire” (Harry Nilsson cover)
“New York, I Love You But You’re Bringing Me Down”

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