Ramblings of a Redhead Music Snob

Life & Music in New York, My City

Posts Tagged ‘electronic’

Noirwave Comes to the Rickshaw

Posted by xneverwherex on March 27, 2016

Petite Noir
The Seshen
Rickshaw Stop
March 23, 2016

Yannick Ilunga, the singer/songwriter/producer out of Cape Town, South Africa, was here in town with his band for his first show. He plays under the name of Petite Noir and is someone not to be missed. I wasn’t familiar with his music, but it was clear the crowd knew some of his songs. His first EP, released in 2015 ‘King of Anxiety‘, was all the buzz at SXSW that year.

Petite Noir

Petite Noir

And now he’s back again, with the album La Vie Est Belle / Life Is Beautiful. It’s clear that he has influences from all genres and blends it all together making his own sound. Upon the band’s entrance to “Intro Noirwave“, I was reminded me of the genius of Battles (pre-Yannick’s appearance). If you stripped out vocals and just had instrumentation – you might have a band that sounds all too similar to Battles (which is not a bad thing in any way), but the minute that Yannick joins with his bandmates – and the dynamic changes.

Yannick has a stage presence that is all to awesome to see. He owns the stage and is a charismatic frontman. He works the stage engaging the audience. His vocals reminds me of a cross between Twin Shadows and Kele of Bloc Party. The band has a similar sound to Bloc Party with the indie/post-punk sound. Songs like “Seventeen (Stay)” could be a new Bloc Party track. I’m a fan of the music when he starts to blend African beats into the music. It then differentiates him from the Bloc Party(s) and bands who are already doing that music.

After listening to his work online, it’s totally clear that this is a band that needs to be seen live. “La Vie Est Belle” is just beautiful when it’s performed. The images that are shown on the backdrop of him falling just add to the sound. Add the African beats to the R&B influences and you get an amazing song that incorporates it all. In songs like these, you can hear all the music that he listened to – from Kanye to Mos Def to Prince – its a beautiful blend. “Just Breathe” shows off the 80’s influences and had the crowd dancing. Add some positive lyrics with “be the change you want to see” over synth-pop beats – it makes for a good dance party – and then to dive right into “Freedom“. You can feel his emotion in all the songs, from discontentment to frustration to exhilaration.

As he neared the ending of the set, there was a crowd sing-along with “Down” which went on and on and made sure to include all of the audience at some point. Yannick seemed like he was having a great time and said over and over how SF was such an awesome crowd and so loud. The crowd danced along and sang along and clearly showed him and the band a really great time. Can’t wait to see what happens when he comes back to play a bigger venue.

The Seshen

The Seshen

What made this show even more awesome were the openers from the other side of the bay – The Seshen. Two bands that were paired perfectly and both had amazing shows. The Seshen clearly had a big following and many people were out just to see them. The two lead singers, Lalin St. Juste and Akasha Orr, both had amazing/strong vocals – and both were awesome dancers. They just take you away with their lush voices.

Plus – The Seshen has one hell of a percussion section. A set of congas and bongos along with a whole drum set, and a drummer with a contagious smile, and it elevated the music. The afro-caribbean beats mixed in with a fusion of R&B/hip-hop/electronic music and indie and it made for some awesome songs.

The band had the crowd dancing in no time. It’s so easy to get swept up into their music. “The Fall” is just infectious and its swirling melody reminds me of Beach House. It just transports you and you get lost in the music as you dance and move along to it. “Unravel” is pure catchiness over the electronic dance beats that will keep you moving. Their set is just brilliant and the only bad thing is that it felt like it was over before it even began. Between the catchy/dance-y music and the amazing singers and their dancing – the set just felt like it was way too short. We definitely need to be seeing more of the Seshen in the Bay Area sometime soon!

Set List Petite Noir:
Intro Noirwave
Best
Seventeen (Stay)
Shadows
La Vie Est Belle
MDR
Just Breathe
Freedom
Down
Chess

Till We Ghosts

Set List The Seshen:
Turn
Shapes
The Fall
Spectacle
Unravel
Distant Heart
Periphery
Oblivion
2000 Seasons
Right Here

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Go! (Public Service Broadcasting)

Posted by xneverwherex on April 1, 2015

Public Service Broadcasting
What Up Mang
Meet Me In Orbit
(Upstairs) @ DNA Lounge
3/31/15

Its been a year since Public Service Broadcasting had been around, but amazingly enough they’ve already released their 2nd album. Aptly titled The Race For Space, the band has now surpassed where they started from. This new album is pure genius and it feel like it could just take us up into space.

Public Service Broadcasting

Public Service Broadcasting

London boys J. Willgoose, Esq. (always looking lawyerly in a bowtie and corduroy) and Wrigglesworth, the bad ass on the drums, always know how to put on an incredible show. While the band doesnt talk at all, their computer certainly makes for a 3rd person of the band. With lovely quips ‘thank you San Francisco’ or ‘We’re so glad that we are finally playing (majorly long pause) Upstairs the DNA’, the computer has a personality of its own. The two guys clearly have an awesome time playing together and it shows all over their face with lots of big smiles.

Mostly their show is all about the music. The Race for Space is just that. It felt like we had gone back in time to when JFK was in office – there was a need to get to space and see the unknown world, get to the moon – and hearing it all looped over their music was something pretty special. The band has managed to do one hell of an impressive feat with getting the astronauts and NASA’s original broadcasts and communications between each other. The band has some amazing footage from times lost and has incorporated it into one hell of a visual display. Between the visuals and the aural sensation, at points it felt like we were there.

Single ‘Gagarin‘ is a fun disco-infused electronic song that really got the crowd dancing. People were there for fun and the tiny little upstairs was a great place for everyone to get a bit hot and sweaty dancing to their music. ‘Signal 30‘ off their first album is still a catchy piece with much heavier guitars and drums as cars go flying down the road with the announcer talking about ‘driving too fast – no drinking and driving’. It just works and with all of their songs you feel like youre transported into this whole different world of theirs. I still get a bit misty eyed every time they play ‘Everest‘ just imagining being there — with the most gorgeous mountain ever. Its just hauntingly beautiful.

With that being said – their new music combined with some of their most awesome tracks off the other album – makes for one hell of a show. You just dont want it to end.

Meet Me In Orbit

Meet Me In Orbit

Its only fitting that Meet Me In Orbit (with perhaps one of the best names ever!) was one of the show’s openers. The San Francisco band played their first show ever last night and the crowd was so into them. The band is bringing their own dreamy, spacey electronic sound which is catchy and dance-y and like PSB, just takes you away. It was hard to not want more from the band, but with such few songs you take what you can get. Thankfully, their first EP gets released on April 7 – and if youve missed really good dream-space-pop that you can just close your eyes and dance to – then make sure to get this. They’re one of those bands that you expect to be big and to hear much more from because they are THAT good!

What Up Mang

What Up Mang

What Up Mang! managed to bring some pretty cool kaleidoscope disco psychedelic beats from the Lower Haight to SOMA. The band was definitely out there and were having a great time and I never would have thought Id say that disco and psychedelic music could go together, but it seemingly blended all too well together. Plus, they had some great blissed out harmonies. The lead singer was quite the dancing machine and she was enthralling to watch. Plus, they even managed to have a crazy cover of Billy Ray Cyrus’ ‘Achy Breaky Heart‘ and they made it even better by slowing it down and adding some heavy Hawaiian luau beats. So if you ever just want a fun night out, this band will deliver, plus youll end up dancing the night away.

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Clan of Xymox @ DNA Lounge

Posted by xneverwherex on March 21, 2015

Clan of Xymox
Anthony Jones
DNA Lounge
March 19, 2015

Dutch band, Clan of Xymox, finally made it back to San Francisco just 10 years later. Having a very brief tour, just 3 dates in California before heading to Europe, Northern CA was lucky to get one of their shows.

Clan of Xymox

Clan of Xymox

While I had never seen the band back in the day, it was great to finally see them. Ronny Moorings sounded just great and still looked awesome. He is just great to watch on guitar, but even better when he’s not playing as his hands are so expressive. Always moving and just perfect with the music, it was gorgeous to watch.

Their earlier songs with the catchy synth beats over dark and moody guitars and vocals, sounded incredible. The music just goes on and on with incredibly long songs that just beg for dancing. With songs like ‘This World’ that just seem to keep going and a pulse that never stops, its easy to get lost in the music. No matter how long the songs are, you just dont want them to end.

‘Jasmine and Rose’ was another crowd favorite and everyone was singing along to the chorus of “sensual” — bodies writhing to the music, clad in black latex and leather, mohawks everywhere you turned, lots of very dark eye make-up and black eyeliner, the crowd was just beautiful. Unlike most shows where theres lots of pushing and shoving, it was a pretty awesome crowd. Everyone just dancing (and not the pseudo jumping around) people were caught up in the music. Arms floating through the air, bodies moving to the music, its the perfect music. Darkwave has never sounded better.

I’m definitely partial to their earlier songs, but the music off of their latest album, Matters of Mind Body and Soul, is really quite great. The band which has definitely gone away from the more synthpop 80’s sound, still has their darkwave/gothic/electronic feel. Its melancholic, emotional, atmospheric sounds tugs at the heartstrings. The songs are emotional and raw and just beautiful. You can just close your eyes and with the background keys and guitars, get lost in the music. It just takes you along and is perhaps one of their best albums since their earlier music. Opening the set with “I Close My Eyes” off this new album was a brilliant way to start the set. It just set the mood for an incredible dark ambient show.

The band ended the show with a brilliant cover of Shocking Blue‘s ‘Venus’ changing up the words just a bit from “Im Your Venus” to “Shes My Venus, She’s My Fire’ which was an awesome little change. Its a nice dark, heavy cover with moody vocals and couldnt have been better. Of course, they had to end the set with one of their most popular songs ‘Obession’ which created a surge of energy and finally lots of moshing. By that time, with everyone a hot sweaty mess, it didnt even matter. It was a brilliant way to end the show and I couldnt have left more happy.

Anthony Jones @ DNA

Anthony Jones

San Francisco’s Anthony Jones, whose music and shows benefit the Wolf Mountain Sanctuary, opened up the set with musicians on violins and cello. It had to have been the most beautiful gothic, Victorian music I have ever heard. It felt like a time and place of yesteryear. The women in their Victorian/gothic dresses with gorgeous headpieces were just breathtaking. It was all so intricate.

The music takes you to another place and Anthony’s vocals echoed through the DNA Lounge. It just filled the room along with the backing instruments. It felt like a full orchestra even if there were only 3 of them on instruments. He has such a strong presence and the way he works the stage, he commands your attention. As he sings “Long Live The Queen” you begin to feel like you are in a different era. His music is like period-pieces and depending on where he takes you, you get sucked into that era.

As he played “Come to Me” (which starts with the opening line ‘Welcome to Fright Night’), youre immersed in a world of vampires. Keyboards fill the room with manic sounds, and then Anthony’s voice comes in, haunting and beautiful. Ariellah comes out in beautiful black latex and starts dancing, her body undulating across the stage. She grabs him and clings to him and its just beautiful to watch, if not a bit of a voyeuristic feel. The music is just made for a movie, all dark and haunting, brooding and gothic.

By far, he is one to go out and see. Its hard to go wrong with beautiful vocals and violins and a cellist that just add to the whole world. The two bands were so well paired together. It couldnt have been a better set and with an awesome crowd, it made the night all the better. Plus, so many great outfits to look at. An awesome night!

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Caribou Closes Out Noise Pop Fest

Posted by xneverwherex on March 4, 2015

Caribou
Koreless
The Fillmore
March 2, 2015

Canada’s Dan Snaith, also known as Caribou, came to SF for a couple of days to close out the Noise Pop Festival at The Fillmore. The show had long been sold-out and unlike most shows, tickets were hard to come by. After finally making the decision that I had to see him, I just threw down the money and hoped for the best.

Caribou

Caribou

The band came out clad in white to a stage of red and blue lights that would eventually be a lot of strobe lights (I somehow did not see the warnings!). The band started out slow with the lo-fi house drum beats on “Our Love” and immediately the crowd was shuffling around. With a slow progression, the music gets faster with lovely synthy dance beats and the crowd followed along as Dan & Company would take us on a full-on dance party always in command. Just as you feel it getting close to the climax and youre ready for more, the band turns it down a notch. And it worked.

Caribou, which is labeled under ‘idm’ (intelligent dance music), isnt your typical indie dance electronica band. Dan manages to encapsulate so many styles in their songs – from experimental to jungle to house and of course electronic – and as a whole the songs work. There are so many layers on his songs, with some of them having a shoegaze influence but also still has the continuous throbbing beats. The new album, Our Love seems to have branched out even more and just might be even more accessible.

On tour, Dan brings along a guitarist, bassist and another drummer and the 4-some are tight on stage. Packed neatly into a small space in the center of the stage, each band member contributes as an individual and a whole to the band. It makes for an intimate closeness as they all play and work off of each other. Its hard to imagine that this is all done as just one when its so perfect live with all the different instruments. If you love drums, they have plenty, with 2 drums going on for most of the night – a throbbing beat just keeping the show moving along.

It definitely helps that Caribou has a fan-base that is pretty solid. Before the show started, I heard someone talking about all the different shows he had seen mentioning of course Caribou. How I was so tempted to say that I saw him perform under Manitoba years prior. People that love his music, really love his music. Throw down some awesome synths to solid drum beats that have a tribal sound along with one hell of a light show, and you get one hell of an awesome show. Plus, the pulse of the crowd which was in constant movement (and they say people don’t dance) and bam! I mean, how can one not move to his music.

It was one hell of an impressive set. The band played for nearly 70 minutes without stopping between songs. Throw in ‘Sun‘ as an encore and for nearly 10 minutes you just get lost in the music. Dan was having such an awesome time, playing in purple socks, and every once in awhile staring out at the crowd with a huge smile. It was just pure happiness. The other drummer, played the set with just one shoe on. The whole band just seemed so comfortable and it was clear that it wasnt just the crowd who was so into it. Everyone was so lost in the music and with hits like ‘Odessa‘ (one of his most catchiest songs) and my own favorite ‘Leave House‘ (I never want to stop dancing when this is played – it just goes on and on and on). Plus, The Fillmore (not usually known for having electronic bands), was the place to see this. Sure, normally it’d be at Mezzanine or a more club environment, but the acoustics here were spot on. It could not have been a better space for the band.

Koreless

Koreless

Scottish electronic producer Lewis Roberts, a.k.a. Koreless, started the evening armed with just a laptop. It might have been the exact opposite in electronic music when compared to Caribou but to say it was not brilliant would be a lie. Koreless manages to add a lot of layers and textures to the music that it seems you can actually feel it. Between the ethereal shoegaze sounds to the space-y ambient noise, you feel like youre in your own world. In my own version of Interstellar, this is the music that would be with me. It transports you to another space, its moody and delicious. With a continuous haze of pot smoke above, it added to the ambience.

I walked out of the show and my back was drenched in sweat. The dress I was wearing was now clinging to me and soaked. Sure, it was disgusting after the fact, but during the show just the feel of the crowd dancing and super into it and connected was an awesome feeling. Surely worth every cent I paid for the show and probably even more.

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Hooky, JD, New Order = Paradise

Posted by xneverwherex on November 24, 2014

Peter Hook & The Light
Performing ‘Brotherhood’ and ‘Low-Life’
Mezzanine
11/21/14

After hitting up the Castro theater on Friday night to see Pulp’s new documentary – and clearly get me in the mood for a night of dancing – I made it down to Mezzanine. I somehow got there about 5 minutes before Peter Hook would grace the stage. Thank god for Muni and quickness – because no joke – the best part of the set hands down was the Joy Division material.

Minus Ian Curtis’ haunting vocals, the band was on fire. The guitars (Hooky and son mainly) were sounding amazing. Their full sound filling up the room. Starting with the opening chords of ‘Dead Souls’ it would only get better. The bass lines hauntingly beautiful – a recognizable sound most anywhere. The crowd was really into it, with people moving around slowly, feeling the music. It just seeped into you and would only get better. They worked their way far too quickly the songs but ‘Transmission’ into ‘Isolation’ and finally into ‘She’s Lost Control’…. wow!! It just could not get better.

Hooky

Hooky

Sure Peter Hook might not be the best vocalist, but for whatever reason I felt like his band really kept the essence of Joy Division more than Bernard Sumner’s New Order. Ive heard people tend to like either one or the other, but the intimacy of the show, the fans all moving/dancing together, was incredible. Granted, New Order is playing at the Fox which does tend to not have the greatest acoustics.

Regardless. the night was awesome. The guitar tracks were sounding great and Peter Hook was every bit the show man. He worked the stage playing his guitar close to the fans in front. He then climbed on top of some speakers reaching the far left of the stage. People were just loving it. His son, Jack Bates, seemed a bit more subdued but was a fully competent and excellent player. He isnt showy like his dad in any way, but would look out and smile on occasion and you could tell he was enjoying it. The keyboardist, Andy Poole, was incredible and that really kept the music going. If you cant have the vocals, surely you can get all the music itself done perfectly, and thats just what the band did.

My only real complaint is when Hooky stopped singing on a few songs and gave the duties over to David Potts, formerly of Monaco. His voice just seemed so out of place that at first I was wondering who on earth was possibly singing. And sadly, no Monaco songs.

Although, after a fully awesome Joy Division set, the band went into a really great New Order set. It started with 2 songs not off either the albums before going right into Low-Life. It was never one of my favorite NO albums, but it did sound quite good. And it does have one of my favorite NO songs “Perfect Kiss”. In no time at all the crowd was dancing tons and really into the set. After completing the album and a short break, it was time to dive into Brotherhood. ‘Paradise’, ‘Weirdo’ and ‘Bizarre Love Triangle’ – I felt like I was back in high school, but this was so much better. I mean Bizarre Love Triangle really had the crowd dancing.

Peter Hook & The Light After 2 amazing albums, it was hard to ask for even more, but of course there was an encore. And the encore topped the whole show off. ‘Confusion’ into ‘True Faith’ (never sounding better!) and finally my favorite song ‘Temptation’. A crowd singing along, dancing, Hooky working it through the set and finally ripping off a wet “Jackass” shirt and throwing it into the crowd — yeah it was that good. And of course, it had to end with ‘Love Will Tear Us Apart’. What show would not be complete without that as a finisher. Nearly 3 hours later – and I was left a hot, sweaty mess, departing into a cold rainy night. Somehow, it couldnt have been more fitting.

Set List:
Dead Souls (Joy Division)
Komakino (Joy Division)
Something Must Break (Joy Division)
Transmission (Joy Division)
Isolation (Joy Division)
She’s Lost Control (Joy Division)
Shadowplay (Joy Division)

Murder (New Order)
Lonesome tonight (New Order)
Thieves Like Us (New Order)

Low-Life (New Order)
Love Vigilantes
The Perfect Kiss
This Time of NIght
Sunrise
Elegia
Sooner Than You Think
Subculture
Face Up

Brotherhood (New Order)
Paradise
Weirdo
As It Is When It Was
Broken Promise
Way of Life
Bizarre Love Triangle
All Day Long
Angel Dust
Every Little Counts

Encore:
State of the Nation (New Order)
Confusion (New Order)
True Faith (New Order)
Temptation (New Order)
Love Will Tear Us Apart (Joy Division)

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Inform. Educate. Entertain. w/Public Service Broadcasting

Posted by xneverwherex on February 22, 2014

Public Service Broadcasting
Kiev
Slim’s
February 20, 2014

Inform – Educate – Entertain is not only the name of the first album from Public Service Broadcasting, but also seems to be the mission of the London-based duo. And that they did. The band’s backdrop/screen is a continuous reel of archival news clips and some “educational” information which was probably shown in schools forever ago – which is really propaganda. Those were the days. But the band takes this material and adds their own music to the pieces. While it might seem that it wouldn’t or shouldn’t work, it does. And I did learn (thanks to a guy from England standing next to me), that the first image is what the Public Broadcasting Service used to use before their announcements.

Public Service Broadcasting – J. Willgoose, Esq.

The duo consists of Wrigglesworth on drums and the ever dapper J. Willgoose, Esq. on everything else (as is pointed out very cheekily). Willgoose dresses in a bowtie and horn-rimmed glasses and looks like a lawyer of yesteryears. He seems to be the educator of the band while Wrigglesworth keeps it very entertaining with on-going drum beats — sometimes speeding it up and creating a more dance-friendly song.

Some of the images that seemed to stick out were soldiers during wartime marching down the streets with crowds out to cheer them on (reminding me of Hitler’s Nazi Germany). The band seemed to have the perfect song to accompany it, keeping it more down-beat. Willgoose tends to use a lot of banjos and guitars in the mix of the songs and the blends work out just perfectly. The ending of Sir Edmund Hillary climbing Mt. Everest was perfect with a more dance-y track that had some of the audience really breaking a sweat. It was upbeat and seemed to signify a victory to the end of the show.

This was nothing but pure original brilliance. I cannot recommend seeing this band enough as they will delightfully surprise you for an hour or so taking you on an informative musical journey through English history. While the band never utters a word on stage, the band does have their computer ‘voice’ (not siri, mind you) who does add quips throughout the show and one of the total highlights to hear him say ‘thank you. (long pause) San Francisco’. And just like that, the crowd bursts out in cheers and applause.

Kiev

The opener, Kiev, played their first show ever in San Francisco. It was rather hard to believe as they’re just our ‘neighbors’ down in the O.C. (Orange County). They were surprised to not get boos from saying that, but then again, half the crowd was probably their family/friends. So much for the SF/LA rivalry.

The band was surprisingly insanely loud. It was hard to figure out where the reverberations were coming from (as theyre far from a solid guitar band), but it seems that from the dueling keyboards and the guitars in between it made for a lot of sound (or else the mix was really bad). The stage was shaking and you had to step back as you could feel it pulsate through your body.

It was a bit too loud, as would have loved to hear the saxophone in several of their songs which got drowned out. The band was quite good and as it got towards the end, their music had more of a dance-electronic feel to it. They definitely ended the show on a high note and are worth checking out again.

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How Does It Feel?? New Order

Posted by xneverwherex on October 10, 2012

New Order
Run Run Run
Fox Theatre
10/5/12

I was pretty lucky that I had ended up with a New Order ticket. It had sold out so quick and so many of us were unlucky. Thanks to Val’s boyfriend having to travel, it made me one lucky girl.

Friday night in Oakland was insanely busy. I can only assume that there was some sorta festival going on. There were bands on the street, djs spinning and people everywhere. Plus some sort of protest march going on. And the Fox Theatre was right in the middle of it all.

New Order

It seemed to take forever but New Order finally came out. The stage was quite dark as they started into their first song. And then BAM! The lights started going, strobes coming on and off and the beginning to what would be an insane light show the entire night. I was convinced my friend Will was their lighting designer.

Their second song, ‘Age of Consent’, really got the crowd revved up. They introduced the band via video screen. The band didnt do a whole lot of moving around, and Gillian barely left her keyboards. Bernard Sumner did some moving around and jumping around while Stephen Morris for the most part remained behind the drums. On occasion, he’d walk to the sides to play what looked to be a drum machine. There were a few other members rounding out the touring band, but couldnt remember who. It was definitely a loss to not have Peter Hook on bass.

The first half of their set was mostly songs I hadnt remembered and probably a few newer ones. It seemed I was recognizing one for every few. I was a bit disappointed. At least the seongs all had a catchy synthy beat and they were easy to get into. But then it was like all of a sudden all their most popular hits. True Faith was followed by Bizarre Love Triange, complete with the original video on the screen. The crowd went nuts with people dancing in the aisles, next to their chairs, wherever they could make room. And then they threw in ‘Perfect Kiss’ and ‘Blue Monday’. Lastly, there was ‘Temptation’. They were so great and the crowd was singing along. But then Barney was saying last song and everyone looked confused as it was barely over an hour at that point. It seemed a bit unreal. But then it happened, and the band was off the stage. It was hard to believe that after an hour and 15 minutes the show was nearly over.

New Order

New Order

Of course there was an encore. It was a short, but sweet, 2 song encore of Joy Division songs. The first was ‘Atmosphere’ and the set was closed out with ‘Love Will Tear Us Apart’. The songs arent quite as dark and moody as Joy Division, but still had that feel to them. Its hard to hear the songs and not imagine Ian Curtis’ voice, but its cool to be able to hear them played at all.

While I guess I had higher expectations, it didn’t totally disappoint. I heard some great songs live and they were performed with great execution. But just a few more songs would have been nice. I definitely would have loved to hear a song or two off of ‘Technique’. More of anything would have been great from a band that has countless albums and songs. C’est La Vie.

Set List:
Elegia
Crystal
Ceremony
Close Range
Age of Consent
Isolation (Joy Division Cover)
Here to Stay
Your Silent Face
Bizarre Love Triangle
586
True Faith
The Perfect Kiss
Blue Monday
Temptation

Encore:
Atmosphere
Love Will Tear Us Apart

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CMJ Day 3 – Late Night

Posted by xneverwherex on October 22, 2011

It was a late night for the 3rd day. I missed all the day shows, but I did make it over to Drom with the high hopes of catching Totally Enormous Extinct Dinosaurs which I ended up missing.

But I did see some amazing talent that night. Publicist was there not as a DJ but performing. His brilliance combination of his drums, vocals and beats all in one is awesome to witness. With his shirt off, he plays with so much energy you can see sweat dripping down his body. The drumming was pretty spastic but mixed with the beats behind it everything works together quite well. If he ever plays live, its definitely worth checking him out.

Jogyo made a special guest appearance and by far was the coolest set of the night. Band members Dru Barnes and Devi Mambuka really knew how to get the crowd dancing. Singing about Africa and one world it felt like a whole unifying experience. Their sound has a reggae feel but reminds me of some of the other rappers from different African countries. Devi looked beautiful in a white gown as she danced around the stage, moving so fluidly. Everything about them was amazing and fun to watch.

33Hz was a 5 piece band playing a predictably dancey set. Their music was a bit boring in the fact that it didnt stand out on its own. They sounded like other bands and were a bit boring to watch as well.

Either way – the sets were quite good. Drom is a pretty cool place, but this night, put on by GBH was just filled with scenesters and college kids. Definitely not my scene, but for the music it was all worth it.

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LCD Did Not Lose Their Edge

Posted by xneverwherex on April 4, 2011

LCD Soundsystem
Liquid Liquid
Madison Square Garden
4/2/11

The night had finally arrived and it was finally time to say goodbye to LCD Soundsystem. It was a bittersweet farewell and the band couldnt have gone out any better.

With hopes of Daft Punk coming out, we would be surprised with another band. LCD greeted us with some other Northerners instead for “North American Scum”. How fitting that it was The Arcade Fire. Win, Will, Regine and Jeremy came out and helped LCD sing the song. It was truely awesome watching the band excitedly sing along and jump with enthusiasm.

The band treated us to a 3.5 hour set that was reminiscent of the shows at Terminal 5. It was broken out into 3 sets with the first and second set being almost identical to the others. It was great to begin the show with ‘Dance Yrself Clean’ which brought the floor to a frenzy. Watching from above, as the first note came on the crowd went into overdrive. Everyone was there to have a great time and presumably dance themselves clean.

James is an awesome frontman and took the crowd through an awesome first set. There wasnt much banter as he went from ‘Dance Yrself Clean’ right into ‘Drunk Girls’. The set continued at a frenzied pace and included ‘Daft Punk Is Playing At My House’, ‘Time To Get Away’, ‘Too Much Love’ and of course, the natural show closer (which it is not) ‘All my Friends’. What was more surprising is that ‘All My Friends’ wasnt even the last song of the first set. It makes for a beautiful closing song.

All of a sudden an hour was gone, and it was that much closer to the end. 45:33 brought out Reggie Watts and a great brass section that sounded amazing. ‘Freak Out/Starry Eyes’ sounded really great and everyone was dancing up a storm during that song. It seemed that for parts of the other it was a little more subdued, but it was definitely needed before the third part came in.

The set would soon be closing – but LCD packed in as much as they could. They played one song (I believe it was Bye Bye Bayou) for the first time. My friend was beyond excited, but I could have sworn he said it was something else. Arcade Fire (as previously mentioned) showed up on ‘North American Scum’ and we got a very loud ‘Us vs Them’. Crowd favorite ‘Yeah’ had everyone singing and dancing.

It was great to see LCD bring out their first guitarist who played on a few a songs. The drummer looked oh so comfortable in his shorts and considering how hot and sweaty it was, he was very prepared. James Murphy started a countdown of the last few songs. Much like New Years Eve, it was never meant to be sad, it was just meant to be a huge dance party. And soon it was only fitting that they would play ‘New York, I Love You But Youre Bringing Me Down’ for one last time.

Who knows if we’ll get a reunion in 3-4 years, but this couldnt have ended better. My only gripe was the ticket fiasco – it was great people got tix at the door for face and on the floor. For those of us who managed to get any early, the angles were quite bad and it was hard to see at points with the rig for the lights. It seemed we were barely acknowledged till the end. Regardless, I had one hell of a time. It was great to see that most the crowd abided with James’ request for the black/white dress code. Boo to those of you in the front floor with a RED shirt on. It just screamed for attention.

SETLIST

Set 1:
“Dance Yrself Clean”
“Drunk Girls”
“I Can Change
“Time to Get Away”
“Get Innocuous!”
“Daft Punk Is Playing At My House”
“Too Much Love”
“All My Friends”
“Tired”

Set 2:
45:33 Part One
45:33 Part Two (ft. Reggie Watts)
“Sound of Silver”
45:33 Part Four
45:33 Part Five (ft. Shit Robot)
45:33 Part Six
“Freak Out/Starry Eyes”

Set 3:
“Us V. Them”
“North American Scum” (w/ Régine Chassagne, Win Butler, Will Butler & Jeremy Gara of Arcade Fire)
“Bye Bye Bayou” (Alan Vega cover)
“You Wanted A Hit”
“Tribulations”
“Movement”
“Yeah”

Encore 1:
“Someone Great”
“Losing My Edge”
“Home”

Encore 2:
“All I Want”
“Jump Into The Fire” (Harry Nilsson cover)
“New York, I Love You But You’re Bringing Me Down”

Posted in Adventures in the Big City, Friends, Live Music, Random Ramblings | Tagged: , , , , , , , , , , , , , , | Leave a Comment »

Friendly Fires Finally Playing New Material

Posted by xneverwherex on February 8, 2011

Friendly Fires
The Hundred in the Hands
Bowery Ballroom
2/7/11

Friendly Fires has once again crossed the pond to bring the dance party to New York. Their shows are always a good time and its one of the new shows that can get nearly an entire place to move. A lot of the audience in the front tried out their new best dance moves. Im not sure it works in a sold-out venue, but its hard not to move.

Their setlist was still largely based on their first album with a spattering of new songs in between. One of the changes with their new material is it doesnt have that same catchiness upon first hearing as something like ‘Paris’ or ‘Jump In The Pool’. At times a song or two reminded me of ‘Odessa’ from Caribou with the same beats and other instruments brought into the music. It still has a dance-y feel, but it almost feels like youre transported into a jungle. Perhaps it happened when they played with a Brasilian samba school as you now get the samba and calypso vibe.

Needless to say, it seems the new tunes might take some getting used to and lots of play. Ed perfected his dance moves which is now even more undulations, gyrations and is starting to look more stripper-esque. There is no denying he can work those hips, and those slow moves had the girls in front swooning. But he still is amazing to watch – esp when he gets really into it and he just starts working the stage. Ending with an extended version of ‘Kiss of Life’ that just kept Ed going and going was a great way to end the set.

I do miss some of the songs that hopefully have not yet been retired. Sad to no longer hear ‘Strobe’ and ‘In The Hospital’, but hopefully the new songs catch on.

The Hundred in the Hands were a nice surprise. Their music is really great live. With a catchy retro 80’s feel (think Pat Benatar/Belinda Carlisle), this Brooklyn duo has made the 80’s seem relevant. Electro-dance-pop at its finest, by the time you add some guitars and keyboards it will be hard to not be tapping your foot, shaking your head. They were the perfect opener for Friendly Fires getting the crowd warmed up (too bad most the crowd didnt seem to appreciate them) 😦

Friendly Fires Set List:
Blue Cassette
True Love
On Board
Running Away
Chimes
Skeleton Boy
Hurting
Jump in the Pool
Pull Me Back To Earth
Show Me Lights
Paris
*********
Love Sick
Kiss of Life

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