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Dope Machines – Airborne Toxic Event

Posted by xneverwherex on March 24, 2015

Airborne Toxic Event
Regency Ballroom
3/21/15

LA’s, The ATE, had announced a shortened tour of just 9 dates for their 4th album Dope Machines. The new album was going in a bit of a different direction than prior albums. It definitely has more of an 80s flare and more synth than their big anthem indie songs of years prior. It was to be an awesome show that would be focusing more on the visuals than the actual band itself.

The Airborne Toxic Event

The Airborne Toxic Event

Mikel Jollett sounds so much more emotionally invested in this album. With raw, passionate vocals you really can feel him. It also helps that they played the new album in its entirety nearly in the dark with all of the emphasis on the video images behind them. The videos ranged from women in lacey lingerie (stockings) to visuals of cityscapes passing by. Songs like “California” still have the catchiness of prior songs and it was great to hear Mikel talking about growing up in the different parts of California and how its made him – of course, hes a product of hippie parents that took him around in a VW bus growing up. And best of all, he tells a story like no other.

Unlike other shows, this show started out a bit on the slower side but thankfully there was a part 2 where they played all of their hits. The band then started out “part 2” with the ever catchy “Gasoline” which got the crowd dancing and revved up. Plus – it would mean we’d finally get the band really working the stage and playing their hearts out. Lots of guitars, lots of great harmonies and of course Anna Bulbrook not just on keyboards, but her violin. And man, I am sure seeing a lot of violins in bands these days, but she tore it up. So with the lights all up and a crowd wanting this – the remainder of the set would turn into a fun affair. The band continued to rip through songs immediately going into “Happiness Is Overrated” — another fun catchy song that had the crowd singing along to ‘i’m sorry, i nearly lost my head’.

It was a great fun night, but this crowd left a lot to be desired. From the young kids in front of me who insisted on slow-dancing then having a full on make out session (yes – this was right near the stage) and having no clue that they were yes, at a concert. It was just awkward. Worse, instead of paying attention to Mikel who is literally right behind them playing his guitar to the far right area, they were filming each other. If that wasnt enough, we then had a woman come up to us asking if we would be her friend. Now I have seen a lot at concerts, but I dont think Ive been asked about the friend thing since I was 5. She was insistent on hanging out with my friend and I, while I was more interested in not having any conversation and watching the band. Plus, I had the kids in front of me now making devil-horned signs the entire show.

The Airborne Toxic Event

The Airborne Toxic Event

So yes, it was an interesting night, and they had an encore or two, plus its hard to go wrong with the violin opening of “Sometime Around Midnight“. Its just gorgeous having the addition of the strings. And the song just resonates with these lyrics:
And it starts
Sometime around midnight
Or at least that’s when you lose yourself
For a minute or two
As you stand
Under the bar lights
And the band plays some song about forgetting yourself for a while

And in a nutshell it rather sums up the night. Theyre definitely a band to see if you havent before as its always a good time, even when the crowd isnt quite what you were expecting.

Set List:
Dope Machines Set
Wrong
One Time Thing
Dope Machines
California
Time to be a Man
Hell and Back
My Childish Bride
The Thing About Dreams
Something You Lost
Chains

Fan Favorites (might be out of order)
Gasoline
Happiness Is Overrated
Changing
Change and Change and Change and Change
Papillon
Welcome to Your Wedding Day
Sometime Around Midnight
All I Ever Wanted

Elizabeth

Posted in Adventures in the Big City, Friends, Live Music, Random Ramblings, San Francisco | Tagged: , , , , , , , , , , , | 1 Comment »

Buzz Band Catfish & The Bottlemen Conquer SF

Posted by xneverwherex on February 11, 2015

Catfish & The Bottlemen
Wild Party
The Independent
2/10/15

The much hyped Welsh band, including a test-tube baby born lead singer with the born to be rockstar name Van McCann, Catfish & The Bottlemen lived up to everything and more. Its hard to actually believe the hype as all too often there is such a big letdown. But in this case the 4-some came to San Francisco and were ready to play their hearts out.

Catfish & The Bottlemen

Catfish & The Bottlemen

The band opened with the very catchy “Rango” off their debut album The Balcony. Van wasted no time with amping up the audience. With a lot of kicks and jumps, he worked the stage taking all of their songs a level up. They were harder and heavier in concert, not sounding quite as poppy. And the heavier sound worked perfectly. The packed show (surprisingly not sold out) had everyone singing along like they had been fans of the bands for years. It was hard to believe that this was their first time in San Francisco.

The band then went into the even more catchy “Pacifier” with catchy guitar riffs and Van’s lovely vocals. It has a bit more of a pop sound and had the crowd dancing and rocking out. Van’s head was constantly bopping up and down, his floppy hair all over the place.

Van is very reminiscent of Luke Pritchard of The Kooks. The way he moves, the way he takes over the stage and his whole presence reminds me of the band. You can almost imagine them playing around the same times. The band exudes energy and its infectious and everyone around me was smiling and clearly into it.

There was also a lot of stage banter with him calling out to a Liverpool fan who ended up singing their football anthem. There were clearly a lot of ex-pats in the crowd last night. There was talk about pies and what makes a perfect one and what to put it one (I think Van was not talking about a pizza pie). And it went on. He was so peppy and so full of life.

The other guys of the band left for a couple songs (which I guess could be an encore of sorts) and Van played “Homesick” on his own – along with a crowd sing along. It then went into the acoustic version of “Hourglass” which is beautiful. A girl next to me freaked out about not being able to video the song which was somewhat amusing. The band emerged again for “Cocoon” and “Tyrants” and included the awesome moves of Van sliding up and down the mic stand, resting his head against it as well as sliding his guitar up and down nearly using it as a slide. He just exudes coolness.

This is the band to see – so if youre on the East Coast – find yourself a ticket pronto. Most shows are/will sell-out and you will have no regrets.

Wild Party

Wild Party

The openers Wild Party from San Antonio, Texas are also a band not to miss. The bands are pretty different sound-wise from the heavy guitar rock of Catfish to the lighter, pop sounds of Wild Party. But each of them have the energy. It will be no surprise to see Wild Party around a lot more often.

Lead singer, Lincoln Kreifels tried to get lots of dancing going on and was really engaging. It was clear the band was excited to be in town. They have the same catchiness of Rooney who sadly never became bigger. Power-pop guitars, dance-y songs and in no time you’ll be dancing along to songs like “Outright“. The bass lines of Ethan Kaufmann are beyond catchy esp on songs like “Connect the Dots“. He’s excellent and the band is great to watch. In their ever tight skinny jeans, the band seems almost too jaded and cool, but its clear they’re all just having a good time.

Their music just makes people happy. Everyone around me seemed so into it and just having a great time. I remember missing them at SXSW last year and thinking eventually Id see their name. And I was so glad that I finally caught them. Its one of those bands to just go out and see and you wont regret it.

The combo is one hell of a two-some. Its hard to get two incredible bands with different styles, yet it works just fine. They’re a perfect opener, getting the crowd ready to go and then leaving it all to Catfish & The Bottlemen to take it to the next level.

I expect to be seeing both bands around a lot more often.

Set List: (Catfish)
Rango
Pacifier
Sidewinder
Fallout
26
Business
Kathleen
Homesick
Hourglass
Cocoon
Tyrants

Set List: (Wild Party)
Nicely Done
Lo-Fi Children
New Light
Connect the Dots
Chasing Honey
When I Get Older
Life’s Too Short
Outright
Take My Advice

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SF’s Soft White Sixties Should Be Huge!

Posted by xneverwherex on January 31, 2015

The Soft White Sixties
Mahgeetah
Coo Coo Birds
Brick & Mortar Music Hall
1/28/15

San Francisco’s The Soft White Sixties finished off their month-long residency at The Brick & Mortar Music Hall this Wednesday night. And what a show it was. With birthdays on hand, the boys were ready to celebrate.

I had been meaning to see TSWS since coming across them last year as they were playing SXSW. Why this band is not bigger is beyond me. The band is pure infectious energy and took control of the stage. They started off the set with “Queen of the Press Club”. Ryan‘s bass lines are just impressive. Its a full-on rock song with some great solid guitars. And the drummer, Joey Bustos, was out of control, just tearing it up. With his arms all tatted up and big smiles he just went crazy on the drums.

The Soft White Sixties

The band has a solid garage-rock sound meets psychedelic, 60s sound and are so loud. Its pure, raw explosive energy. The band will have you rocking your head off and bouncing around in no time. The band next went into “Lemon Squeezer” which is more of a catchy song with a great chorus that will have you singing along in no time. Filled with a catchy keys section, its got a more dance-y vibe to it. By the time the guitars come in, you will be dancing your ass off!

Lead singer Octavio Genera is nothing short of impressive. The way he works a stage and commands an audience is something most artists can only dream of having. He danced across the stage so many times, whipping that microphone around and pulling off some excellent moves. He was so engaging and has gorgeous vocals.

Its a band that can be seen over and over as they clearly love doing this and its evident in their show. By the end of the show, the crowd and the band were spent with it being insanely hot and sweaty in the club and so much dancing.

It was also a special show in that it was Octavio and Joey’s birthday. In true SF fashion, a “burrito cake” was brought out with candles and all. Lots of champagne was flowing and lots of drinking was had. It was one hell of a fun celebration.

Openers Mahgeetah seem to have a huge following. While their music is good, it just seems so boring. There was only so much I could take before really hoping it would end. They are quite talented guys, but theres just something a bit lacking in the band. Perhaps with a better stage show, the band would be awesome.

Coo Coo Birds

Coo Coo Birds

Coo Coo Birds were pretty awesome. Fun garage rock, psych-pop hip shaking songs. Throw in some gritty guitars/bass and make it a little dirty and youve got yourself one hell of a band. Add some throaty vocals and youre set. The band is not to be missed and will remind you of the 60s (in hair and looks) and puts on one hell of a fun show!

Set List
Queen of the Press Club
Lemon Squeezer
Wont You Come With Me
When This All Started
Treat Me
Don’t Lie To Me
Up to the Light
City Lights
Children of the Revolution (T Rex cover)
Knock It Loose
Kick Me Back

The Boys are Back in Town (Thin Lizzy cover)

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Blonde Redhead @ The Regency Ballroom

Posted by xneverwherex on November 15, 2014

Blonde Redhead
Dot Hacker
Regency Ballroom
November 11, 2014

New York’s Blonde Redhead was in town on Tuesday night for their new album Barragan. This was the trio’s first album in what seemed like a long awaited 4 years. While I don’t think the album holds a candle to earlier work, hearing it performed live was a whole different story. As a whole, the band has never seemed more connected.

Kazu - Blonde Redhead

Blonde Redhead – Kazu

Kazu was having such a great time, working the stage, dancing it up like crazy. The band seems to have found a perfect balance between old and new – and between the shoegaze, indie pop art sound its just pure bliss. Theres something transformative happening when they play. And the crowd was way into it. Plus lots of older material and a good chunk from 23. And a double encore. I mean, seriously, what more can you ask for.

The band also has such chemistry on stage — its like they can just read each other and it makes for a real good mood/vibe. Guitarist Amedeo sounds amazing live. His vocals interspersed with Kazu’s on some of the songs was just beautiful, but even on his own he sounds equally enchanting. His twin brother Simone on drums kept the beat going and just connects it all together.

Their encore was pretty incredible. They came back to the stage playing the shoegaze-y, guitar heavy, dance-y “Spring and By Summer Fall” which had the crowd dancing up a storm. Lots of swaying and heads bopping and everyone moving. The first encore ended with “23” which had the crowd yelling for more. Kazu’s voice has never sounded so lush and beautiful. She was also tearing up the stage, working her way all over it dancing up a storm. As one guy told me, the best dancer of all the indie bands these days.

It would have been perfect even if they just ended it there, but the band clearly were having so much fun they had to come out for more. Kazu was saying how much fun she was having and enjoying playing for us so we were given a second encore with an additional song ‘Equus‘. And it was *that* awesome.

Ive seen them a number of times and they just get better with age. Like that perfect glass of wine, just aging in style.

Set List:
Barragan
Lady M
Falling Man
Hated Because of Great Qualities
Love or Prison
Mind to Be Had
No More Honey
Doll is Mine
Melody
Not Getting There
Dripping

Spring and by Summer Fall
The One I Love
Defeatist Anthem (Harry and I)
23

Equus

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Its Time To Wake Up – La Femme

Posted by xneverwherex on November 2, 2014

La Femme
Sego
Future Twin
10/30/14
Slims

Paris-based La Femme was in town on Thursday night, the last night of their US tour, and were ready to start the Halloween party a tad bit early. The band came on stage around 11pm and played for nearly an hour and 45 minutes, properly bringing in the holiday. Sasha graced the stage in what looked like a lounge-y housecoat and pajama bottom styled pants, with the housecoat very open revealing a very naked chest. So it only took moments before the crowd (men and women) were yelling for him to take it off.

La Femme

La Femme

La Femme was perfect for California bringing their surf-electro-wave music to town. If they werent singing in French, they might be mistaken for a California surf punk band. They definitely have perfected the style but made it their own. At times they had the sexiness of Serge Gainsbourg (the breathy sultry music) complete with some great dancing. The band members all worked the stage dancing across it lost in the music.

The band turned Slims into one hell of a chaos infused dance floor. There was more moshing/circle pits than dancing (a pity), but the crowd was very into it. Only real complaints were the ginormous guys who were crushing the females in front – I walked out of the show with a bloodied up elbow and a fair amount of bruises including bruised ribs. (note: Im so not cut out for this). There was some stage diving as well as a few band members joining in on the fun on the floor. “Its Time To Wake up (2023)” really had people moving — with a great mix of vocals sung together, an electro meets psychedelic vibe and a lot of pot smoking. Their songs seemed to last forever and at times it was trance like. “Sur La Planche 2013” was as catchy as ever with plenty of people singing along.

I did notice a lot of French people in attendance and a lot of French speaking which isnt seen all that often. The band, keeping true to their album title Psycho Tropical Berlin, played a set encompassing all the different styles. From Berlin cold-wave, to the beach tropical sounds, deep into the psychedelic – lots of keyboards (lots!) and a good amount of guitars. The band was insanely brilliant.

LA via Provo, UT band Sego was one of the openers. And they really killed it. Reminiscent of Bloc Party, minus the catchy choruses, infused with LCD Soundsystem and you pretty much get this band. Their music was fun with lots of catchy bass lines and a keyboardist that was going crazy. Dance-punk at its finest, I expect to be seeing a lot more of this band.

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Brooklyn Takes on SF

Posted by xneverwherex on September 7, 2014

Bear in Heaven
Young Magic
Miles Cooper Seaton
The Independent
September 3, 2014

Brooklyn came to San Francisco for a full night of music and it was pretty awesome. And I didnt even have to go to a large venue to see them all (compared to NYC). One of the major pluses. It was a very awesome, respectful crowd and not even sold out (which was a surprise, albeit a nice one). The band was in town touring for their 4th album, Time Is Over One Day Old.

Adam Wills - Bear in Heaven

Bear in Heaven – Adam Wills

While I hadnt spent much time listening to Bear in Heaven‘s new album, I had heard it a few times thanks to streaming on NPR. The new album is very accessible but still has their own distinct sound. Not as pop sounding as earlier albums, they still managed to have catchy tunes that will stick in your mind. A woman and I were saying at the show, ‘and their music is still so blissful.’ You can just disappear into their songs, with the constant beat from the drums and the droning spaced out guitars – you just dissolve into their music – the beat just takes you along and it doesnt feel like its always distinct songs – just a feeling of blissfulness. And it doesnt leave as they continue their set (which always seems way too short).

Bear in Heaven

Bear in Heaven

The band focused on their latest 2 albums which sound great live. The band started out with ‘Autumn’ and then went into ‘I Do You’ off their second album (and one of my favorite all-time albums – Beast Rest Fort Mouth). Its just hypnotic as the keyboards take you away, the band swathed in lights which sometimes turned into strobes giving them a far-away feel spaced-out feel of psychedelic grooviness. While the strobes are definitely not intense as they are in Brooklyn (they don’t take their lighting designer, Will Armstrong, along with them on tour) it works. And you still get the same feel.

Jon Philpot, lead singer, wasnt too talkative but was quite happy to be back in San Francisco. He was cool and obliged a fan who yelled out for ‘Lovesick Teenagers’. That was definitely one of the highlights for me and was so glad that they played it. ‘Sinful Nature’ sounded better than ever; Jon’s vocals sweeping into the air amidst the beat from the keyboard and bass.

If you haven’t seen the band in awhile, or perhaps never at all – I would highly recommend checking them out as theyre still playing a good mix of most their music.

Young Magic

Young Magic

Young Magic, a band I was familiar with mostly by name, was one of the openers and they proved to be a great match for Bear In Heaven. They were possibly even better than Bear in Heaven playing an experimental electro-trip hop set. Lead singer Melati Malay’s voice floated through the set with a sense of longing. Lots of influences could be heard with African beats standing out. The band, now hailing from Brooklyn, is from a mish-mash of places mostly of the South Pacific (Indonesia and Australia) and its noticeable in their music.

The music is just beautiful and like Bear in Heaven, will just sweep you away. The vocals of Isaac Emmanuel and Melati sound gorgeous when they sing together and it just blends seamlessly. Throw in some solid drum beats and you feel like youve escaped to another part of the world. Just drifting in and out it takes you elsewhere.

This might have been one of the best pairings Ive seen in a long time. They could have been extensions of each other musically and it was so worth it to show up early to see them.

Miles Cooper Seaton

Miles Cooper Seaton

I shouldn’t leave out fellow opener, singer-songwriter and founder/creator of Akron/Family, Miles Cooper Seaton. Just him, a guitar and laptop, and add some soaring vocals (damn could he hold his notes). He was also quite the storyteller too – talking about punk music, playing covers and his musical sensibilities. He was simply put – awesome! He was just so comfortable on the stage it would have been hard to know it was his first time really doing this on his own. His music ranged from more punk influenced songs to ambient songs. He was a great addition to the set and his music fit in just perfectly.

Bear in Heaven Set List:
Autumn
You Do You
Sinful Nature
Time Between
If I Were to Lie
Cool Light
Kiss Me Crazy
They Dream
Lovesick Teenagers
You Don’t Need the World
Dissolve the Walls

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Pandora Presents: Sharon Van Etten @ The Chapel

Posted by xneverwherex on July 31, 2014

Sharon Van Etten
The Chapel
7/29/14

Pandora Presents Sharon Van Etten. So that’s pretty cool and it was free. So yeah, even better. The show, which started at 9pm, already had people lining up at 4:30pm. And for the most part by 6pm – it was one packed line. I didn’t show up till later, and that was a big risk as I nearly did not get in. The place was packed and people were beyond drunk and beyond talkative.

Sharon Van Etten had flown into SF for the show and came with band members (and siblings) Heather and Peter Broderick. Peter is one hell of a violinist and sounded gorgeous on the few songs he played with them. Heather as always complemented Sharon beautifully with the vocals and their harmonies are enchanting. The two also played with Efterklang when on tour and they fit in beautifully with that band. Hopefully they will also tour with them again as well.

Sharon Van Etten

Sharon Van Etten

I missed a bit of the beginning as I was still in line, but didn’t seem to miss too much. There was some yelling between her and the crowd when people wouldn’t shut up and it just got louder and louder. I heard her mention something about them being louder than her and to shut up. It seemed a recurring theme during the show, as people just couldnt shut up. But once we got passed that and onto the peace and love part, it was great. She was not playing her typical songs, but played a few songs she had never played before live. Most of the songs were off of Are We There. Some b-sides (one was, “Life of His Own” the b-side to “Leonard”) as well as “Red are the Flowers” a song she was still working on for a covers album for Karen Dalton.

SVE was self-deprecating as always. She made jokes about not being able to play the piano for shit (her words) and really being NOT good. Of course, she does sound great and the acoustics in the Chapel were perfect for her. The band sounded full with just the 3 of them when they all played together. Most the songs were just SVE on the piano or guitar. She seemed so engaged and exposed when she talked about her music and why she wrote it. She talked about her dad lots with mention of a new video and her dad blushing when he saw her on the bed with another guy (she was clothed and it was G-rated, although perhaps PG as she said). She encouraged the crowd to sing along to one of the songs towards the end even if they didnt know the words, but should make something up.

It was a short set – less than an hour – but great to have her back in town, even if just for an evening. She loves SF and definitely wanted to keep things weird at the show, which she always manages to do.

Thanks Pandora! Another soon, please!

Set List:
Afraid of Nothing
Life of His Own (b-side to Leonard)
Tarifa
Consolation Prize
Hotel 2 Tango (Live debut)
I Always Fall Apart
I Love You But I’m Lost
Our Love (Live debut)
Tornado
Every Time the Sun Comes Up
I Know

Red are the Flowers (Karen Dalton cover)

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Sharon Van Etten Sizzles & Shines (and is secretly a comedian)

Posted by xneverwherex on July 2, 2014

Sharon Van Etten
Jana Hunter (Lower Dens)
The Independent
June 30, 2014

Sharon Van Etten, the charming singer/songwriter from Brooklyn, was all smiles and looking incredible. Clad in a form fitting black dress with gold up the middle and very high heels, she was looking smashing! Better than looking good, she was all charm with a witty/dry sense of humour and seems to laugh at her own jokes and is very light-hearted. Its not exactly what one expects after listening to her songs. She doesn’t seem to take herself too seriously and knows how to let loose. As mentioned, she is charming and delightful.

Sharon Van Etten

Sharon Van Etten

SVE played to a packed house Monday night. Both of her shows sold out in San Francisco. She could easily be playing much larger venues, but its clear that shes comfortable and loves the intimacy. From the sounds of it, her show on Sunday night was nothing short of spectacular so it was hard to know what the show would be like. And this show was beyond incredible.

The majority of songs were off the new album Are We There. While her music is still powerful and haunting, she’s moved beyond heartbreak. Its clear that this is the grown-up version of herself, moving on with life. Her new album still has an angst to it, and its easy to get caught up in it and just feel it all. Its like everything she’s ever felt goes into her songs and it exudes from her as she plays.

She played ‘Leonard‘ dedicating it to the ex who probably knew it was written for him. As she said, his real name is ‘Bleonard’. It was like an inside joke that we were all part of, no matter how stupid it sounded. It was a funny joke and even better to see that she can now joke about this toxic relationship.

She talked lots about her merch, oh yeah she does have kleenex with her face on it so you know, you can blow your nose into. (no im not making this up!). And umbrellas for the rainy days we don’t seem to have (clearly an ongoing joke, with someone and her yelling ‘too soon’). She’s even thought of adding a new part to her show ‘current events with Sharon Van Etten’. Hah! Seriously, she could be on a talk show at the rate shes going. She talked to a huge fan in the front asking what current events she missed. Naturally, the story brought up was the student stuck in the vagina in Germany (because these things always occur). Ive got to hand it to her, without missing a beat she said ‘and the next song is “Break Me“‘, giggling as she starts playing the droning, lo-fi song. Its gorgeous like everything she plays.

SVE seems to know how to push people and understands concert crowds all too well. While there was lots of banter back and forth between the crowd and her, there were the inevitable naysayers who were getting upset and wanted her to just play. She joked about blogs and what kinds of nasty things would be written about the show and people would complain about her lack of playing and even more importantly there’s always the people who complain that enough old songs weren’t played. Its the nature of being in a band, and you never can win them all. But I actually think she should have garnered even more fans. And for those not paying attention, she played more songs last night than she did at her prior shows.

She quickly introduced the band as others yelled out for that in the mix of the banter. Her band is just awesome and it appears most of them aren’t going elsewhere. Heather Woods Broderick (Efterklang), is a great addition and matches Sharon Van Etten’s raw, haunting vocals. On the crowd-pleasing hit ‘Serpents‘, the women go back and forth almost as in a duel with each out performing each other with the vocals. Its strong, powerful and is beyond emotional. It packed a punch and made the already powerful song sound even better. Doug Keith, on guitar and vocals, was nicknamed ‘Pretty Boy’, by a fan who wanted to know which effects he was using on the guitar. Turns out it was the ebow, which he was nice enough to even spell.

She ended the set asking for some weed and promising a setlist in return. As she played the last song of the night, “Everytime the Sun Comes Up“, complete with laughter and giggles, some guys in front of her were nice enough to blow smoke up at her. It was the only song she had written totally stoned. After the show they gave her a joint and she kept to her word and gave out a setlist.

All in all, SVE sounded amazing and full but still has a haunting ache to her voice. Her fans relate as we all have stories, but she’s managed to articulate it so well with not just her lyrics, but with the music itself. This album is a nice departure from the last. Instead of all the amazing guest collaborators (The Dessners, Wye Oak, etc), this is more herself and perhaps it shows.

Jana Hunter

Jana Hunter

Jana Hunter, lead singer of Baltimore’s Lower Dens, opened the set. Armed simply with just a guitar and a laptop, she sat down in a chair and played a lovely short set. It felt so intimate as if we were watching someone in her recording studio preparing her new album. The material is dark and ethereal and comes across as oh so moody. Simply put, its gorgeous and just takes you away.

It was great to hear her have some fun with Hall & Oates’ ‘Maneater‘; ’twas an amazing cover. And her voice had the perfect amount of rasp, which probably meant she did smoke the perfect amount of cigarettes.

SVE Set List:
Afraid of Nothing
Taking Chances
Tarifa
Save Yourself
Nothing Will Change
Break Me
Don’t Do It
I Love You But Im Lost
Leonard
You Know ME Well
Serpents
Your Love is Killing Me

I Know (SVE solo)
All I Can
Everytime The Sun Comes Up

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I Wonder … Rodriguez

Posted by xneverwherex on June 8, 2014

Rodriguez
LP
Warfield Theater
May 28, 2014

Sixto Rodriguez, known to most of us from the documentary Searching for Sugar Man, played back-to-back shows at The Warfield Theater. The 70-year old came out to the stage with a full band (a guy from the UK, a guitarist from New Zealand and a drummer from somewhere else not in the States) and played a really great set, to a really excited crowd. He was dressed in dark clothes, a jacket, and his trademark sunglasses and hat that he only took off towards the end of the set.

Rodriguez @ The Warfield

Rodriguez @ The Warfield

There must have been a few people from South Africa who yelled out periodically how much South Africa loves him. This continued on throughout the night, and at some point Rodriguez asked them how much they had been drinking. He was funny, chatty and most of all was seeming to have a really great time. After ‘Sugar Man’ he added that the song is “descriptive, not prescriptive … hugs not drugs.” and had a few political quips. He also talked about growing up in a Mexican family.

Rodriguez who released his first EP in 1970 in Detroit has definitely paid his dues. He is often times compared to Dylan and on occasion does a Dylan cover. Its hard to believe that he never found the same fame that Dylan had as his music is just as good, if not better. For a long while he was thought to have been dead, and then found a resurgence in South Africa during Apartheid. The music is all Detroit and is a great blend of urban, blues and folk music put into one. He’s got a very melodic soulful voice with an edge and perhaps a hint of sadness. He seemed to blow through his 2 albums all too quickly. The set lasted just over an hour and was a great ‘best-of’ set with a few covers thrown in.

Rodriguez

Rodriguez

‘I Wonder’ was a stand out with catchy sexual lyrics. ‘Sugar Man’ sounds wonderful live. His backing band was phenomenal and they had a great chemistry. It would be hard to complain to be recruited by him and play a full tour with him.

LP, who is mostly known from her song being in a Citibank commercial, opened the set. She was impressive and has one hell of a voice. Reminding me of St. Vincent she was a force. Her set was short, but she definitely left an impression and everyone was left talking about her. I will have to be seeing her again.

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20 Years Later and The Dandys (Still) Rule OK

Posted by xneverwherex on April 26, 2014

The Dandy Warhols
The Warlocks
The Independent
April 23, 2014

Its hard to believe that the Dandy Warhols have now been together for 20 years. The band was in town on Wed night to kick off their new tour celebrating 20 years. The Independent (which was of course a sold-out show – apparently selling out in some 5 mins according to Courtney), was a perfect place for the band. Still quite small, it seemed that most of their older fans were in the crowd. A few of the people had remembered seeing the band at house parties around the Mission.

The band, mainly CTT, reminisced about the long ago time in which they were playing shows to a few of their friends. Since then, they’ve opened for some amazing bands/artists (hello Bowie!, The Charlatans, and countless others) and have played some really awesome shows (3hr shows, 13 Tales album, etc). It was pretty great to see all of them feeling so at home and so comfortable. As Zia mentioned, she was just so comfortable that they would do whatever they wanted for us, including one of the Warlocks playing tambourine on ‘Bohemian Like You’ (if I recall correctly).

The Dandy Warhols

The Dandy Warhols

The band really went old school for the show and played a ton of early material (so happy to hear TV Theme Song after what seemed like years) and also CCR, White Gold and so many others. And they even went more old school to play a cover from Eddy Grant (whereby CTT talked about the Clash and Desmond Dekker! and then even went farther back to discuss his band The Equals). It was one of those kinds of nights, where you wished it never ended.

And what can I say about their fanbase. Some of the best fans Ive ever seen and met. As always, met some very awesome people in the crowd. People were very into sharing all their smokes and it was just a very great environment. Even for new fans, the older ones are always very cool and never ‘too cool for school’.

An awesome show indeed — and the best part The Warlocks opened the show.

The Warlocks

The Warlocks

The Warlocks, from LA, started the night out in fine fashion. With some slow droning guitar rock, that changed into more shoe-gazey and even had some pop bits. Guitarist Earl, who was in front of me, is one hell of a musician. He is *incredible* on the guitars and you get mesmerized just watching him. The band is really incredible and plays a really tight set. Its the type of band that just takes you on a trip for an hour as you really feel the music and it just takes a hold of you.

One of the best openers I had seen in a very long time. The only thing Im most sad about is the fact that I did not have plans to attend Austin Psych Fest which has the most amazing lineup ever.

Pseudo-set List (I know this isnt correct order and songs are missing)
Be-In
Shaking
Used To Be Friends
TV Theme Song
Ride
Last High
Now Ya
Sad Vacation
theyre gone
Gotta get over
holding me up
come back
girls
ccr
horse pills
bohemian like you
dreamt
godless
get off
white gold
pete/boys better

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