Ramblings of a Redhead Music Snob

Life & Music in New York, My City

Posts Tagged ‘ambient’

Caribou Closes Out Noise Pop Fest

Posted by xneverwherex on March 4, 2015

Caribou
Koreless
The Fillmore
March 2, 2015

Canada’s Dan Snaith, also known as Caribou, came to SF for a couple of days to close out the Noise Pop Festival at The Fillmore. The show had long been sold-out and unlike most shows, tickets were hard to come by. After finally making the decision that I had to see him, I just threw down the money and hoped for the best.

Caribou

Caribou

The band came out clad in white to a stage of red and blue lights that would eventually be a lot of strobe lights (I somehow did not see the warnings!). The band started out slow with the lo-fi house drum beats on “Our Love” and immediately the crowd was shuffling around. With a slow progression, the music gets faster with lovely synthy dance beats and the crowd followed along as Dan & Company would take us on a full-on dance party always in command. Just as you feel it getting close to the climax and youre ready for more, the band turns it down a notch. And it worked.

Caribou, which is labeled under ‘idm’ (intelligent dance music), isnt your typical indie dance electronica band. Dan manages to encapsulate so many styles in their songs – from experimental to jungle to house and of course electronic – and as a whole the songs work. There are so many layers on his songs, with some of them having a shoegaze influence but also still has the continuous throbbing beats. The new album, Our Love seems to have branched out even more and just might be even more accessible.

On tour, Dan brings along a guitarist, bassist and another drummer and the 4-some are tight on stage. Packed neatly into a small space in the center of the stage, each band member contributes as an individual and a whole to the band. It makes for an intimate closeness as they all play and work off of each other. Its hard to imagine that this is all done as just one when its so perfect live with all the different instruments. If you love drums, they have plenty, with 2 drums going on for most of the night – a throbbing beat just keeping the show moving along.

It definitely helps that Caribou has a fan-base that is pretty solid. Before the show started, I heard someone talking about all the different shows he had seen mentioning of course Caribou. How I was so tempted to say that I saw him perform under Manitoba years prior. People that love his music, really love his music. Throw down some awesome synths to solid drum beats that have a tribal sound along with one hell of a light show, and you get one hell of an awesome show. Plus, the pulse of the crowd which was in constant movement (and they say people don’t dance) and bam! I mean, how can one not move to his music.

It was one hell of an impressive set. The band played for nearly 70 minutes without stopping between songs. Throw in ‘Sun‘ as an encore and for nearly 10 minutes you just get lost in the music. Dan was having such an awesome time, playing in purple socks, and every once in awhile staring out at the crowd with a huge smile. It was just pure happiness. The other drummer, played the set with just one shoe on. The whole band just seemed so comfortable and it was clear that it wasnt just the crowd who was so into it. Everyone was so lost in the music and with hits like ‘Odessa‘ (one of his most catchiest songs) and my own favorite ‘Leave House‘ (I never want to stop dancing when this is played – it just goes on and on and on). Plus, The Fillmore (not usually known for having electronic bands), was the place to see this. Sure, normally it’d be at Mezzanine or a more club environment, but the acoustics here were spot on. It could not have been a better space for the band.

Koreless

Koreless

Scottish electronic producer Lewis Roberts, a.k.a. Koreless, started the evening armed with just a laptop. It might have been the exact opposite in electronic music when compared to Caribou but to say it was not brilliant would be a lie. Koreless manages to add a lot of layers and textures to the music that it seems you can actually feel it. Between the ethereal shoegaze sounds to the space-y ambient noise, you feel like youre in your own world. In my own version of Interstellar, this is the music that would be with me. It transports you to another space, its moody and delicious. With a continuous haze of pot smoke above, it added to the ambience.

I walked out of the show and my back was drenched in sweat. The dress I was wearing was now clinging to me and soaked. Sure, it was disgusting after the fact, but during the show just the feel of the crowd dancing and super into it and connected was an awesome feeling. Surely worth every cent I paid for the show and probably even more.

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Brooklyn Takes on SF

Posted by xneverwherex on September 7, 2014

Bear in Heaven
Young Magic
Miles Cooper Seaton
The Independent
September 3, 2014

Brooklyn came to San Francisco for a full night of music and it was pretty awesome. And I didnt even have to go to a large venue to see them all (compared to NYC). One of the major pluses. It was a very awesome, respectful crowd and not even sold out (which was a surprise, albeit a nice one). The band was in town touring for their 4th album, Time Is Over One Day Old.

Adam Wills - Bear in Heaven

Bear in Heaven – Adam Wills

While I hadnt spent much time listening to Bear in Heaven‘s new album, I had heard it a few times thanks to streaming on NPR. The new album is very accessible but still has their own distinct sound. Not as pop sounding as earlier albums, they still managed to have catchy tunes that will stick in your mind. A woman and I were saying at the show, ‘and their music is still so blissful.’ You can just disappear into their songs, with the constant beat from the drums and the droning spaced out guitars – you just dissolve into their music – the beat just takes you along and it doesnt feel like its always distinct songs – just a feeling of blissfulness. And it doesnt leave as they continue their set (which always seems way too short).

Bear in Heaven

Bear in Heaven

The band focused on their latest 2 albums which sound great live. The band started out with ‘Autumn’ and then went into ‘I Do You’ off their second album (and one of my favorite all-time albums – Beast Rest Fort Mouth). Its just hypnotic as the keyboards take you away, the band swathed in lights which sometimes turned into strobes giving them a far-away feel spaced-out feel of psychedelic grooviness. While the strobes are definitely not intense as they are in Brooklyn (they don’t take their lighting designer, Will Armstrong, along with them on tour) it works. And you still get the same feel.

Jon Philpot, lead singer, wasnt too talkative but was quite happy to be back in San Francisco. He was cool and obliged a fan who yelled out for ‘Lovesick Teenagers’. That was definitely one of the highlights for me and was so glad that they played it. ‘Sinful Nature’ sounded better than ever; Jon’s vocals sweeping into the air amidst the beat from the keyboard and bass.

If you haven’t seen the band in awhile, or perhaps never at all – I would highly recommend checking them out as theyre still playing a good mix of most their music.

Young Magic

Young Magic

Young Magic, a band I was familiar with mostly by name, was one of the openers and they proved to be a great match for Bear In Heaven. They were possibly even better than Bear in Heaven playing an experimental electro-trip hop set. Lead singer Melati Malay’s voice floated through the set with a sense of longing. Lots of influences could be heard with African beats standing out. The band, now hailing from Brooklyn, is from a mish-mash of places mostly of the South Pacific (Indonesia and Australia) and its noticeable in their music.

The music is just beautiful and like Bear in Heaven, will just sweep you away. The vocals of Isaac Emmanuel and Melati sound gorgeous when they sing together and it just blends seamlessly. Throw in some solid drum beats and you feel like youve escaped to another part of the world. Just drifting in and out it takes you elsewhere.

This might have been one of the best pairings Ive seen in a long time. They could have been extensions of each other musically and it was so worth it to show up early to see them.

Miles Cooper Seaton

Miles Cooper Seaton

I shouldn’t leave out fellow opener, singer-songwriter and founder/creator of Akron/Family, Miles Cooper Seaton. Just him, a guitar and laptop, and add some soaring vocals (damn could he hold his notes). He was also quite the storyteller too – talking about punk music, playing covers and his musical sensibilities. He was simply put – awesome! He was just so comfortable on the stage it would have been hard to know it was his first time really doing this on his own. His music ranged from more punk influenced songs to ambient songs. He was a great addition to the set and his music fit in just perfectly.

Bear in Heaven Set List:
Autumn
You Do You
Sinful Nature
Time Between
If I Were to Lie
Cool Light
Kiss Me Crazy
They Dream
Lovesick Teenagers
You Don’t Need the World
Dissolve the Walls

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