Ramblings of a Redhead Music Snob

Life & Music in New York, My City

Posts Tagged ‘San Francisco’

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The Pains Play Popscene

Posted by xneverwherex on September 6, 2012

The Pains of Being Pure at Heart
A B & the Sea
Rickshaw Stop
8/30/12

Perhaps age and more than likely perhaps living in NYC has made me somewhat jaded about shows. Or perhaps I have been spoiled with seeing many of these bands earlier in their career that sometimes it just doesnt pay to see a show.

A B & The Sea

Arrived at Popscene, (which is not the popscene I had remembered from the 90s — oh the people and times have changed) long gone from the very cool warehouse like 330 Ritch and now over at Rickshaw Stop – a smallish tightly packed club, to a long long long line. It was a bit confusing at first as no one seemed to know where to go. Then of more things crazy – they let the ticket buyers (not holders) into the show first. So we had to wait an additional 30 mins or so just to move an inch. Of course, Popscene is now filled with a very young high school crowd who were more excited about seeing each other late at night and high fiving each other for being in the very front. The whole thing just was weird. Id like to take this moment to say I really hope I was not that obnoxious in high school at shows (then again everywhere was 21+), so it was usually The Warfield and Shoreline.

The club was pretty packed by the time friends and I arrived. The Popscene DJs were spinning the same stuff youd hear on Live 105. No one danced and it was just a tad sad. As we had waited outside so long, at least it wasnt too long a wait for A B & the Sea to come on. Plus, random videos on the screens made it go by a bit quicker.

San Francisco’s A B & the Sea put on a pretty awesome performance. Some of the songs were beyond catchy and had a sunny California pop sound. It just made you want to dance and sing along. Songs like ‘California Feeling’ are guaranteed to be a pop hit. Its fun and light. ‘Constant Vacation’ is another very catchy dance-y song. They make you feel like summer is in the air and its going to be a great night. The only problem with their music is that they are all over the place. There are the total pop songs that are light and fun and then a lot of their music is in a totally different direction. It was like the band wasnt sure which way to go. A pity. The crowd was really into their lighter feeling songs.

Either way – Id see them again if theyre playing in SF.

Pains of Being Pure at Heart

Brooklyn’s Pains of Being Pure at Heart had finally come back to SF after about 5 years. The crowd was beyond tightly packed inside and even at the beginning everyone was pushing against each other. Their fun dream pop sound that I had come to love from their first self-titled album was somewhat gone. With another guitarist added to their stage performance, it became a lot more loud and a lot more guitar driven. I somehow missed hearing their earlier stuff and the dream pop sound that had made them popular. And mostly I missed more of Peggy singing. Perhaps she was just overshadowed by the loud guitars?

Their new album ‘Belong’ has some great numbers and it was great to hear it live. The band was excited to be there. It seemed that Weekend (the band) was around and that the 2 bands had decided to switch coasts. Well actually, only Weekend is moving to NY. As the band mostly played tracks off their new album, the crowd got more insane. First the moshing began with people getting shoved to the ground, guys grabbing girls and just pushing them into the pit, and then the crowd surfing. Ive certainly been to plenty of shows with all that, but its rare for a guy to repeatedly try and grab me and push me into a pit.

Overall, it was a bit of a disappointment — but at least the opener gave me something to look forward to. And the cheap ticket… oh yeah that made it all the better.

So the question is, would I see the Pains again? Im not sure if it was the crowd, the music, their new direction. But, at this point, Im not sure I feel a real need to. I loved the first album when it came out and couldnt get enough of it. Ive listened to Belong a number of times, and it lacks something for me. Everything I loved seemed to be gone.

Thankfully I had Wild Nothing to look forward to.

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It Must Be Summer – Fountains of Wayne @ GAMH

Posted by xneverwherex on July 24, 2012

Fountains of Wayne
Mike Viola
Great American Music Hall
7/19/12

It seems like every time I see Fountains of Wayne its the summer. They are the perfect summer band, so it works out quite nice. The band came here via Japan and were still jet-lagged from the plane ride. They joked about the questions the Japanese asked them and clearly they had a great time. While maybe a bit tired, you never once got that feeling from them during the set.

The band played with so much energy. The crowd just loved Adam – who doesnt – and throughout the show you could hear various people yelling out his name. The crowd was beyond energetic and everyone around me was singing and dancing. There was just so much love for the band.

The band, who seems to have not stopped touring since summer of last year, was here promoting the new album Sky Full of Holes. Its great that the band manages to play songs from all of their albums. My favorite album has always been Utopia Parkway – so its always good to hear “Denise” and “Red Dragon Tattoo” (perhaps my favorite song).

The night seemed to go by at record speed. Their catchy power-pop songs felt like they were played at a frenetic 3 minute speed (they might have, actually). The guitars as always really add to the show. Im pretty sure the entire crowd was rocking out. I couldnt wait for the ‘Radiation Vibe’ medley which seems to always occur now. The real surprise is what songs will they mix it up. The guy behind me was nearly going into cardiac arrest yelling ‘Billy f’ing Squier’. Hah! Its hard to argue with the following mix tho – Radiation Vibe/White Wedding (Billy Idol)/Everybody Wants You (Billy Squier), Rock’n Me (Steve Miller Band)/Jet (Paul McCartney & Wings)/Sister Golden Hair (America)/Radiation Vibe. Im a huge fan of America (I make no apologies) and this was just insane. The crowd is driven to insanity and then bam – band leaves the stage.

Thankfully the band came back out with a 5 song encore. Of course, Stacy’s Mom (has got it going on) and Sink to the bottom was on it. Its hard to imagine a show without either of them (not sure it can happen).

Always great to see a NY local band along with FoW. I think it must be a staple for them. Mike Viola was an opener not to be missed. He had really catchy pop songs – so it wasnt a surprise to google him and find out that he composed songs for movies “That Thing You Do”. The 2 other guys accompanying him were a great addition, but he alone would have been fabulous. He’s definitely an artist worth checking out.

Setlist:
Bought for a Song
It Must Be Summer
Someone to Love
Denise
Red Dragon Tattoo
The Summer Place
Richie and Ruben
Valley Winter Song
Hackensack
A Dip in the Ocean
Bright Future in Sales
Barbara H
Mexican Wine
Radiation Vibe Medley: Radiation Vibe/White Wedding (Billy Idol)/Everybody Wants You (Billy Squier)/Rock’n Me (Steve Miller Band)/Jet (Paul McCartney/Wings)/Sister Golden Hair (America)/Radiation Vibe

Encore:
I-95
Cemetery Guns
Joe Rey
Stacy’s Mom
Sink to the Bottom

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Enjoy Yourself – The Dandy Warhols

Posted by xneverwherex on May 18, 2012

The Dandy Warhols
1776
Sleepy Sun

The Fillmore
5/16/2012

The Dandy Warhols started off the US tour in San Francisco on Wed night. Touring for their 8th studio album, This Machine, the band was in great spirits. Courtney Taylor-Taylor was as chatty as always and had quite a few stories to share with the SF audience. He reminisced about playing house parties in the 90s in the Mission and also how it took some 3 years for them to finally head up north to Seattle to play a show. SF was lucky to say the least with them playing all the time.

The show started with ‘Be-In’ which might just be the best intro song ever for a band to start a show with. From there it just went non-stop into ‘We Used to Be Friends’ and ‘Not If You Were the Last Junkie on Earth’. It would be hard to disappoint from that start. The crowd was singing along with lots of cheers for Zia throughout the show. Courtney talked about his shirt ‘Brian Jonestown Manager’ which Anton had asked him to wear for the show. The Brian Jonestown Massacre had just played SF a few nights before.

The Dandy Warhols


The band played hits from most of their catalogue. It was great that there is still an abundance off of 13 Tales that is still played. ‘Shakin’, ‘Mohammed’ and the crowd-pleasing ‘Godless’. The intro chords to ‘Godless’ had the crowd in a frenzy as the audience cheered them on.

About half way through the set Zia said all the vibrations made her need to use the bathroom. Soon enough Brent and Pete followed her off stage. Par for the course, Courtney had the crowd do an acoustic version of ‘Everyday Should Be A Holiday’. Stripped down to a guitar and the audience, the song always sounds great. The chorus really filled up the entire venue as everyone shouted and sang along.

Zia

Their new music fits in nicely with their older songs. 4 songs were played off the new album and they couldnt have sounded better. They had a nice blend of songs with their droning, shoegaze guitar sounds as well as their faster pop songs ‘Get Off’. ‘Lou Weed’ was played for someone in the audience and Courtney remarked that song had the most words of any of their songs and he was out of breath. As he put it, ‘guess I had a lot to say about Lou Reed’.

Other things: Pete always looks cool esp when he’s doing his wind up arms on guitar; Zia is now playing guitar on a song (or 2) off their new album; and Fatheads hair always looks so awesomely huge. Im pretty sure that this band just gets better with age.

After about 2 hours the band finally announced the last song. With their ‘fake’ encore (ie no one leaves the stage – mock cheers), they were back for one last song. They talked about the carnival scene in Amsterdam which would have been perfect for ‘Autumn Carnival’, but they had already played that. Instead we got a really great version of ‘Country Leaver’ which worked quite well. It was fun and quirky and one hell of a way to end the show.

Openers 1776 (who are on tour with them) looked like they had just stepped out of the 60s/70s with long shaggy hair sounding like The Byrds. They played about 20 minutes of loud rock music – not much talking to the point someone yelled at asking for the name of their band.

The other opener Sleepy Sun were quite catchy sounding a bit shoegaze-y indie pop. Their set dragged on a bit and the lead singer seemed to expect more crowd participation. He was really working the stage going back and forth with big arm movements that I felt like I was watching Snow Patrol. Maybe one day they will be big that they wont have to say their name.

Setlist:
Be in
Wutbf
Junkie
Shakin
I love u
ride? (did they play this?)
Last high
Holding me up
Edsbah
Enjoy yourself
You get me right down to the floor..sad vacation
Mohammed
Lou weed
And they’re gone. New song
Autumn.carnival
Pills
Boho
Get off
Godless
pia/Boys better

Encore

Ill tell.you I.understand. country.leaver

Sent from my Android.

(the setlist might be a bit inaccurate – really couldnt remember if ride was played)

Posted in Adventures in the Big City, Live Music, Random Ramblings, San Francisco | Tagged: , , , , , , , , , , , , , , , , , , | 3 Comments »

Raise Our Voice, Make Another Sound – The P-Spree

Posted by xneverwherex on April 4, 2012

The Polyphonic Spree
New Fumes
Sweet Lee Morrow

Great American Music Hall
4/3/12

My first show in awhile and my first show since moving back to SF. I couldn’t have chosen a better band for my first show here. The GAMH is a super awesome space. The ceiling is quite ornate in the shape of a woman’s body (thank you, foursquare). Its quite the intimate spot with tables wrapped around the venue making it a great place for dinner and a show.

Sweet Lee Morrow, keyboardist with the Spree, opened the show with a folk acoustic set. He sat down in the middle of the stage with just a lone chair and guitar. He sang a few songs, made some quips about songs not for the young ones (ah the ever great all ages shows) and finished the set in a fast 20 minutes or less. Next up, New Fumes. I was surprised that the audience didnt seem so into it, and for just one guy he had some great beats. An electronica set with interesting beats and Star Wars as a backdrop, not bad. Oh yeah, and danceable music. I was quite loving it.

A few minutes before 10pm and a red sheet/screen is covering the stage. Its a wonder how many members are in The Polyphonic Spree these days and how will they fit them all on the stage. Right away you could tell 2 players would be high up above the others. Soon, a heart is cut out and out pops Tim DeLaughter’s head. The rest of the sheet is then cut and pulled off and GAMH has turned into a stage filled with at least 13 members (although I swore there were more). Way high up above would be the cellist and guitarist. In the center are 2 rows of choir members that are beyond giddy. Of course, my favorites, the horns comprising a french horn, trombone and trumpet.

The Polyphonic Spree

Its a whirlwind pace of a show with white robes swooshing and a big red heart stitched into the middle. Who wouldn’t want to be a member of that cult band. Musical director/lead singer Tim DeLaughter takes us on a tour of the Spree’s musical catalog. Directing the instruments and choir it begins to feel like a gospel baptist church. Its hard to not get caught up in the euphoria that the band brings. Everyone swaying and dancing with hands extended into the air. Plenty of peace signs flashed throughout the show along with heart-shaped hands.

Some of the highlights included ‘2000 Places’ which early on got the crowd moving and dancing. The new single ‘Bulls Eye’ sounds quite great. The Who medley was pure brilliance as Tim leads the band through a nearly 10 minute performance that includes a rockin’ ‘Pinball Wizard’. The french horn and cello got lots of play during that. ‘What Would You Do’ had the choir doing some great harmonies and vocals.

So soon they’d be off the stage. Tim said how awesome it was to be in SF again and how they’d be back again real soon. As in one month, maybe one night, and then he said theyd play again today at 7:30am and asked if we’d be there. Obviously, if there was a 7:30am show we’d all be there regardless.

The band then left the stage for a few minutes before coming on and doing a march through the crowd. The band members kept on coming – high-fiving the crowd and waving hello. The encore consisted of ‘Together we’re Heavy’, crowd favorite ‘Light & Day’, ‘We Sound Amazed’ and ‘The Championship’. It is one hell of a one-two punch when oen of the last songs you’re singing is ‘Follow the day and reach for the SUN!’ – which should be an anthem for the band (and prob for most of us in general). The band finally left the stage (after a nearly 2 hour set) for good with each member walking off the stage and waving goodnight. As the band members left soon it was the cellist, who seemed to be having a hard time getting down from the riser and 2 singers and Tim. As each person left it got a little quieter, but the audience got louder. Soon it was just us and Tim singing ‘All in good time, we’ll come round, raise our voice, make another sound’. And then it was just us and the audience continued singing that line and simply put… it was beautiful.

Posted in Live Music, Random Ramblings, Uncategorized | Tagged: , , , , , , , , , , , | 1 Comment »

Weekend Gets Loud

Posted by xneverwherex on April 7, 2011

Weekend
Little Girls
Mercury Lounge
4/6/11

Weekend apparently is one of the new buzz-worthy/blog-worthy bands. It was hard to figure out if everyone there was seeing them because they loved the band – or if it was just the new band to check out. It was packed by the time they hit the stage. A friend commented – they had a review on their new album in Sports Illustrated. With their album titled – Sports – it indeed got a review – and a good one at that.

I commented to my friends – I know they should be loud – but really its only 3 guys. Well those 3 guys from San Francisco proved that they could be beyond loud. The lead singer/bassist had really great vocals that worked well with the loudness of the bass. At times the vocals seemed almost muted but it was very apparent that the vocals had their own place. The guitarist never seemed to be able to stay still and was moving non-stop – getting more and more into each song. He’d be kneeling on the stage and playing his heart out – in between sips of water. The drummer is equally loud and keeps the band moving at a great pace.

Their post-punk influences are easy to be seen. At times feeling like they could be Joy Division – dark but not nearly as gloomy. And the heavy guitars are oh so reminiscent of Jesus & Mary Chain. While their album material is great – the crowd seemed very into their newer songs that they had just written. As they introduced their song ‘Little Girls’ they cheekily noted – no its not for the band its the name of the song. It was a great solid set and their 40 minutes seemed to fly by.

Openers Little Girls from Toronto were interesting. They mentioned casually about them having to use Weekend’s gear and something to do with visas. That they probably would rather not have mentioned. We’ll leave it at that. While some of their songs were really great and had a dance-edge/pop sound – musically it was like they hadnt yet figured out what direction they were heading. So you never knew quite what you were going to get. The guitarist seemed to be having consistent problems with the sound/feedback and just couldnt seem to get on with it. After nearly every song it seemed there was a new problem.

Perhaps theres a bit of potential in them, but at this point, Im not sure I can totally see it.

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