Ramblings of a Redhead Music Snob

Life & Music in New York, My City

Posts Tagged ‘post-punk’

Noirwave Comes to the Rickshaw

Posted by xneverwherex on March 27, 2016

Petite Noir
The Seshen
Rickshaw Stop
March 23, 2016

Yannick Ilunga, the singer/songwriter/producer out of Cape Town, South Africa, was here in town with his band for his first show. He plays under the name of Petite Noir and is someone not to be missed. I wasn’t familiar with his music, but it was clear the crowd knew some of his songs. His first EP, released in 2015 ‘King of Anxiety‘, was all the buzz at SXSW that year.

Petite Noir

Petite Noir

And now he’s back again, with the album La Vie Est Belle / Life Is Beautiful. It’s clear that he has influences from all genres and blends it all together making his own sound. Upon the band’s entrance to “Intro Noirwave“, I was reminded me of the genius of Battles (pre-Yannick’s appearance). If you stripped out vocals and just had instrumentation – you might have a band that sounds all too similar to Battles (which is not a bad thing in any way), but the minute that Yannick joins with his bandmates – and the dynamic changes.

Yannick has a stage presence that is all to awesome to see. He owns the stage and is a charismatic frontman. He works the stage engaging the audience. His vocals reminds me of a cross between Twin Shadows and Kele of Bloc Party. The band has a similar sound to Bloc Party with the indie/post-punk sound. Songs like “Seventeen (Stay)” could be a new Bloc Party track. I’m a fan of the music when he starts to blend African beats into the music. It then differentiates him from the Bloc Party(s) and bands who are already doing that music.

After listening to his work online, it’s totally clear that this is a band that needs to be seen live. “La Vie Est Belle” is just beautiful when it’s performed. The images that are shown on the backdrop of him falling just add to the sound. Add the African beats to the R&B influences and you get an amazing song that incorporates it all. In songs like these, you can hear all the music that he listened to – from Kanye to Mos Def to Prince – its a beautiful blend. “Just Breathe” shows off the 80’s influences and had the crowd dancing. Add some positive lyrics with “be the change you want to see” over synth-pop beats – it makes for a good dance party – and then to dive right into “Freedom“. You can feel his emotion in all the songs, from discontentment to frustration to exhilaration.

As he neared the ending of the set, there was a crowd sing-along with “Down” which went on and on and made sure to include all of the audience at some point. Yannick seemed like he was having a great time and said over and over how SF was such an awesome crowd and so loud. The crowd danced along and sang along and clearly showed him and the band a really great time. Can’t wait to see what happens when he comes back to play a bigger venue.

The Seshen

The Seshen

What made this show even more awesome were the openers from the other side of the bay – The Seshen. Two bands that were paired perfectly and both had amazing shows. The Seshen clearly had a big following and many people were out just to see them. The two lead singers, Lalin St. Juste and Akasha Orr, both had amazing/strong vocals – and both were awesome dancers. They just take you away with their lush voices.

Plus – The Seshen has one hell of a percussion section. A set of congas and bongos along with a whole drum set, and a drummer with a contagious smile, and it elevated the music. The afro-caribbean beats mixed in with a fusion of R&B/hip-hop/electronic music and indie and it made for some awesome songs.

The band had the crowd dancing in no time. It’s so easy to get swept up into their music. “The Fall” is just infectious and its swirling melody reminds me of Beach House. It just transports you and you get lost in the music as you dance and move along to it. “Unravel” is pure catchiness over the electronic dance beats that will keep you moving. Their set is just brilliant and the only bad thing is that it felt like it was over before it even began. Between the catchy/dance-y music and the amazing singers and their dancing – the set just felt like it was way too short. We definitely need to be seeing more of the Seshen in the Bay Area sometime soon!

Set List Petite Noir:
Intro Noirwave
Best
Seventeen (Stay)
Shadows
La Vie Est Belle
MDR
Just Breathe
Freedom
Down
Chess

Till We Ghosts

Set List The Seshen:
Turn
Shapes
The Fall
Spectacle
Unravel
Distant Heart
Periphery
Oblivion
2000 Seasons
Right Here

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Savages

Posted by xneverwherex on September 18, 2015

Savages
DJ Johnny Hostile
Great American Music Hall
August 25, 2015

One of the first times I heard a really great story about Savages happened to come from one of the VP’s at my company. I was listening to the band and he came over to talk to me about them. He was impressed that a) I knew them and b) I was going to see them. And then he waxed poetic about how awesome they were and how he had now seen them twice and it was impressive. Why not a third time, I will never know. By then, I started hearing from countless other people how impressive they were – and usually at that point I begin to worry. Its hard to live up to the hype.

Savages

Savages

London-based Savages didn’t just live up to the hype, they by far surpassed it. And it will easily go down as one of the best live shows of 2015. The band, all dressed in black, fittingly opened up with “I Am Here” and the Siouxsie-esque vocals pierced through the crowd. No doubt, that lead singer Jehnny Beth was here with pure, raw, angst – a force to be reckoned with. The way she moves, commands attention and works the stage is nothing but impressive. An explosive ball of energy. While the band is often called the female Joy Division, they are much more than that. They are definitely taking the post-punk sound and throwing in some dark-wave and Siouxsie and Joy Division and the newer British bands for their own sound. And they do it better than anyone else.

In the beginning, Jehnny Beth danced and worked the stage with her stylish animal print heels on and is nothing but pure emotion. You can feel her energy on all the songs. It just pours through her. The band rocks out and everyone of them is just so into the music. The drummer going crazy on the drums – drumming her heart out. While the band seems to not be the center of attention, they are every bit essential and Jehnny Beth feeds off their energy, rocking out with them. As she gets into “City’s Full“, she’s dancing all across the stage, working it like no tomorrow.

Jehnny Beth

Jehnny Beth

By the time she has kicked off her heels, she has turned the crowd into a frenzy and is creating a scene and encouraging the mosh pits. She wants people moving and dancing and enjoying themselves and San Francisco did NOT disappoint. The crowd was non-stop dancing, moving, jumping, crowds surging forward – and Jehnny Beth stood at the edge of the stage – grabbing friends’ hands for support – and singing into the crowd. She walked across the crowd with everyone helping her stand above and sang from atop the crowd during “Hit Me” which was pretty impressive. It was just craziness that kept on going.

It was great to see the band loving it as much as the crowd. Jehnny Beth was all smiles and talked about how this was one of the best shows she had ever played. And she was having so much fun she couldn’t wait to come back here and do it again. She mentioned her prior shows (The Independent) and said how much better this was with a crowd so pumped and so into it. Whats not to love when the band and fans are all enjoying it. This just does not happen enough.

And the best part might have been towards the end of the set, she looks up to the people sitting above and starts talking to a guy near the top left corner who is leaning over and filming the entire set. She asks if he’s enjoying himself watching it from there, then tells him that he had better post the f’ing video on youtube — touch it up and zoom in and out! It couldn’t have ended on a better note especially as the next song was “Fuckers“. “Don’t let the fuckers get you down”. And that sums up the entire night. Pure brilliance.

Bonus – I sold my ticket to a guy who really wanted to see the band after someone else had promised they’d buy the ticket off of me. And he really loved the show. Winning all around!

Set List:
I Am Here
City’s Full
Shut Up
The Answer
Sad Person
Slowing
Adore
I Need Something New
Evil
No Face
Husbands
Hit Me
She Will
Fuckers

Savages

Savages

Jehnny Beth - Savages

Jehnny Beth

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Black English – #OtherCoastConfiguration

Posted by xneverwherex on May 30, 2015

Black English
Vela Eyes
Meet Me In Orbit
(Upstairs @) DNA Lounge
5/29/15

Echo Park’s Black English (fka NO) played a couple of shows across the States leading up to today’s Bottlerock Festival. If I had been paying attention and noticing all of their #’s – I would have realized the show would be a bit different.

Black EnglishThe band is currently playing this small “tour” as a 3 piece band with Spike on drums and Laura Burhenn (of the Mynabirds) on keys. Naturally, you still have Bradley on guitars/vocals. Hence the othercoastconfiguration tags. It seems fitting as the band just finished touring with Yann Tiersen in Europe and the Psychedelic Furs across The States and Canada.

While it definitely lacked some of their bigger sound with the missing guitars, this worked out pretty well. I wasn’t sure how some of their more anthemic songs would sound, but with Bradley’s amazing vocals coming together with Laura’s it gave a nice change to their sound. I really was enjoying their harmonies and their voices had a beautiful blend. I felt at times that the keyboard was too overpowering and somewhat distracted from the songs, but overall it worked.

Suzanne” (Leonard Cohen cover) which features Laura sounded gorgeous. As the music goes from Bradley singing to Laura and then the two of them harmonizing together the song couldnt sound more beautiful. Of course, it was all about their hits off of El Prado and Bradley’s baritone did them justice. Even without the crescendoing guitars his vocals do wonders on setting a tempo — he had the crowd clapping along to ‘Stay With Me‘ and lots of fist pumping to ‘Leave The Door Wide Open‘. The crowd was very into the show with some people showing off their dance moves and most people just clapping and singing along and moving to the beat of the music.

Regardless of #othercoastconfiguration – the band surprisingly worked amazing as a 3-piece. Once you rearrange a few songs and add more keys and throw down some percussion – you get a pretty awesome ‘new’ band. Chicago, LA, NYC and SF were all pretty lucky to have them come through — hopefully theyll be back soon. And even more surprising, it was only the band’s second show in SF (which seemed to be a theme of the night).

San Francisco’s Vela Eyes put on an entertaining set. They have a 90’s vibe with one hell of a kick-ass singer. She tears it up not only vocally, but in her mini-dress and knee high socks really works the stage with some pretty great kicks. They have a Blondie kind of rock edge and blends a lot of styles together with some songs having a more shoegaze 60’s wall of sound and others just pure rock-n-roll. The other woman on keyboards adds backing vocals which are a nice blend (although at times hard to hear). Personally, I loved when she wasnt on the keys and was playing her guitar — loud fuzzy and lots of reverberation. They were quite good and well worth seeing.

And while I do love Black English, I cant help but say how excited I was to see Meet Me In Orbit on the bill. All of a sudden, the show was *really* worth seeing. Their first show ever (opening for Public Service Broadcasting), blew my mind away. So I figured they had probably played another few shows and were going to become huge right away, but was pleasantly surprised to hear it was only their 2nd show ever (along with Black English – albeit this was just their second show in SF). I arrived early enough to hear the guys (Jared and Brandon) finishing up their soundcheck. I only had one thought – it was going to be much louder than I had remembered.

So seeing their second show, I figured I’d be happy if it were even as good as the first (which was great!) and it was so much better. Its hard to say if the songs were more polished, or if the crowd which seemed to be all there for them was just more into it, but everything just seemed bigger and better. Their lush chillwave/dreampop sound filled the venue. “Last Time” sounded gorgeous and the crowd just swayed along to the music. Their electronic sound was just perfect with Jared’s vocals filling the room. And while a lot of the songs were more laid back with the chill vibe – they definitely have the more upbeat electronic songs to get the crowd moving.

Meet Me In OrbitThey just released their first EP Traveler with 5 songs. The music will take you on a trip and let you get away to the past for just a bit of time and what a lovely time it is. If you haven’t yet seen them (and odds are with only 2 shows you probably haven’t), the next time they do play (and hopefully a tour will come soon), be sure to not miss them.

Check out “We Are Grown” which reminds me of a cross between Chvrches and Little Daylight.

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How Are Things On the West Coast? – Interpol

Posted by xneverwherex on September 22, 2014

Interpol
Rey Pila
Fox Theater
9/20/14

Interpol

Interpol

4 years later and Interpol was finally back in town and Im so glad that I ended up with a friend’s ticket. The band had finally released a new album, El Pintor. The album is brilliant and is a nice reminder of where they came from having a very similar sound to Turn On The Bright Lights. Sure, theres no Carlos D(engler) and the sound had to change some but its distinctly Interpol.

While I usually seem to loathe the sound at The Fox, for whatever reason it worked with Interpol and they sounded great. The guitars sounded a bit muddled at times, but it worked and added texture to their songs. Paul’s vocals were haunting over the lush guitars swirling in the background as the band started playing ‘My Blue Supreme’. It was a great way to start the set and then without disappointing they went straight to their first album to play the catchy-fast paced ‘Say Hello To the Angels’. The crowd quickly got into it with lots of hand clapping and fist pumping. And then straight into the even more catchy ‘Evil’ which had everyone singing along and dancing. Their music is just perfect and so easy to get lost in with the guitars and the drums thumping along keeping the timing.

Interpol NYC

Interpol NYC

Interpol also had their live debut of one of my favorite new tracks ‘Everything is Wrong’. Paul Banks: “That was ‘Everything Is Wrong’… that was the *debut* of ‘Everything Is Wrong’…as a matter of fact.” Enveloped in red lights and different imagery on the screen, the band played the hell out of the song. The band never sounded more gorgeous than during ‘NYC’ with the images of the skyline swirling in fast motion behind them. Paul’s vocals were hauntingly beautiful with the pulse of the guitars filling the air. Plus, Narc, Not Even Jail and Slow Hands right before they went into an encore. Yowzers! It does NOT get better than that.

The band did an awesome mix of songs and really catered to older fans of the band focusing on the brilliant album ‘Antics’. The breakdown consisted of 6 songs off of El Pintor (the painter in Spanish) but also an anagram of Interpol; 5 songs from ‘Antics’ and 3 songs from ‘Turn on the Bright Lights’. Then one each from the other album. Of course, theres always bound to be a disappointment and it would have been great just to hear ‘How are things on the west coast?’ (the opening line to Heinrich Maneuver). Ah well. I seriously could not complain about the set. It was short as I had expected it to be, they were never a band that played for a very long time. But they packed the set with a punch.

Interpol has had a few changed with members over the years, but has added to the mix Brandon Curtis (mostly known for Secret Machines) on keyboards and vocals as well a new touring bassist, Brad Truax. The additions were great. And yes, its hard not to miss Carlos D. (he was insanely great on bass), Brad held up his own. He sounded excellent with his hair flying all over the place as he tore through the songs. Brandon Curtis is also a great addition and sounded like he’d been playing with the band all along (granted Secret Machines toured with them a bit, so it was already a great fit). Daniel as always worked the stage going back and forth and doing quite a bit of dancing. Clearly always enjoying himself. And Sam Fogarino sounded great on drums, always keeping the band connected.

If youre on the fence about seeing them and enjoy their new album, its quite worth it. With such a great mix of songs, its hard to leave disappointed.

Rey Pila

Rey Pila

Rey Pila, from Mexico City, opened the set. The poor lead singer forgot where he was off the bat and said something to the effect of being so glad to be in Sacramento! Doh! These things do happen, and he tried to play it off and ask about the Raiders. The crowd was not having it. I was a huge fan of them at SXSW and their music still sounds great. Clearly a throw-back to the new wave 80s, they had totally reminded me of a new version of The Cars. One with much more guitars but still plenty of keyboards. Not quite as funky as I had remembered them, I still enjoyed their set immensely. The lead singer was dancing up a storm and worked the stage. He even hopped down below more than a few times to be closer to the fans. Clearly enjoying himself, and getting over his faux-pas. Definitely not one of the more typical Interpol openers, but really great.

Set List:
My Blue Supreme
Say Hello to the Angels
Evil
My Desire
Length of Love
Breaker 1
The Lighthouse
Anywhere
Everything is Wrong (live debut)
Lights
Narc
Not Even Jail
Slow Hands

All the Rage Back Home
NYC
Obstacle 1

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NO! Casual Sex on Thursday!

Posted by xneverwherex on March 20, 2014

Thursday March 13
SXSW
Austin, Texas

Thursday was a bit of a somber day around some of the clubs. There was a lot of talk about the accident the prior night that killed 3 people. It was tragic — and I was just blocks away from where it happened. Thankfully, I was hanging out with the rappers.

I started the day out with The Beastie Boys — well not really — but it was a panel about the Beastie Boys and copyright vs fair use laws. It was informative and I NEED to be working for Leslie Frank (or at least at her firm). This is the kind of law that is beyond fascinating. There are no black/white answers when it comes to fair use and this is not the place to get into what happened with them and Goldieblox. Regardless, the conversation was very interesting and most of the crowd agreed that GoldieBlox was in the wrong.

Now onto the music — Oh and Edward Sharpe was a no-show for his panel 😦 😦 😦

As I was eating at the Convention Center I heard some great music from upstairs. So ended up there to check it out. Much to my surprise, it was the EXCELLENT Mary Onettes. Now I had seen them years before, but they were much tighter and sounded awesome. The day stages had some excellent sound systems. The band has some very catchy hooks and great songs. The lead singer has one hell of a great voice. I need to be seeing them again soon.

After that, it was another chance to see NO. And yes, they were still as awesome. They were playing as if they were in a club wanting us all to get up and dance. Didnt quite happen, but everyone loved them. They’re the utmost professionals and know how to put on a show, even if it means rocking out in a sweater. The band has so many infectious tunes, I felt like I knew most of them already after seeing them for just a second time.

Then it was off for some British bands. Battle Lines from Leeds were playing some dancey electronica. The set seemed so short but everyone was having a good time.

Casual Sex - Scotland

Casual Sex

After that it was time for some Casual Sex. Sadly, the band was not offering any (save for the single drummer – who didnt seem too amused) as theyre all in relationships. The band is cheeky and clearly have a great time doing this. The band is from Scotland and Sam Smith, lead singer, is what its all about. He reminds me of Brian Molko – he did put on lipstick during the show – and clearly likes his make-up and dresses (although not in public apparently). Sam also brings to mind the glam Bowie years as well as their music. The band’s music was some good fun jangly guitar rock and you feel like youve been transported back to the glam of the 70s. Their music will get you dancing in no time. A band I will definitely see again.

Later on, it was time to hit up a hotel. The bands were playing at the hotel bar/restaurant and there was a small stage for them. Lys – from France were a really great band. They have this beautiful, lush, dream, indie-pop sound. It was so full and just sweeps you away. The lead singer had amazing vocals and it was great when he paired up with the woman in the band – their melodies were beautiful together. This was perfect music for dinner-time. While it was lush and beautiful they brought they energy with full, ripe guitars. It was just brilliant.

And then the night just went off course. I scrapped what I had planned and just changed it up. The prior night I met the band De Nalgas from Mexico City. I started talking with the drummer Irving when I got confused about Rey Pila playing. He was really cool and invited me to his showcase. He told me they were a punk band and similar to the Clash. I mean seriously, how can anyone miss that. Old school punk and their lead singer has a blue mohawk. So of course, I was going to see them.

I had jumped over to Metal & Lace to check out some bands not knowing what to expect – and OMG Scorpio Rising was the most insane fun band. The band is from Austin and the lead singer was offering all sorts of things to non-locals; oh yeah – shes pretty crazy fun. She was quite acrobatic and it reminded me of a burlesque show. The bassist walked the room as well as outside and pretty much played with everyone in the crowd (including the bartender). They just had so much energy. It was pretty cool. Now I couldnt tell you a bit what they sounded like, but I remember enjoying them.

De Nalgas de Mexico City

De Nalgas

De Nalgas was up next. How do you top that first act – you play straight up punk. And that they did. And they were _THAT_ good!! It was even in Spanish and while not everyone spoke it, everyone was so into it. There were some guys in front moshing (thankfully no crowd surfing). The lead singer, Boris, is an excellent frontman. He tears up that stage and does more scissor kicks then Ive seen in quite a while. He owned the stage and got the crowd really involved. The band all came out in black/white De Nalgas shirts and they all seemed to have tats that said that as well (along with 1989 – the year of their births). And Irving, the drummer, tore it up with one hell of a drum solo. It was f’ing brilliant. Everyone in the band had great camaraderie and were just tight. If punk is your thing, then this band you have to see. And their last song ‘presidente’ – was entertaining with the crowd yelling ‘pinche’ before ‘presidente’. Total bonding experience.

If anyone knows of a venue that needs a punk band to play – do let me know. I know the band would LOVE to play here. Oh and I forgot that this was their FIRST show in the States!

After some punk, it was time for some church. Yeah – really. I ended up spending the rest of the evening at two churches. The first church was Central Presbyterian Church which is a gorgeous church with beautiful stained glass windows. I sat upstairs and the acoustics were amazing. Its a venue just designed for musicians with sound that just carries.

I caught a few songs from Haley Bonar who has this gorgeous voice. The music was lo-fi/minimalist but with her vocals it just filled the church. It has almost a slight country-esque sound to it but comes across nearly haunting. I would definitely see her again. She reminds me of an artist to see on a cold winter night – she would just warm up the room.

One of my favorite bands from the festival were Mother Falcon from Austin. The band, which has about 18 members in it, is a symphonic indie band. The band is all very talented with a lot of them who play multi-instruments. The members seem to take turns on singing the songs and it just works. Their music is so full and rich its hard to not fall in love with them. They do a great Radiohead cover and its quite awesome. This is the type of band that is perfect for this venue. The room just fills with so many sounds, its just poetry in motion.

Curtis Harding

Curtis Harding

Curtis Harding, former backup singer to CeeLo, is one hell of an impressive guy. He’s got blues and soul flowing out of him. He’s from Atlanta and his songs had so much raw passion with so much feeling. The set was way too short for him and he talked some about growing up playing gospel and being in the church. He was so great and I so wanted more, but he had to get to another venue nowhere near and cut it short.

While I am sad that Curtis Harding didnt have a longer set, it did mean I got to hit up another church and check out Gruff Rhys (of Super Furry Animals, of course). So I ended up around the corner at St. Davids Historic Sanctuary. Very different than the other church, there was drinking allowed and the staff was much more casual. Gruff is always a pleasure to see and one I never miss if I can help it. He’s so soft spoken and waited to start the show while others came in. He was polite and kept words to a minimum. He started out the set by asking us to pretend we recognized the song so when he sang it a few minutes later it would seem we were all into it. Classic Gruff. So he played the first line of the song and then stopped. Then restarted the song – we all clap and scream – and he thanks us and he plays the rest.

Gruff Rhys - American Interior

Gruff Rhys

His new music – to accompany his film, American Interior – is just gorgeous. It just works and it so fits the film. Most of the music was about the journey with John Evans – a long, lost relative who may have found the U.S. and the quest to find a Native American tribe that spoke Welsh. The music is just beautiful and so fitting. Kliph Scurlock from The Flaming Lips, joined Gruff on drums. He was awesome. Gruff was pretty quiet with a few things to say — mostly asking the time — and then it ended with something like ‘oh fuck. we’re done’. And of course with that, a few signs were held up ‘thank you’ and ‘the end’. One of my favorites. ALWAYS!!

Typhoon

Typhoon

The night ended with me barely getting back into the other church to see Oregon-based Typhoon. I was able to get in after about 10 minutes and it was so worth it. The band killed it. The band has a bunch of violins, horns and drums but mostly beautiful harmonies. Frontman, Kyle Morton, has beautiful, haunting songs that cover most topics but lots to do with life and death which was fitting for my last band. At 12am the band paused as the pastor of the church came out to say a few words about the tragedy the prior night. He talked about life and death and living life to the fullest of every moment of the day. The band had stopped playing and the church went quiet for the 2 minutes of silence. It was beautiful with a lot of tears. It was so full of emotion. After 2 minutes, Typhoon continued to play. With their 11 members — they brought so much life to the church and the sound just echoed through and it was gorgeous. It was a show to never forget.

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Weekend Gets Loud

Posted by xneverwherex on April 7, 2011

Weekend
Little Girls
Mercury Lounge
4/6/11

Weekend apparently is one of the new buzz-worthy/blog-worthy bands. It was hard to figure out if everyone there was seeing them because they loved the band – or if it was just the new band to check out. It was packed by the time they hit the stage. A friend commented – they had a review on their new album in Sports Illustrated. With their album titled – Sports – it indeed got a review – and a good one at that.

I commented to my friends – I know they should be loud – but really its only 3 guys. Well those 3 guys from San Francisco proved that they could be beyond loud. The lead singer/bassist had really great vocals that worked well with the loudness of the bass. At times the vocals seemed almost muted but it was very apparent that the vocals had their own place. The guitarist never seemed to be able to stay still and was moving non-stop – getting more and more into each song. He’d be kneeling on the stage and playing his heart out – in between sips of water. The drummer is equally loud and keeps the band moving at a great pace.

Their post-punk influences are easy to be seen. At times feeling like they could be Joy Division – dark but not nearly as gloomy. And the heavy guitars are oh so reminiscent of Jesus & Mary Chain. While their album material is great – the crowd seemed very into their newer songs that they had just written. As they introduced their song ‘Little Girls’ they cheekily noted – no its not for the band its the name of the song. It was a great solid set and their 40 minutes seemed to fly by.

Openers Little Girls from Toronto were interesting. They mentioned casually about them having to use Weekend’s gear and something to do with visas. That they probably would rather not have mentioned. We’ll leave it at that. While some of their songs were really great and had a dance-edge/pop sound – musically it was like they hadnt yet figured out what direction they were heading. So you never knew quite what you were going to get. The guitarist seemed to be having consistent problems with the sound/feedback and just couldnt seem to get on with it. After nearly every song it seemed there was a new problem.

Perhaps theres a bit of potential in them, but at this point, Im not sure I can totally see it.

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