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Viva City from Newcastle, UK. No new shows announced as of yet - look for them to come back to the states in the New Year! They are currently playing in Texas - bringing dance-y electro rock with a hard edge guaranteed to get your ass on the dance floor. If they cant do it - you just might be dead!
The Call (featuring Robert Levon Been of Black Rebel Motorcycle Club)
Jeffertitti’s Nile
DJ Dan Mancini
Slims
April 11, 2013
Its not often that a show touches your heart and is so endearing. But this show was just that. It took a year and a half for the show to be put together. It appeared that The Call’s music was not the easiest to learn, but Robert did one hell of a job to follow in his father’s foot steps.
Robert Been, bassist and singer of Black Rebel Motorcycle Club, came together with his father’s band The Call to perform their music. It was one of two shows that the band will be playing. His father, Michael Been, died a few years back on tour with his son’s band. It was sudden and way too soon. So this was a perfect tribute to his father, bassist and singer, of The Call.
The Call
The band seemed very excited to be playing. Their music still sounded incredible and they definitely still knew how to rock. Their 80s alternative U2-esque sound was amazing as they opened up the set with ‘Everywhere I Go’. The crowd was enthusiastic with lots of cheers. Tom (Dickie), the guitarist, was right in front of me clad in a BRMC shirt. It was fitting and he was full of smiles. He smiled at me a few times, easily one of the younger people in the audience. The guys next to me were pumped up as they yelled out songs and talked about their first time seeing the band. Scott, the drummer, was on top of it, pushing the band through the music. Jim was great on keyboards, having a really fun time.
The band seemed to be racing through songs and they all sounded incredible. While I only recognized a handful of songs, it was easy for me to want to be there to support this special night. Their songs are easy to get into and their music still has a current sound to it. The gents next to me gave Robert a hard time about messing up a few of the songs. Robert was cute and nervous and some of the songs were clearly more difficult than others.
One of my favorite bits of the night was the crowd heckling him for not quite getting the songs right. He commented on how hard they were to learn and why it took so long for them to have this night. He told a heart warming story about his dad’s bass being stolen. Then one day he gets a call from a pawnshop in Santa Cruz with the owner being a huge fan of the Call and realizing that it was Michael’s bass. It landed back in Robert’s hand and he’s been playing it. He comments about it being very hard to stay tuned, but that it was special.
I was beyond excited to hear ‘Let The Day Begin’. I had recently heard it when BRMC had played it, but it was just incredible to hear the band play it. The crowd sang along and clearly was having a great time. The lyrics still seem so relevant. The set ended with ‘Walls Came Down’ and it sounded even better live. With everything that had been going on, the song just seemed so fitting. They ended the set with Uncovered which was just Robert singing and it was just hauntingly beautiful. It was great that they kept playing and didnt leave the stage right at 11. They pushed on and said to hell with last calls/closing times. Its a joke anyway – I sure dont remember this when I last lived here. (Apparently its a new thing – with some place moving in and wanting to change it up – thank you gentrification).
Jeffertitti’s Nile
Robert definitely tried his hardest and wanted to please the band and his fans. A guy commented next to me, ‘well he’s definitely not his father, but he’s holding his own’. Robert sounded great and albeit a bit nervous, he was clearly having fun. The guys were all good natured and poking fun at him. His father definitely had to be smiling down at him. The band clearly missed Michael but this was the best tribute anyone could have asked for. It was just heartwarming and endearing and Im glad that I got to be there to be a part of it.
Jeffertitti’s Nile, the opener, is a 4 piece band from LA and a friend of Roberts. The lead singer came out clad in skin tight jeans, that looked like they were painted onto him. He had a mop of blonde hair hanging in his face reminding me of a surfer. But a surfer band they were not. The other guys came out in long shirt/dresses and pants and longish hair stepping out of the 60s. It was fitting that they played psychedelic-garage-bluesy-glam rock. They kind of flowed all over the stage. The real awesomeness was the drummer and his hair which exceeded Brent (fathead of The Dandy Warhols). This guy had the most awesome head of hair, only sadded by the fact that the drums hid it. People seemed to really enjoy them. They were pretty quiet with not much to say, and when they did say something it was all distorted through the mics. This is one band that I cannot wait to see again.
Setlist (from LA – and prob the same in SF)
Everywhere I go
I Still believe
I dont wanna
Floating Back
Into the woods
Turn a blind eye
oklahoma
you were there
tore the old place down
red moon
swim in the ocean
let the day begin
reconciled
modern romans
whats happened to you
…same old story
you run (acoustic)
walls came down
uncovered
The Airborne Toxic Event
Nightmare Air
The Warfield
April 11, 2013
I hadnt seen the Airborne Toxic Event in quite a few years and hadnt remembered their prior sets quite so lively. The band did not disappoint. They put on a really great rock show. Mikel Jollett, lead singer, wasted no time at all before climbing on the stacks on the far left side and singing to the audience all over there. He really worked the stage using every bit of it – making rounds to each side.
Airborne Toxic Event – Mikel
By the 2nd or 3rd song, he jumped into the audience and started playing from the crowd. The crowd was really into it and were singing along and dancing. There was so much energy from the entire band. The guys moved from different instruments throughout the set which was pretty cool. Mikel was often times on top of the drum kit and playing from there. The other band members each had their turn up there. There were some pretty incredible guitar solos as well as bass solos. Mikel gave each member a shout out and plenty of time to show off how talented they were.
The set just flew and before I knew it, they were onto the encore. Some of the highlights during the set were ‘Numb’, which it didn’t seem a lot of people knew or were into. Their cover of the Magnetic Fields ‘Book of Love’, was just beautiful and sounded really incredible and fresh. They ended the night with a raucous encore of a medley of songs that had the crowd going nuts and singing along. It started out with their own song “Missy” which then became Johnny Cash’s ‘Ring of Fire’ and then turned into Tom Petty’s ‘American Girl’ and then they did a quick pause. Mikel talked about the next song being a huge protest song and how most people in this country have no idea what the song is about. Of course, it was Bruce Springstreen’s ‘Born in the USA’. By the time it was done, they had taken it back to ‘Missy’. It was a real incredible way to end a really amazing set.
ATE
I definitely had missed seeing a balls-out rock show that just rocked! By the end of the night, everyone was a sweaty mess from dancing and singing. It was great fun and a band I will definitely be seeing again.
The opener Midnight Air, also from LA, were a harder edged rock band. While they were good, I wasnt blown away by them. One of the band members was in Film School which I had really liked but this was definitely not the same band. The band clearly had a great time and were excited to be playing in SF for the first time. They were talkative and friendly and fun! The band was also excited to be playing their last show with ATE and clearly had a great time on tour with them. Im guessing theyre playing Coachella about now.
If youre on the fence about seeing the ATE, and theyre heading East – Id definitely say not to miss them. You definitely will have a great time!
Set List:
Gasoline
Happiness is Overrated
Does This Mean Youre Moving On?
True Love
Changing
Something New
Half of Something Else
Numb
Safe
Wishing Well
Timeless
Sometime Around Midnight
All I Ever Wanted
All at Once
The Book of Love (Magnetic Fields cover)
The Graveyard Near the House
Missy/Ring of Fire/American Girl/Born in the USA/Missy
Johnny Marr & The Healers
Alamar
The Fillmore
April 13, 2013
Johnny F**kin Marr, as his tshirt states, is a force to be reckoned with. An already great show went over the greatness by the time the encore hit. So I’ll just start there as its too impossible to still not be reliving. Johnny starts telling a story of growing up in Manchester and at age 13 meeting some really amazing kids. And one kid, in particular, is in a band and had made it. The others, yeah not so much. This kid turned out to be Billy Duffy, guitarist of the Cult. These long-time friends had never played a stage together before tonight. And, honestly, they need to do it more often as this was melt your face off unf’ingbelievable.
The two of them (both guitar gods as far as Im concerned) performed one hell of a version of the Clash’s ‘I Fought the Law’. It was powerful and full of raw energy. Johnny let Billy take the spotlight and on his white guitar he tore it up. The two of them continued into a really rocked out version of ‘How Soon is Now’. The song has never sounded so amplified with so many guitars filling up the room. It was awesome and one hell of a way to close out the set.
And for those interested in their friendship – and random factoids – there is a great interview here.
Prior to that insane encore, the set itself was beyond great. Johnny Marr & The Healers are a great band. While its clear that this is Johnny’s band, he seems to really like working with his band. The guys looked quite young but all seemed to be having a great time. It would be hard not to. Johnny Marr is charismatic and charming. He thanked SF quite a bit, and spoke of the acupuncture he had done. He had lots of chi in him and apparently it really helped on his guitar solos.
The songs off his solo album sounded really great and fresh. And had a very current sound. They use a lot of guitars, but it never sounds too heavy. The Smiths songs received huge applause and everyone sang along. ‘Big Mouth Strikes Again’ sounded every bit as great as The Smiths. While at first it was a bit odd to hear Johnny sing these songs, (he doesnt have Morrissey’s moodiness nor vocals), he did sound quite great overall.
Johnny Marr is an unbelievably talented guy. He still has the boyish good looks so reminiscent of English bands. Its pretty amazing to watch him and remember how many bands he’s been in and how talented he truly is. I was fortunate to having seen him play with Modest Mouse. Its easy to forget that he was also in Electronic and The The and even toured with the Cribs. It makes sense then that NME gave him the godlike genius award.
One hell of an amazing show. Yeah, that sums it up!
Theres not many guitar gods out there anymore so if you can still see him, you owe it to yourself to not miss this show.
Esben and The Witch
Heliotropes
Brick & Mortar Music Hall
April 4, 2013
The Brick & Mortar Music Hall is one of those venues that is barely noticeable. I had walked and driven by it too many times and didn’t even know it existed. Right down the street from a gas station, it just blends into the block. With that being said, the venue is quite cool. Its a pretty small spot with a bar directly in front of you as you walk in and a stage off to the left. Lots of seating available and a very low-key crowd.
Esben & The Witch
Hailing from Brighton (UK), Esben and the Witch are a 3 piece band that puts on a great subdued show. I had seen them open up for Foals and was curious about their show on its own. The band hardly spoke to the audience but did have a few ‘thank yous’ after the songs. They introduced themselves oh so quietly and then just tore into their set. Rachel Davies, who has a striking resemblance to Keira Knightley, has an amazing voice. Her vocals are reminiscent of Lisa Gerrard (Dead Can Dance) or even Elizabeth Fraser (Cocteau Twins). While their sound can be described as gothic, the band definitely has some of the shoegaze influence.
During much of the show, it felt like you were transported to somewhere else. Stuck in a movie that just keeps on going, youre swept away. The music is hauntingly beautiful with guitars that soar. The band had hardly any interaction with each other and played the 45 minute set with hardly any breaks between songs. The band was on tour in support of their awesomely named album, ‘Wash The Sins Not Only The Face’.
Simply put – the show was wonderful.
The semi-local, but mostly Brooklyn, Heliotropes opened up the show. It was their San Francisco debut. At least one of the girls was from Foster City and possibly others. The lead singer seemed excited to be performing for the first time for her mom and sister and friends. The band was very excitable and were having a really great time.
Heliotropes
In contrast to the headliners, this girl band was the exact opposite. They were very talkative about their songs, their new album (coming out in June) and just how excited they were to be on tour. Their short set was fast and punchy and balls out rocking. While I wasnt totally into them, it was easy to become swept up in their excitement.
Efterklang
Nightlands
Great American Music Hall
3/11/13
The night had finally arrived and I was finally going to see Efterklang. I had somehow missed them in NYC even after I had tickets. I don’t even want to know why/how/what I was thinking. With that being said – after waiting for what seemed like forever – the band came out and put on one hell of a show.
The 3 piece band from Denmark (touring with an additional 3 people), were nothing short of incredible. Casper is an incredible front-man. He was very excited and beyond happy to be playing once again in San Francisco. Their bassist, Rasmus, had a huge smile on his face for nearly all the songs. He just beamed pure happiness. The biggest highlight of the night was easily Katinka. Her voice was just magical and it was surprising how well an opera singer fit in with the band. She just blended so great the way her sound mixed in with the songs.
Efterklang
Their new album, Piramida, is quite simply beautiful. Everything about the organic sounds, the way the music emotes, and how it comes together is just amazing. The band took field recordings while out in Spitsbergen (between Norway and the North Pole) and it fits so amazingly into their music. All these organic sounds layered on top of keyboard pieces is just something else to hear. You feel like youve actually been transported into this world — of a faraway place with nothing just you and nature and probably a lot of cold and ice. While its not dreary in the least, it does have that dreamy hazy sound.
Casper/Efterklang
The band opened with Hollow Mountain (off of their new album) with the haunting vocals/sounds from Katinka. The sound slowly grew with some sort of metal being hit (thanks to amazing work done by Mads) and then Casper joined in. It was a great song to open with. Casper is theatrical making great use of his hands and body. The set continued pretty quickly and included Apples (which really reminded me of The National) and Sedna off the new album. A lot of what they were playing was off Piramida, and really if you dont own it, you should. Or at least give it a listen.
One of the cool things about the show was when Casper started to read ‘cards’ left from other shows to people/friends and just SF in general. Some were about making sure to enjoying the beach – laying out in the sand – to others about friends missing each other – and my favorite about how awesome the band is and the friend was so grateful for sharing it. Those kinds of things are just awesome. Casper also shared the lovely smells of Big Sur in the form of a rock (or maybe piece of wood) that he shared with an audience member. And lastly, the show had one of the youngest people ever enjoying it. A little boy who might have been 4-5 showed up with his mom and asked to stand in front for a song or two. It was pretty exciting.
Nightlands opened the show. Their set was quite great and reminiscent of another Philly band – Sun Airway. Their songs had a great dreamy/psych sound to it. Some of the songs felt like they could have been from Snow Patrol with big sounds and harmonies. And it was great when Efterklang’s drummer, Tatu, joined them for a song. You could tell there was a lot of appreciation between the bands for each others music.
Nightlands w/Tatu of Efterklang
I wish I could be seeing them again — and next time hopefully they will play with a full orchestra. Now that would be something else!
Set List:
Hollow Mountain
Apples
Sedna
I Was Playing Drums
Step Aside
The Living Layer
The Ghost
Black Summer
Between the Walls
Dreams Today
Raincoats
Modern Drift
Encore:
Monument
Cutting Ice to Snow
And to the guy from last night – I will have the pics posted in the next day or two. These were off my phone. I apologize – but check back (or just go to flickr).
Black Rebel Motorcycle Club
Cellar Doors
Slims
December 19, 2012
The Bay Area is lucky to call BRMC their own. The band announced a few West Coast shows to prepare for their upcoming tour in support of their new album. San Francisco was the first of these one-off shows and what an awesome night it turned out to be.
The band started the show out with Santa Cruz’s The Call’s ‘Let the Day Begin’. Robert sang that song and what an awesome way to start out the show as Robert’s father was the singer. Apparently Santa Cruz was treated to the song with a former band member. The band continued on into a new song ‘Funny Games’ and then the crowd pleasing dirty gritty jangly ‘Beat the Devil’s Tattoo’. It sounded great and the crowd was energized and singing along.
Black Rebel Motorcycle Club
Some of the other stand-outs were the guitar-heavy and oh so catchy ‘Berlin’ which had everyone singing along to the chorus. ‘Aint No Easy Way’ off of Howl stood out with the awesome harmonica sounds of Peter. The alt-folk jangly pop song is always a toe-tapper.
The songs off their new album had the bluesy/garage neo-psychedelia rock sound of their last album. The songs sounded tight with lots of great guitar work from Robert (who was in front of me). It was always a delight to see Peter whip out his harmonica and start tapping his feet and playing along in some of the more folkier sounding songs. It was harder to see Peter but he always sounds great and his guitar work always sounds impressive. The addition of Leah, drummer of The Raveonettes, is a great add-on. She fits right in with the guys and always seemed to be having a really great time. Her drumming is top-notch.
Their show was a good 90 minute set if not longer. The setlist contained everything that one might expect/want to hear. The band seemed very excited to be playing Slims and such a small club as they tend to play bigger venues these days. They wasted no time with getting through their music and didn’t even bother with an encore just playing all the way right through it.
The set ended with ‘Lose Yourself’ and everyone seemed to be dancing to it, with heads bobbing, moving back and forth and singing along. The crowd was really into it and the band couldn’t have ended on a higher note.
Cellar Doors
The opener Cellar Doors from San Francisco was discovered on their last tour when BRMC needed an opener. They had only played one show (maybe?) and were asked to join them. The band quickly learned all their songs for the tour and joined them in San Diego. Its great to see that the band is still around and sounding strong.
The band has a similar sound to BRMC with their heavy garage rock sound mixed with a bluesy influence. Their songs were infectious and I found myself easily getting into their music. The lyrics were catchy and they had some great hooks. The 3 piece pulled out an awesome 45 minute set that you just didn’t want to end.
I’ll definitely be checking them out at their show at Bottom of the Hill next month and so should you! If you missed BRMC and love their sound, for now this is the best thing to get your fix!
Set List:
Let The Day Begin
Funny Games (new)
Beat the Devil’s Tattoo
Berlin
Conscience Killer
Rifles
Love Burns
Screaming Gun
Lullaby (new)
Aint No Easy Way
Rival (new)
Stop
US Government
Awake
Red Eyes and Tears
Six Barrel Shotgun
Spread Your Love
Lose Yourself
David Byrne & St. Vincent
(Love This Giant)
Orpheum Theatre
October 15, 2012
Somewhere between The Lion King, The King and I and anything else with King (according to David Byrne) is this show. The Orpheum Theater was nice enough to squeeze in a non-show between it all. And I could only be so lucky to see more shows performed there.
The Orpheum Theatre is a really beautiful theater with exquisite views. I have a feeling that whereever you are seated, you will have a great sightline. I was in the mezzanine and for once I was happy I wasnt in the orchestra. To watch all of the moves and see every last thing was worth it.
David announced from the beginning that the use of cell phones, cameras, videos, etc were definitely ok. He didn’t seem to mind anything, but said we might want to enjoy it without a black box in front of us. He was definitely right. The crowd, for the most part, rarely used their phones/cameras – sneaking it out once in a while to get a picture or two. And what a crowd it was. A respectful crowd that was beyond appreciative and beyond excited.
Finally, around 8:15 David Byrne comes out with St. Vincent (Annie Clark). Him sporting a white/black suit and her in a blue dress that might have been 2 separate pieces. They both looked great. The band, a 10 piece brass orchestra, also was sporting black/white attire. The band is more or less led by Kelly Pratt of Bright Moments, a Brooklyn band. He has also played with Beirut, Arcade Fire and LCD Soundsystem. The entire orchestra was comprised of members of other Brooklyn bands. Most notably was a trumpet player from Yellow Ostrich.
David Byrne/St Vincent
The show itself was simply awesome and beautiful. The songs off of ‘Love This Giant’ sounded great, even better than what I had heard streaming. The stark dance moves mostly seemed robotic. It was clearly choreographed and most times the band members were nearly stalking their prey (David and Annie). They would move around them, the horns blaring into their faces, as they circled them and taunted them. It was like being in the jungle as the performers all had their own moves. At times, Annie would lean against one of the guys and go to work like a mad scientist on her guitar. It was raw and it was passionate.
A lot of the songs were performed with either Annie or David at the mic. The other almost disappearing into the background, but then they’d join the other, and as quickly retreat. This really got to showcase all of their talents. He is the perfect frontman and great leader. He took the band from song to song. The highlight (not speaking of all the covers!), was ‘Cheerleader’. The band, save for Annie and Rachel (another band member), was lying on the floor and soon were playing their instruments lying on their backs. It was pretty incredible watching these trumpeters play on their back. They slowly got up and the whole piece was extraordinary. Annie’s vocals were nothing short of impressive. ‘The Forest Awakes’ also showcased Annie’s talents and her smoky, raw vocals sounding almost like she should be in a burlesque bar. Its hard to not be captivated by her.
I was never a huge St Vincent fan, and I had seen her a bunch of times, but in this she was perfect. She was robotic, spastic, her moves not quite polished. She was shaky, with a nervous energy the way she moved and it worked out perfectly. Her own songs had never sounded better with the backing band. Her guitar playing not as overly aggressive as can be.
And of course, David Byrne. Having never seen him perform before, I wasnt sure what to expect. But he delivers. With his shocking head of white hair, he is an entertainer. He’s talkative, funny and clearly having a great time. And it was great that there were some Talking Heads songs sprinkled in. ‘This Must be the Place’ is a really catchy Talking Heads song and got the crowd singing along. A girl in front of me started dancing with reckless abandonment. It started something, because when St Vincent played her solo songs, 2 guys started dancing clearly enjoying every moment of Annie’s voice.
All in all it was a great set. It was great to hear Annie talk about first hearing The Talking Heads in ‘Revenge of the Nerds’. As she said ‘the best song placement ever’, when referring to ‘Burning Down the House’. She also talked about an aunt/uncle in the audience who helped her become who she is and getting her into music. You could see the show meant a lot to her.
The band had 2 encores and the crowd never let up. Enthusiastic till the very end. Dancing throughout the theater and everyone having a good time. And a congo line for ‘Road to Nowhere’… seemed way too fitting as they closed out the set.
Set List:
Who
Weekend in the Dust
Save Me from What I Want (St Vincent)
Strange Overtones (David Byrne)
I Am an Ape
Marrow (St Vincent)
This Must be the Place (Naive Melody) (Talking Heads)
The Forest Awakes
Optimist
Like Humans Do (David Byrne)
Lightning
Lazarus
Cheerleader (St Vincent)
Lazy (David Byrne)
I Should Watch TV
Northern Lights (St Vincent)
The One Who Broke Your Heart
Outside of Space and Time
Encore:
Cruel (St Vincent)
Burning Down the House (Talking Heads)
Encore 2:
The Party (St Vincent)
Road to Nowhere (Talking Heads)
I was pretty lucky that I had ended up with a New Order ticket. It had sold out so quick and so many of us were unlucky. Thanks to Val’s boyfriend having to travel, it made me one lucky girl.
Friday night in Oakland was insanely busy. I can only assume that there was some sorta festival going on. There were bands on the street, djs spinning and people everywhere. Plus some sort of protest march going on. And the Fox Theatre was right in the middle of it all.
New Order
It seemed to take forever but New Order finally came out. The stage was quite dark as they started into their first song. And then BAM! The lights started going, strobes coming on and off and the beginning to what would be an insane light show the entire night. I was convinced my friend Will was their lighting designer.
Their second song, ‘Age of Consent’, really got the crowd revved up. They introduced the band via video screen. The band didnt do a whole lot of moving around, and Gillian barely left her keyboards. Bernard Sumner did some moving around and jumping around while Stephen Morris for the most part remained behind the drums. On occasion, he’d walk to the sides to play what looked to be a drum machine. There were a few other members rounding out the touring band, but couldnt remember who. It was definitely a loss to not have Peter Hook on bass.
The first half of their set was mostly songs I hadnt remembered and probably a few newer ones. It seemed I was recognizing one for every few. I was a bit disappointed. At least the seongs all had a catchy synthy beat and they were easy to get into. But then it was like all of a sudden all their most popular hits. True Faith was followed by Bizarre Love Triange, complete with the original video on the screen. The crowd went nuts with people dancing in the aisles, next to their chairs, wherever they could make room. And then they threw in ‘Perfect Kiss’ and ‘Blue Monday’. Lastly, there was ‘Temptation’. They were so great and the crowd was singing along. But then Barney was saying last song and everyone looked confused as it was barely over an hour at that point. It seemed a bit unreal. But then it happened, and the band was off the stage. It was hard to believe that after an hour and 15 minutes the show was nearly over.
New Order
Of course there was an encore. It was a short, but sweet, 2 song encore of Joy Division songs. The first was ‘Atmosphere’ and the set was closed out with ‘Love Will Tear Us Apart’. The songs arent quite as dark and moody as Joy Division, but still had that feel to them. Its hard to hear the songs and not imagine Ian Curtis’ voice, but its cool to be able to hear them played at all.
While I guess I had higher expectations, it didn’t totally disappoint. I heard some great songs live and they were performed with great execution. But just a few more songs would have been nice. I definitely would have loved to hear a song or two off of ‘Technique’. More of anything would have been great from a band that has countless albums and songs. C’est La Vie.
Set List:
Elegia
Crystal
Ceremony
Close Range
Age of Consent
Isolation (Joy Division Cover)
Here to Stay
Your Silent Face
Bizarre Love Triangle
586
True Faith
The Perfect Kiss
Blue Monday
Temptation
Monday night women rocked the house. Shirley Manson and “the boys” brought along Marissa Paternoster and Co. (aka Screaming Females). What a fearsome two bands it turned out to be.
It had been over 10 years since I had last seen Garbage. Somehow I had forgotten what a show it would be. Shirley came out in a long black cape like top and some awesome heeled boots. She walked around in big circles taking over the stage. She was ferocious, commanding attention.
Garbage
She started out the set with a charged up ‘Supervixen’ and then went straight to ‘I Think Im Paranoid’. It was an awesome start to the show and Shirley’s dance moves to Paranoid were spot on. The crowd was excited with lots of fists pumping in the air, lots of ridiculous bright red hair wigs and the like. About 30 mins into the set, Shirley stops by Butch Vig to change her shoes and put on way more comfy flats. She ran around, did even more funky dance moves – robot moves were just awesome – and was having a great time.
It was even a more special night for Shirley as the last time her mom saw Garbage perform live was at The Warfield. There were also a few more tributes for other people that had passed away and a really heartfelt one to Christopher, whose daughters were at the show. It was definitely moving and she played ‘Special’ for them, which had never sounded better. You could see that it meant a lot to her and and the band.
The band played a solid 2 hour set that just flew by. I had forgotten how many hit songs they had. #1 Crush, Only Happy When it Rains, Queer, Stupid Girl, etc. Eric Avery (Of Janes Addiction), who looks to be having a great time on tour with the band, veoted Shirley’s idea of a crowd picking the song. It was a competition of a ‘favorite’ or a ‘new’ song. Shirley went on about how some like risks and it was quite cute till Eric decided theyd play the new song. It worked out well, I think most appreciated hearing a new song. Shirley also mentioned a story about how one of the songs was about losing her virginity, but it was always assumed to be about something else. For what its worth, it wasnt good.
Screaming Females
As mentioned earlier, Screaming Females of Trenton, NJ opened the set. Many people had never heard of them and didn’t know what to expect. Marissa, in a dark dress, played the hell out of her guitar. The songs were tight, fast and short reminiscent of Nirvana. Grunge has never sounded better. The band, as always, had few words to say and made the most out of their 30 minute set. And from where I was standing, she definitely impressed a few of the guys with her amazing guitar-playing skills. She thanked Shirley and Garbage a lot and you could tell she was genuinely happy to be opening for them.
This was definitely one of the best shows of the year.
Set list:
Time Will Destroy Everything
1. Supervixen
2. I Think I’m Paranoid
3. Shut Your Mouth
4. Why Do You Love Me
5. Queer
6. Stupid Girl
7. Hammering in My Head
8. Control
9. #1 Crush
10. Cherry Lips (Go Baby Go!)
11. Blood For Poppies
12. Special
13. Milk
14. Battle In Me
15. Push It
16. Only Happy When It Rains
17. Vow
Encore:
18. Bad Boyfriend
19. The One
20. You Look So Fine
Maximo Park
The Neighbourhood
Zambri
9/20/12
Slims
It seemed forever that I had last seen Maximo Park. Their last tour somehow didnt end up coming to NYC, so it was about time they finally came back. And the band seemed to really enjoy being in San Francisco and playing Slims. Paul had so much energy that you could feel it bouncing off the walls. He posed lots and had lots of great movements and his dancing has definitely improved and increased. I definitely miss the scissor kicks, but theres still lots of jumping. Lukas is still as insane as ever on the keyboards. He kept pulling them towards him as he’d jump around and even jump on them. Very awesome.
Paul
The songs off their new album, ‘The National Health’ are quite catchy. ‘Take Me Home’ should be a total hit. They started their show off with the always fun and energetic ‘Graffiti’ and then jumped into the title track which was also really catchy. But it was really their older songs that got the crowd super excited and jumping and singing along. While their other albums have been quite good, nothing has compared to ‘A Certain Trigger’. Although, the guitar riff from ‘Girls who Play Guitars’ has never sounded better.
It was awesome when Paul said he had a song to sing about where we were. People screamed out songs, but I knew it had to be ‘The Coast is Always Changing’. What an awesome song and what a perfect San Francisco song. ‘Graffiti’, ‘Limassol’ and ‘Kiss You Better’ still sound amazing live. It was great to hear Paul sing part of ‘The Acrobat’ which he had to stop singing due to the lack of anyone remembering it 🙂
Paul & The Park
The band played nonstop for about 90 minutes before announcing it was down to their last songs. He mentioned how Americans love encores (really?), but that on this tour there wouldnt be any. They put their heart into the set and left it all on the floor. Naturally, some people (who I guess didnt believe the band), yelled for an encore. A 20 song set was hard to be disappointed with and for the most part they played nearly everything I would have wanted to hear.
Paul talked about how he had a few days off from the tour and how they went to Coit Tower and visited other sites. Paul was pretty talkative and wanted to tell stories, but for some reason many people in the audience just yelled out songs and wanted them to play. A pity as he’s a great storyteller.
The Neighbourhood
LA’s The Neighbourhood were surprisingly quite awesome. The guys looked quite young and were very excitable. There are definitely some hardcore influences along with hip hop. Its a great combo and makes for a great show. The lead singer, who is covered with tattoos, is hard to take your eyes from. Even if the music is not your scene, just stare at his arms/neck for awhile and youll be entranced.
NYC’s Zambri played a quite short set. They tried to do something unique with a lot of microphones that didn’t quite work. It definitely had an electronic feel and reminds me of School of Seven Bells. I still find them a bit forgettable but they’re fine to watch. Im not quite sure how they ended on this lineup but it made for a quirky interesting night.
Set List:
Graffiti
The National Health
Girls Who Play Guitars
Hips and Lips
Questing, Not Coasting
The Coast Is Always Changing
Write This Down
Going Missing
Reluctant Love
Books From Boxes
The Undercurrents
Limassol
The Kids Are Sick Again
Take Me Home
Now I’m All Over the Shop
This Is What Becomes of the Broken Hearted
Parisian Skies
I Want You to Stay
Our Velocity
By the Monument
Waves of Fear
Apply Some Pressure
Ramblings of a Redhead Music Snob 