Ramblings of a Redhead Music Snob

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The places that I have visited in New York

Take A Summer Holiday w/Wild Nothing

Posted by xneverwherex on September 7, 2012

Wild Nothing
DIIV
Holy Shit

Great American Music Hall
9/5/12

I guess the summer holiday is officially coming to an end, so it seemed fitting that it ended with Wild Nothing. Wild Nothing had finally made it back to the West Coast according to Jack. It sounded like it had been quite awhile and the way Jack told how San Francisco was his favorite city, reminded me of the way I had felt about NYC.

The band, by way of NYC (Brooklyn for Jack — and Athens for a few others — as well as one guy still in VA?), are on tour for their second album, Nocturne. I wasnt sure how the album would hold up compared to Gemini (one of my fav albums quite possibly ever), and it does. And quite nicely. Maybe with a few more spins it’ll end up in that same category.

From what I had learned from their new lighting guy – the band is kind of all over the place when it comes to where they live. Im not sure how it works as it seems that Jack isn’t fully in control over every part of the music, but it does work. And dare I add, quite well.

Wild Nothing

Their music just takes you away to a dreamy far away land with swirling guitars, lush vocals and darkened lights that just add to the visual. For an hour or so, it feels like youre off in your own land dancing to infectious indie pop hooks. It still has the hint of shoegaze but its like the Cocteau Twins of the 80s and the pop sounds of The Sundays.

The guys all moved around aimlessly with the bassist jumping up and down for a lot of the songs and the guitarist moving back and forth in his own world. Jack, who doesnt say much, had some interactions with the guys but mostly he just played his heart out. He was definitely excited to be there and you could feel the energy from the crowd. As the first guitar chords begin on ‘Chinatown’ an excitement builds in the crowd. ‘Live In Dreams’, which has always been a favorite, has never sounded better. Everyone sang and danced and moved in a hazy dreamlike nature.

In contrast to the Pains show, this was a different experience where people were there just wanting to hear the music. The only real complaint was the sound itself. At times the guitars were just too loud and muddy and took away from the vocals, but for the most part it worked itself out.

And just because Im selfish – how about bringing back one of the best Kate Bush covers ever. Cloudbusting is such an amazing song; its rare that a band can do her music justice. But its one of the best covers Ive ever heard. And this coming from a music snob 🙂

DIIV (pronounced Dive and formerly known as Dive), another band from NYC, were one of 2 openers. The guys looked impossibly young and it was hard to believe they were even 16. The crowd were so into them and that was quite awesome. Some of their music reminded me of Explosions in the Sky but not as big as a sound. Lots of heavy guitars and a few songs with minimal vocals.

I remember liking Holy Shit and at the same time thinking what a horrible band name or thinking when is Holy Shit Fuck going to be a band. The band, which used to have Ariel Pink in it on the first album, is now a few guys from San Francisco. They play lo-fi experimental-ish jams and put on a great, really tight set. It was over so quickly that by the time you were into it, that was it.

Overall — one hell of a night with 3 great bands!

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The Pains Play Popscene

Posted by xneverwherex on September 6, 2012

The Pains of Being Pure at Heart
A B & the Sea
Rickshaw Stop
8/30/12

Perhaps age and more than likely perhaps living in NYC has made me somewhat jaded about shows. Or perhaps I have been spoiled with seeing many of these bands earlier in their career that sometimes it just doesnt pay to see a show.

A B & The Sea

Arrived at Popscene, (which is not the popscene I had remembered from the 90s — oh the people and times have changed) long gone from the very cool warehouse like 330 Ritch and now over at Rickshaw Stop – a smallish tightly packed club, to a long long long line. It was a bit confusing at first as no one seemed to know where to go. Then of more things crazy – they let the ticket buyers (not holders) into the show first. So we had to wait an additional 30 mins or so just to move an inch. Of course, Popscene is now filled with a very young high school crowd who were more excited about seeing each other late at night and high fiving each other for being in the very front. The whole thing just was weird. Id like to take this moment to say I really hope I was not that obnoxious in high school at shows (then again everywhere was 21+), so it was usually The Warfield and Shoreline.

The club was pretty packed by the time friends and I arrived. The Popscene DJs were spinning the same stuff youd hear on Live 105. No one danced and it was just a tad sad. As we had waited outside so long, at least it wasnt too long a wait for A B & the Sea to come on. Plus, random videos on the screens made it go by a bit quicker.

San Francisco’s A B & the Sea put on a pretty awesome performance. Some of the songs were beyond catchy and had a sunny California pop sound. It just made you want to dance and sing along. Songs like ‘California Feeling’ are guaranteed to be a pop hit. Its fun and light. ‘Constant Vacation’ is another very catchy dance-y song. They make you feel like summer is in the air and its going to be a great night. The only problem with their music is that they are all over the place. There are the total pop songs that are light and fun and then a lot of their music is in a totally different direction. It was like the band wasnt sure which way to go. A pity. The crowd was really into their lighter feeling songs.

Either way – Id see them again if theyre playing in SF.

Pains of Being Pure at Heart

Brooklyn’s Pains of Being Pure at Heart had finally come back to SF after about 5 years. The crowd was beyond tightly packed inside and even at the beginning everyone was pushing against each other. Their fun dream pop sound that I had come to love from their first self-titled album was somewhat gone. With another guitarist added to their stage performance, it became a lot more loud and a lot more guitar driven. I somehow missed hearing their earlier stuff and the dream pop sound that had made them popular. And mostly I missed more of Peggy singing. Perhaps she was just overshadowed by the loud guitars?

Their new album ‘Belong’ has some great numbers and it was great to hear it live. The band was excited to be there. It seemed that Weekend (the band) was around and that the 2 bands had decided to switch coasts. Well actually, only Weekend is moving to NY. As the band mostly played tracks off their new album, the crowd got more insane. First the moshing began with people getting shoved to the ground, guys grabbing girls and just pushing them into the pit, and then the crowd surfing. Ive certainly been to plenty of shows with all that, but its rare for a guy to repeatedly try and grab me and push me into a pit.

Overall, it was a bit of a disappointment — but at least the opener gave me something to look forward to. And the cheap ticket… oh yeah that made it all the better.

So the question is, would I see the Pains again? Im not sure if it was the crowd, the music, their new direction. But, at this point, Im not sure I feel a real need to. I loved the first album when it came out and couldnt get enough of it. Ive listened to Belong a number of times, and it lacks something for me. Everything I loved seemed to be gone.

Thankfully I had Wild Nothing to look forward to.

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It Must Be Summer – Fountains of Wayne @ GAMH

Posted by xneverwherex on July 24, 2012

Fountains of Wayne
Mike Viola
Great American Music Hall
7/19/12

It seems like every time I see Fountains of Wayne its the summer. They are the perfect summer band, so it works out quite nice. The band came here via Japan and were still jet-lagged from the plane ride. They joked about the questions the Japanese asked them and clearly they had a great time. While maybe a bit tired, you never once got that feeling from them during the set.

The band played with so much energy. The crowd just loved Adam – who doesnt – and throughout the show you could hear various people yelling out his name. The crowd was beyond energetic and everyone around me was singing and dancing. There was just so much love for the band.

The band, who seems to have not stopped touring since summer of last year, was here promoting the new album Sky Full of Holes. Its great that the band manages to play songs from all of their albums. My favorite album has always been Utopia Parkway – so its always good to hear “Denise” and “Red Dragon Tattoo” (perhaps my favorite song).

The night seemed to go by at record speed. Their catchy power-pop songs felt like they were played at a frenetic 3 minute speed (they might have, actually). The guitars as always really add to the show. Im pretty sure the entire crowd was rocking out. I couldnt wait for the ‘Radiation Vibe’ medley which seems to always occur now. The real surprise is what songs will they mix it up. The guy behind me was nearly going into cardiac arrest yelling ‘Billy f’ing Squier’. Hah! Its hard to argue with the following mix tho – Radiation Vibe/White Wedding (Billy Idol)/Everybody Wants You (Billy Squier), Rock’n Me (Steve Miller Band)/Jet (Paul McCartney & Wings)/Sister Golden Hair (America)/Radiation Vibe. Im a huge fan of America (I make no apologies) and this was just insane. The crowd is driven to insanity and then bam – band leaves the stage.

Thankfully the band came back out with a 5 song encore. Of course, Stacy’s Mom (has got it going on) and Sink to the bottom was on it. Its hard to imagine a show without either of them (not sure it can happen).

Always great to see a NY local band along with FoW. I think it must be a staple for them. Mike Viola was an opener not to be missed. He had really catchy pop songs – so it wasnt a surprise to google him and find out that he composed songs for movies “That Thing You Do”. The 2 other guys accompanying him were a great addition, but he alone would have been fabulous. He’s definitely an artist worth checking out.

Setlist:
Bought for a Song
It Must Be Summer
Someone to Love
Denise
Red Dragon Tattoo
The Summer Place
Richie and Ruben
Valley Winter Song
Hackensack
A Dip in the Ocean
Bright Future in Sales
Barbara H
Mexican Wine
Radiation Vibe Medley: Radiation Vibe/White Wedding (Billy Idol)/Everybody Wants You (Billy Squier)/Rock’n Me (Steve Miller Band)/Jet (Paul McCartney/Wings)/Sister Golden Hair (America)/Radiation Vibe

Encore:
I-95
Cemetery Guns
Joe Rey
Stacy’s Mom
Sink to the Bottom

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Enjoy Yourself – The Dandy Warhols

Posted by xneverwherex on May 18, 2012

The Dandy Warhols
1776
Sleepy Sun

The Fillmore
5/16/2012

The Dandy Warhols started off the US tour in San Francisco on Wed night. Touring for their 8th studio album, This Machine, the band was in great spirits. Courtney Taylor-Taylor was as chatty as always and had quite a few stories to share with the SF audience. He reminisced about playing house parties in the 90s in the Mission and also how it took some 3 years for them to finally head up north to Seattle to play a show. SF was lucky to say the least with them playing all the time.

The show started with ‘Be-In’ which might just be the best intro song ever for a band to start a show with. From there it just went non-stop into ‘We Used to Be Friends’ and ‘Not If You Were the Last Junkie on Earth’. It would be hard to disappoint from that start. The crowd was singing along with lots of cheers for Zia throughout the show. Courtney talked about his shirt ‘Brian Jonestown Manager’ which Anton had asked him to wear for the show. The Brian Jonestown Massacre had just played SF a few nights before.

The Dandy Warhols


The band played hits from most of their catalogue. It was great that there is still an abundance off of 13 Tales that is still played. ‘Shakin’, ‘Mohammed’ and the crowd-pleasing ‘Godless’. The intro chords to ‘Godless’ had the crowd in a frenzy as the audience cheered them on.

About half way through the set Zia said all the vibrations made her need to use the bathroom. Soon enough Brent and Pete followed her off stage. Par for the course, Courtney had the crowd do an acoustic version of ‘Everyday Should Be A Holiday’. Stripped down to a guitar and the audience, the song always sounds great. The chorus really filled up the entire venue as everyone shouted and sang along.

Zia

Their new music fits in nicely with their older songs. 4 songs were played off the new album and they couldnt have sounded better. They had a nice blend of songs with their droning, shoegaze guitar sounds as well as their faster pop songs ‘Get Off’. ‘Lou Weed’ was played for someone in the audience and Courtney remarked that song had the most words of any of their songs and he was out of breath. As he put it, ‘guess I had a lot to say about Lou Reed’.

Other things: Pete always looks cool esp when he’s doing his wind up arms on guitar; Zia is now playing guitar on a song (or 2) off their new album; and Fatheads hair always looks so awesomely huge. Im pretty sure that this band just gets better with age.

After about 2 hours the band finally announced the last song. With their ‘fake’ encore (ie no one leaves the stage – mock cheers), they were back for one last song. They talked about the carnival scene in Amsterdam which would have been perfect for ‘Autumn Carnival’, but they had already played that. Instead we got a really great version of ‘Country Leaver’ which worked quite well. It was fun and quirky and one hell of a way to end the show.

Openers 1776 (who are on tour with them) looked like they had just stepped out of the 60s/70s with long shaggy hair sounding like The Byrds. They played about 20 minutes of loud rock music – not much talking to the point someone yelled at asking for the name of their band.

The other opener Sleepy Sun were quite catchy sounding a bit shoegaze-y indie pop. Their set dragged on a bit and the lead singer seemed to expect more crowd participation. He was really working the stage going back and forth with big arm movements that I felt like I was watching Snow Patrol. Maybe one day they will be big that they wont have to say their name.

Setlist:
Be in
Wutbf
Junkie
Shakin
I love u
ride? (did they play this?)
Last high
Holding me up
Edsbah
Enjoy yourself
You get me right down to the floor..sad vacation
Mohammed
Lou weed
And they’re gone. New song
Autumn.carnival
Pills
Boho
Get off
Godless
pia/Boys better

Encore

Ill tell.you I.understand. country.leaver

Sent from my Android.

(the setlist might be a bit inaccurate – really couldnt remember if ride was played)

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Dead on the Dancefloor

Posted by xneverwherex on January 18, 2012

The Good Natured
Nicos Gun

Mercury Lounge
1/16/12

Sarah McIntosh makes up 1/3 of The Good Natured. She is pretty much the face of the band and can’t be more adorable. With a soft spoken British accent, she is just pleasant to listen to. Tonight shes come out in skin tight purple satiny pants with heels that are to die for. She moves around the stage looking like she came out of an 80s goth video. This time around, her hair is more akin to looking like she’s a new Robert Smith (The Cure) and she cant look better. With thick black eyes, she just might be the new Siouxsie Sioux.

Vocally the band brings out the dark emotions of the 80s goth bands (Siouxsie, The Cure) but then puts an electro spin on it, and they become a mix of them and the likes of Ladytron. She describes her music as pop music with heart which it can definitely be, if you like your pop music a bit on the darker side.

Tonights show started out with their new single ‘Video Voyeur’ which is quite catchy and then went into the even more catchy pop song ‘Be My Animal’. Sarah wasted no time getting off the stage and dancing in the crowd. She definitely plays off the energy and just loves to get the crowd to dance. She managed to get into the crowd 2x during the set; the second time was during the oh so sexy song ‘Dead on the Dancefloor’.

The set was a good mix of newer and old songs. The only real disappointment was the set itself was beyond short at just 8 songs. It might have been 20 or 30 minutes but there was still a crowd left wanting a lot more. And who wouldnt, when it comes to watching Sarah on stage and being captivated and mesmerized.

Nicos Gun

Nicos Gunopened up the set. Philly surely knows how to make good dirty electro funk. And this band always delivers when it comes to that. It was nearly a year since I last saw them, and while some of my favorite songs were not played, its hard not to love everything that they do. They know how to make their songs sound just a bit dirty and add a lot of the funk to it. The band seemed to be having an awesome time really getting into the songs. It seemed the band was having more fun than most of the crowd, which was a pity. While they are a completely different band than The Good Natured they were definitely on par with them in a different style.

The lead singer exuded sex and his 70s inspired vest couldnt have looked better on him. He has the swagger of the other lead singers from the 70s and knows how to work it. The other guys in the band feed off his constant energy. Their set was pretty awesome nearing about 40 minutes. Its always a bit interesting when the opener has a longer set the headliner. I guess when its 2 bands who are both starting out, you just never know what youll get.

This was really an awesome show and theyre definitely worth checking out. For anyone in the SF/LA area theyll be west in a couple days!

The Good Natured Set List:
Video Voyeur
Be My Animal
Wolves
Your Body is a Machine
Lovers
Sting
Dead on the Dancefloor
Skeleton

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Dont F$^k With My Money

Posted by xneverwherex on December 31, 2011

Penguin Prison
Vacationer
Gemini Club
12/15/11
Mercury Lounge

So my last show of 2011 was a cross between a really fun show and also a really obnoxious show. It was like all the frat boys and every single hipster around the 21 year age mark, showed up. If I never heard “that whats Im talking about” again at a show, Id be *very* happy!

Penguin Prison never disappoints. While he is technically a one-man artist, he does play with a full band. But its definitely his show. He wastes no time with engaging the crowd and by the time the first song has started he’s working up a frenzy dancing in the middle of the crowd. Everyone crowds around him trying to snap pics, while the band continues to play.

Penguin Prison

He starts with “Golden Train” that is beat-synth-heavy and his very high vocal range. It works to get the show starting. Not coming on too strong, but giving people a slow(ish) groove to start the dancing. Soon enough hes back on stage, guitar in hand, and is playing “The Worse It Gets”. The crowd gets into it by the time the chorus comes and he dances on stage.

He keeps the tempo building in the show, building up the groove in each progressive song. The crowd is non-stop dancing. Its fun booty-shaking music. “Dont Fuck With My Money” is when it really begins to get even more dance-y. The song, which sounds like it should have been around in the 80s (Jackson years), must be one of the catchiest songs of the year. As Penguin Prison takes to the floor again, hes playing right in front of me, a coy smile on his lips. Hes completely charming and its hard not to get swept up in the entire act.

By the time the show is near closing, he busts out an even more catchy song. If you werent dancing before, there is no way you werent when this song comes on. It feels like Chic came alive and by now the 70s and 80s are in full force. Its as if New Edition, Prince and all those bands came together to create this song. Its brilliance!

The two openers were very different bands. The second band Vacationer was from the lovely state of Hawaii. The guys were the most chill, cute guys ever. Their music was pretty catchy in a chill-wave/relaxed sorta way. They definitely would have fit great on a set with Best Coast or plenty of bands like that. Their music didnt quite fit with the upbeat dance heaviness of the other two. Would still easily recommend checking them out.

Chicago is home to some of the best dance-y bands. Gemini Club is yet another reminiscent of Hey Champ and Flosstradamus (no surprise that they remix each others songs). As I was coming from a work party, I missed part of their set. So disappointing as they were easily by far one of the best bands that I came across in 2011. With pounding dance beats, and a darkish dance-y sound, they sounded incredible. Surprisingly not many people were there, but those of us who were totally were engaged and loving it. “Mary’s Day” is fun, catchy and oh so danceable. One band that Ill be looking for more of during the next year.

Happy New Year! Stay safe! And till next year. With hopefully lots more great shows!

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100% Fun w/Matthew Sweet

Posted by xneverwherex on November 4, 2011

Matthew Sweet
The Shadowboxers
City Winery
11/2/11

20 years ago, Matthew Sweet came out with one of the best albums ever Girlfriend. Its quite hard to believe that it was so long ago. But, it was surely worth the wait to see the album played in its entirety. Matthew Sweet, albeit a bit bigger, sounded as great as he did all those years ago. I had only seen him once previously, for the 100% Fun tour, and wasn’t sure what I’d get this many years later. One thing I can say with certainty – I’m so glad I decided to check out this show.

Due to a 2nd show later that night, the opener was (thankfully) cut short and soon enough Matthew Sweet was appearing. He seemed more than comfortable on the stage at City Winery now going on his 3rd night. He was chatty and said how energetic the crowd was. For a seated show, it was great to see people getting up and and cheering and a lot of fist pumping. The fans were just beyond excited to be there.

Matthew Sweet

Ive always been a huge fan of power pop bands and the guitars were sounding great. From the opening chords of ‘Divine Intervention’ the band gave it everything they got. Some of the songs were filled with so much guitar and it seemed like they really went off on the guitar solos. It was brilliantly awesome.

Matthew walked us through the album – Side 1 (on vinyl/cassette whatever you had) clearly had the punch of the album. All the singles were in the beginning. Its insane when the album goes from ‘Divine Intervention’ to ‘I’ve Been Waiting’ and then ‘Girlfriend’. I mean, what more can anyone want. As side 1 seemed to disappear quickly, soon he was telling us about the deep cuts of side 2. And there are some gems on that side. ‘I Wanted To Tell You’ is pretty amazing! The great thing about this was the album is 15 songs. For that time anything about 12 or so was considered too much. So the last 3 songs were meant to be the hidden tracks – so if you kept your record (or cd) running long enough they just kind of appeared. Or on cassette they were just there. Most of us didnt even know they were hidden, so now theyre just considered part of the album. Great VH1 pop up info.

As the show was coming to an end, he told us he’d be playing a song off of 100% Fun. Its hard to imagine a show without ‘Sick of Myself’. The guitars were so loud and full on that song. Easily one of my favorite songs and everyone sang along. It was so great to have a full album of ‘Girlfriend’ and then ‘Sick of Myself’. I couldnt have asked for a better show (maybe longer). He did manage to even put in an encore and included a song from ‘Altered Beast’, the more popular ‘Time Capsule’. I wished he had time for more, but another show had to go on!

The openers from Atlanta. Oy! The Shadowboxers were one of the most boring cliche/light FM album rock bands I had ever seen live. It was verging on being painful and the only thing that made it relatively ok was that it was short. They were just so forgettable that its about all I can even say.

If youre old enough to remember this album, and loved it then, do yourself a favor and be sure to see him if he’s not already come to your town. He is so worth the money and the album is so amazing to hear performed live. Will easily be one of the best shows that I saw of 2011. And for those wondering, no Richard Lloyd (Television) is not currently playing with him.

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Best of the Rest @ CMJ

Posted by xneverwherex on October 25, 2011

10/21/11 & 10/22/11

Friday and Saturday moved so quickly and so late that I barely had a chance to recover. Even tho the nights werent insanely late, the subways always made it that much more fun.

The best set of the festival – hands down – nothing came even remotely close – was Casiokidsfrom Norway (I actually thought Swedes, but alas theyre Norwegian). Casiokids were fun and creative and did I say fun. Their synth-pop/electronic sound was fresh sounding and it always felt like they were creating music on the fly.

Casiokids

Who knows if they were – but it all seemed so original. I loved the fluidity of the band members as they all rotated on instruments from guitars to keyboards to drums. Well the drummer was usually one guy, but lots of percussion was always added – often times in the way of fruits. Shaking pineapples and red peppers. I think there was a cucumber too. The band had everyone clapping and dancing and just having a great time. It was a pity the set had to end as it should have gone on for at least another hour.

Thanks to Spike Hill for having one of the best showcases and free too! Its hard to go wrong with that. The UK had some great bands around too. Its pretty hard to go wrong with bands from across the pond (as a generalization – not a rule). Jonquil, from the hometown of Radiohead, err Oxford, were a catchy 4 piece. They have a great indie pop sound with infectious hooks and catchy melodies. Their music has a sound that is quite reminiscent of Vampire Weekend. For great britpop, this band is definitely the way to go. The guys were cute and talkative and I could see them getting quite big.

Jonquil

The BMI/MCT showcase over at Bowery Electric also had some great bands. The day started off early with Tall Shipsfrom Brighton. These 3 guys certainly can make a lot of sound. Comprising of heavy guitars and drums with minimal

Tall Ships

vocals they were a surprise that I couldnt get enough of. I really liked the set with the drummer grabbing part of the drum set and sitting in the middle of the floor. He was then joined by the bassist who went towards the back and the singer who joined in. It was so impromptu and spur of the moment. They all then had one hell of a session with drums culminating in a spastic fun set.

And with all things UK – it would be hard to omit the lovely boredish lads of Viva Brother. They ended up being a surprise guest and they never seem to disappont live. Their music is energetic and has the feel of the 90s britpop bands. Unfortunately, the band just didnt seem as into it. The drummer seemed pissed, the guitars were somehow not on the stage but in the front of the stage in the audience. Their poor tech had to go back and forth giving people instruments. Im not sure if their set didnt play out as well due to a lack of sound checks. Their music is still damn great tho, so no matter how they looked on stage it was hard not to enjoy it. A bit sad that it was so short, but hell it was free and one awesome surprise.

Washington (state) had a great band in Beat Connection. Continuing in a similar sound to Best Coast the band comes off as tropical and fun. With never ending sound problems plaguing their set, they laughed about it and continued as best as they could. Their music is catchy and has a lo-fi electronic sound to it. I loved the use of their colored neon lights surrounding the keyboards that would alternate in colors. Most of their songs were sampled with lots of keyboards and drums but the vocals that were used (Id imagine their own) sound really great. ‘In The Water’ makes you feel like youre

Beat Connection

sitting out on a beach and just in your own place grooving out. Its gotta be the catchiest song out there right now. I could listen to them over and over.

Billy McCarthy has since moved on from Pela (very sad!) to form We Are Augustines. I had wondered why this band kept emailing me new things, but that explained it all. I really didnt pay that much attention and had liked their stuff but seeing them live solidified it all. Rock music at its finest and a band that loves to play for fans. What more could anyone want. When told they had one last song, Billy went with a 10 minute jam that was purely awesome. Lots of guitars and rocking out they were easily a favorite of the night.

Bands that left a lot to be desired: Fallulah from Denmark. Im not sure which was worse the Yeah Yeah Yeahs cover in which she stated they were her favorite band. Or the fact that maybe she wanted to be Karen O. Im not entirely sure, but I found them pretty unbearable. The band itself was interesting but her as a front woman made me cringe. Chrome Sparks, from Michigan and California, just seemed a bit young and odd. Their music sounded ok, but the woman singing just seemed bored and not really into the show. And their music was a tad bit boring. Enough to stand around for 20 minutes, but thankfully it wasnt longer than that. Ambassadors, who I appreciated a bit more knowing their keyboard player was blind, had some great songs. Overall, I find their music hit and miss. Some stuff is incredibly catchy while others just dont seem to go with the sound.

Savoir Adore is already a pretty big name here and they never disappoint. One of the last bands of the day they were a fun set with catchy songs and toe tapping and just leave you feeling in great spirits. Its hard to ever go wrong with them. The guy/girl vocals always work so well and a few mess-ups and laughter ensued.

All in all, maybe Im getting more selective with what I go see, but for the most part there were some great bands that really stood out. CMJ was yet another success!

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CMJ Day 3 – Late Night

Posted by xneverwherex on October 22, 2011

It was a late night for the 3rd day. I missed all the day shows, but I did make it over to Drom with the high hopes of catching Totally Enormous Extinct Dinosaurs which I ended up missing.

But I did see some amazing talent that night. Publicist was there not as a DJ but performing. His brilliance combination of his drums, vocals and beats all in one is awesome to witness. With his shirt off, he plays with so much energy you can see sweat dripping down his body. The drumming was pretty spastic but mixed with the beats behind it everything works together quite well. If he ever plays live, its definitely worth checking him out.

Jogyo made a special guest appearance and by far was the coolest set of the night. Band members Dru Barnes and Devi Mambuka really knew how to get the crowd dancing. Singing about Africa and one world it felt like a whole unifying experience. Their sound has a reggae feel but reminds me of some of the other rappers from different African countries. Devi looked beautiful in a white gown as she danced around the stage, moving so fluidly. Everything about them was amazing and fun to watch.

33Hz was a 5 piece band playing a predictably dancey set. Their music was a bit boring in the fact that it didnt stand out on its own. They sounded like other bands and were a bit boring to watch as well.

Either way – the sets were quite good. Drom is a pretty cool place, but this night, put on by GBH was just filled with scenesters and college kids. Definitely not my scene, but for the music it was all worth it.

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Jones, Jobs

Posted by xneverwherex on October 20, 2011

Howard Jones
Classic Albums Tour
Irving Plaza
10/19/11

Howard Jones somehow made it to NYC and played an incredible set. He fought pneumonia the previous night and had to cancel the prior nights show in CT. I was worried that he might not actually be able to pull it off, but boy was I ever wrong. He came out in sunglasses, a black

Howard Jones

leather jacket and black glittery pants. No more long hair, but he still looked as cool as ever.

It was definitely interesting being here, coming from CMJ bands. It was so apparent how many bands copy a near identical sound. With only a drum machine, keyboards, a mixer, 3 laptops, +1 Ipad (that was apparently really needed), the show couldnt have been better. Howard was all mic-ed up and worked the stage. He started off with the album ‘Human’s Lib’ with videos in the background. There were sing alongs and ‘What Is Love’ was mostly the crowd singing. Everyone sang and danced during the more popular songs. Howard just loved seeing the crowd so into it. The first album with an occasional other hit was a very quick hour.

He then took a 30 minute break before he came back for the 2nd set. I was always a huge huge fan of ‘Dream Into Action’ and knew more of the songs off that album. With a nice costume change – hello red leather jacket and disco sunglasses – he was ready to tear through the next set. After realizing the show could not go on without his Ipad, he mentioned how this was dedicated to Steve Jobs. It was great to see someone acknowledge how the world has changed with Apple, especially in the music industry.

Howard Jones

Many of the songs have now been remixed and its great to hear how they’ve been updated. The keyboards will always be so distinct with a sound all of his own. He encouraged us all to learn the piano and come back and we’d all do a song together. His voice has still held up and sounds as great now as he did then.

Some of the highlights off this album were “Like to Get to Know You Well” which kind of went on and on with everyone singing the chorus. “Look Mama” was dedicated to all the moms in the crowd along with Howard’s mum who is slowly forgetting everything. “No One is To Blame” sounded as gorgeous now as it did then and instead of playing the album version he played the more popular version that the audience always loves.

He did an encore of sorts with the hugely popular ‘Things Can Only Get Better’. It was by far the best song of the night. He mentioned how a teacher told him her 4th grade class sings it every morning. And its something that we should all still live by. It was mostly sung with the audience with Howard doing different parts. It couldnt have been a more perfect way to end the set.

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