Caribou
Koreless
The Fillmore
March 2, 2015
Canada’s Dan Snaith, also known as Caribou, came to SF for a couple of days to close out the Noise Pop Festival at The Fillmore. The show had long been sold-out and unlike most shows, tickets were hard to come by. After finally making the decision that I had to see him, I just threw down the money and hoped for the best.

Caribou
Caribou, which is labeled under ‘idm’ (intelligent dance music), isnt your typical indie dance electronica band. Dan manages to encapsulate so many styles in their songs – from experimental to jungle to house and of course electronic – and as a whole the songs work. There are so many layers on his songs, with some of them having a shoegaze influence but also still has the continuous throbbing beats. The new album, Our Love seems to have branched out even more and just might be even more accessible.
On tour, Dan brings along a guitarist, bassist and another drummer and the 4-some are tight on stage. Packed neatly into a small space in the center of the stage, each band member contributes as an individual and a whole to the band. It makes for an intimate closeness as they all play and work off of each other. Its hard to imagine that this is all done as just one when its so perfect live with all the different instruments. If you love drums, they have plenty, with 2 drums going on for most of the night – a throbbing beat just keeping the show moving along.
It definitely helps that Caribou has a fan-base that is pretty solid. Before the show started, I heard someone talking about all the different shows he had seen mentioning of course Caribou. How I was so tempted to say that I saw him perform under Manitoba years prior. People that love his music, really love his music. Throw down some awesome synths to solid drum beats that have a tribal sound along with one hell of a light show, and you get one hell of an awesome show. Plus, the pulse of the crowd which was in constant movement (and they say people don’t dance) and bam! I mean, how can one not move to his music.
It was one hell of an impressive set. The band played for nearly 70 minutes without stopping between songs. Throw in ‘Sun‘ as an encore and for nearly 10 minutes you just get lost in the music. Dan was having such an awesome time, playing in purple socks, and every once in awhile staring out at the crowd with a huge smile. It was just pure happiness. The other drummer, played the set with just one shoe on. The whole band just seemed so comfortable and it was clear that it wasnt just the crowd who was so into it. Everyone was so lost in the music and with hits like ‘Odessa‘ (one of his most catchiest songs) and my own favorite ‘Leave House‘ (I never want to stop dancing when this is played – it just goes on and on and on). Plus, The Fillmore (not usually known for having electronic bands), was the place to see this. Sure, normally it’d be at Mezzanine or a more club environment, but the acoustics here were spot on. It could not have been a better space for the band.
Scottish electronic producer Lewis Roberts, a.k.a. Koreless, started the evening armed with just a laptop. It might have been the exact opposite in electronic music when compared to Caribou but to say it was not brilliant would be a lie. Koreless manages to add a lot of layers and textures to the music that it seems you can actually feel it. Between the ethereal shoegaze sounds to the space-y ambient noise, you feel like youre in your own world. In my own version of Interstellar, this is the music that would be with me. It transports you to another space, its moody and delicious. With a continuous haze of pot smoke above, it added to the ambience.I walked out of the show and my back was drenched in sweat. The dress I was wearing was now clinging to me and soaked. Sure, it was disgusting after the fact, but during the show just the feel of the crowd dancing and super into it and connected was an awesome feeling. Surely worth every cent I paid for the show and probably even more.